標(biāo)題: Titlebook: Emotions and Contingencies in Conrad‘s Fiction; Yoko Okuda Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive lice [打印本頁(yè)] 作者: 葉子 時(shí)間: 2025-3-21 18:28
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書(shū)目名稱Emotions and Contingencies in Conrad‘s Fiction讀者反饋學(xué)科排名
作者: BUST 時(shí)間: 2025-3-21 20:15
Always ‘the Unexpected’: Conrad as discussed in the Introduction, and analyzes the idiosyncratic emotionality of the protagonist primarily in terms of the stressful power of emotion. The first part of this chapter is centered around the key concept of ‘the unexpected’ as a sign of impermanence, and argues that Marlow’s int作者: 撫慰 時(shí)間: 2025-3-22 03:50 作者: 滑稽 時(shí)間: 2025-3-22 04:50
Nature, Identity, and Emotions: ve tendencies manifested by the main characters. It raises the universal issue of the difficulty of reconciling one’s personal sense of identity with the consciousness of being part of Nature, indicating that this issue is closely related to the human desire for secure self-identity. The distinguish作者: 音樂(lè)等 時(shí)間: 2025-3-22 12:15 作者: committed 時(shí)間: 2025-3-22 13:55
A ‘Pilgrimage of Emotions’: ‘The Duel’h the aggressive hostility of his opponent, Feraud. It examines his shifting emotions and the subtle changes in his emotional and intellectual attitude through a thematic and stylistic analysis, and argues that the threats posed, first to his compassionate attachment to his sister and then to his pa作者: committed 時(shí)間: 2025-3-22 20:22
‘The Feel of the Ship’: ‘The Secret Sharer’n the literal rather than the non-literal level, with an emphasis on the issue of the body. It begins by tracing the intimate non-verbal communication that the captain shares with the stowaway and asserts that such a form of communication emphasizes the potential of the body to communicate and to ex作者: 我沒(méi)有強(qiáng)迫 時(shí)間: 2025-3-22 21:33 作者: Brain-Waves 時(shí)間: 2025-3-23 04:54 作者: 群居動(dòng)物 時(shí)間: 2025-3-23 06:59 作者: 不成比例 時(shí)間: 2025-3-23 10:23 作者: 構(gòu)成 時(shí)間: 2025-3-23 13:52
uman defiance towards reality. The book takes up seven of Conrad’s works which are of significance from the perspective of emotions and contingencies, including ‘Heart of Darkness’ and .Nostromo...978-3-031-66725-1978-3-031-66723-7作者: HOWL 時(shí)間: 2025-3-23 19:57 作者: 煤渣 時(shí)間: 2025-3-24 01:15 作者: covert 時(shí)間: 2025-3-24 05:51
Introduction, is shared not only by his contemporaries but also by some critics of this century. The chapter discusses also two kinds of approaches in Affect Studies, the importance of close reading, and some convergences between Conrad and Buddhism.作者: stress-test 時(shí)間: 2025-3-24 07:34 作者: 存在主義 時(shí)間: 2025-3-24 10:42
Molecular Methods in Developmental Biology insecurity,’ a phrase which reappears in . (1906: 30). The chapter also considers Stein’s frequently-quoted advice to Marlow—‘to the destructive element submit yourself’—and offers a fresh interpretation of that advice in the framework of impermanence and insecurity.作者: 該得 時(shí)間: 2025-3-24 15:51 作者: 混合物 時(shí)間: 2025-3-24 19:44 作者: BULLY 時(shí)間: 2025-3-25 01:11 作者: Aesthete 時(shí)間: 2025-3-25 07:10
https://doi.org/10.1007/978-3-030-82559-1 analyzes a climactic scene in terms of ‘bodily eyes’ and the ‘mind’s eye.’ The chapter concludes that the captain succeeds in developing the physical sense that is imperative for commanding a ship by first developing it in relation to the stowaway and then in relation to the ship.作者: brassy 時(shí)間: 2025-3-25 10:37 作者: 腐爛 時(shí)間: 2025-3-25 15:14 作者: Synthesize 時(shí)間: 2025-3-25 16:29 作者: 一夫一妻制 時(shí)間: 2025-3-25 20:44 作者: periodontitis 時(shí)間: 2025-3-26 01:13
Surprise, Anger, and Obsessive Thought:ntext of security and insecurity, and the third in the context of selflessness and selfishness. The chapter concludes that a close examination shows that there is a human tendency to follow a typical sequence of emotions—from surprise to anger, and from anger to obsessive thought.作者: Pert敏捷 時(shí)間: 2025-3-26 06:55 作者: 參考書(shū)目 時(shí)間: 2025-3-26 12:18
‘The Feel of the Ship’: ‘The Secret Sharer’ analyzes a climactic scene in terms of ‘bodily eyes’ and the ‘mind’s eye.’ The chapter concludes that the captain succeeds in developing the physical sense that is imperative for commanding a ship by first developing it in relation to the stowaway and then in relation to the ship.作者: 感情 時(shí)間: 2025-3-26 16:29 作者: 愉快么 時(shí)間: 2025-3-26 18:01
Conclusion Conrad’s dual perspective derives from his experience as a seaman and that it underlies not only his moral vision but also his view of art. The theme of emotions and the theme of contingencies are important themes, because they are closely connected with Conrad’s dual perspective.作者: 窒息 時(shí)間: 2025-3-27 00:26 作者: Cosmopolitan 時(shí)間: 2025-3-27 02:44 作者: 無(wú)彈性 時(shí)間: 2025-3-27 05:32 作者: 寒冷 時(shí)間: 2025-3-27 12:53 作者: LAST 時(shí)間: 2025-3-27 14:06 作者: DAUNT 時(shí)間: 2025-3-27 20:59
https://doi.org/10.1007/978-3-540-69771-8 threatened by an unexpected event in a ‘world of contradictions.’ The chapter begins with a brief discussion of literary irony and the specific irony implicit in the narration of the heterodiegetic narrator. It then analyzes the emotional propensities of each pair of character by comparing and cont作者: 自作多情 時(shí)間: 2025-3-28 00:48 作者: Proclaim 時(shí)間: 2025-3-28 05:08 作者: RADE 時(shí)間: 2025-3-28 08:12 作者: 思鄉(xiāng)病 時(shí)間: 2025-3-28 11:09 作者: mydriatic 時(shí)間: 2025-3-28 16:21 作者: 諄諄教誨 時(shí)間: 2025-3-28 19:35
978-3-031-66725-1The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 把…比做 時(shí)間: 2025-3-29 00:09 作者: Graves’-disease 時(shí)間: 2025-3-29 06:05
http://image.papertrans.cn/f/image/320578.jpg作者: 美麗的寫(xiě) 時(shí)間: 2025-3-29 07:52 作者: APEX 時(shí)間: 2025-3-29 11:26
