標(biāo)題: Titlebook: Exploring Music Contents; 7th International Sy S?lvi Ystad,Mitsuko Aramaki,Kristoffer Jensen Conference proceedings 2011 Springer-Verlag Gm [打印本頁] 作者: 熱愛 時間: 2025-3-21 19:45
書目名稱Exploring Music Contents影響因子(影響力)
書目名稱Exploring Music Contents影響因子(影響力)學(xué)科排名
書目名稱Exploring Music Contents網(wǎng)絡(luò)公開度
書目名稱Exploring Music Contents網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Exploring Music Contents被引頻次
書目名稱Exploring Music Contents被引頻次學(xué)科排名
書目名稱Exploring Music Contents年度引用
書目名稱Exploring Music Contents年度引用學(xué)科排名
書目名稱Exploring Music Contents讀者反饋
書目名稱Exploring Music Contents讀者反饋學(xué)科排名
作者: 悲痛 時間: 2025-3-21 20:26 作者: 平息 時間: 2025-3-22 02:14
Unsupervised Analysis and Generation of Audio Percussion Sequences low clustering refinement) versus specificity (long context, high clustering refinement) of the generated sequence. For a broad variety of musical styles the musical characteristics of the original are preserved. At the same time, considerable variability is introduced in the generated sequence.作者: GUISE 時間: 2025-3-22 06:54 作者: 存心 時間: 2025-3-22 11:43 作者: 機(jī)密 時間: 2025-3-22 16:24
Abstract Sounds and Their Applications in Audio and Perception Research to address the problem of stimulus selection and categorization of sounds in the context of perception research. This paper introduces what we call abstract sounds with the existing musical background and shows their relevance for different applications.作者: 機(jī)密 時間: 2025-3-22 17:18 作者: sclera 時間: 2025-3-22 22:19
0302-9743 of the 7th International Symposium on Computer Music Modeling and Retrieval, CMMR 2010, held in Málaga, Spain, in June 2010. The 22 revised full papers presented were specially reviewed and revised for inclusion in this proceedings volume. The book is divided in five main chapters which reflect the作者: entreat 時間: 2025-3-23 04:54
Veranstaltungen des Bundesvorstandes,s described: the whole music system is split into several web services sharing an unique music representation. . is proposed as the interchangeable music data format based on the solid and flexible . representation. A web browser-based graphic environment is developed as the user interface for the Computer Music Cloud as music web applications.作者: ligature 時間: 2025-3-23 06:57
Ausgangssituation und Grundbegriffe, to address the problem of stimulus selection and categorization of sounds in the context of perception research. This paper introduces what we call abstract sounds with the existing musical background and shows their relevance for different applications.作者: 過多 時間: 2025-3-23 13:10
https://doi.org/10.1007/978-3-663-04902-9orate user-defined functions at early steps of the query evaluation process. We describe our architectural vision, develop a formal description of the language, and illustrate a user-friendly syntax with several classical examples of symbolic music information retrieval.作者: Expiration 時間: 2025-3-23 14:19
https://doi.org/10.1057/9781403981639ards that address these requirements focusing on the MPEG Interactive Music Application Format. The paper closes by looking at additional standards that address similar applications and outlining the further requirements that need to be met.作者: Wernickes-area 時間: 2025-3-23 20:57
Springer Professional Computing the relevant temporal perception literature, the necessary performance elements to add in the metrical generative model, related to the chunk memory, are obtained. In particular, the pitch gestures are modeled as rising, falling, or as arches with positive or negative peaks.作者: 原來 時間: 2025-3-23 23:48
Interactive Music Applications and Standardsards that address these requirements focusing on the MPEG Interactive Music Application Format. The paper closes by looking at additional standards that address similar applications and outlining the further requirements that need to be met.作者: labile 時間: 2025-3-24 02:51 作者: 脆弱吧 時間: 2025-3-24 09:26
Conference proceedings 2011ers range from music interaction, composition tools and sound source separation to data mining and music libraries. One chapter is also dedicated to perceptual and cognitive aspects that are currently subject to increased interest in the MIR community.作者: 邊緣帶來墨水 時間: 2025-3-24 12:28
are integrated in a Bayesian framework, achieving state-of-the-art performance. The second approach uses inductive logic programming to learn logical descriptions of harmonic sequences which characterise particular styles or genres. Each approach brings us one step closer to modelling music in the way it is conceptualised by musicians.作者: Emasculate 時間: 2025-3-24 18:27
Chapter 6 Systems of Repression,one, showing the improvement in spectrogram displaying obtained with an automatic adaptation of the resolution. The analysis operator is invertible, thus leading to a perfect reconstruction of the original signal through the analysis coefficients.作者: 馬具 時間: 2025-3-24 19:52
CRITICAL ISSUES FOR THE FUTURE,quential Markov chain Monte Carlo (MCMC) algorithm that is an MCMC extension of particle filtering. Initial results with guitar music, both laboratory test data and commercial extracts, show promising levels of performance.作者: 樹膠 時間: 2025-3-25 02:02
Bisherige Arbeiten auf dem Gebiet,ations such as legatos and glissandos. After describing the components of our system, we report some experiments with recordings containing single articulations and short melodies performed by a professional guitarist.作者: gentle 時間: 2025-3-25 03:35 作者: 增強 時間: 2025-3-25 08:36
An Entropy Based Method for Local Time-Adaptation of the Spectrogramone, showing the improvement in spectrogram displaying obtained with an automatic adaptation of the resolution. The analysis operator is invertible, thus leading to a perfect reconstruction of the original signal through the analysis coefficients.作者: Folklore 時間: 2025-3-25 12:47 作者: 誓言 時間: 2025-3-25 18:53
Identifying Attack Articulations in Classical Guitarations such as legatos and glissandos. After describing the components of our system, we report some experiments with recordings containing single articulations and short melodies performed by a professional guitarist.作者: 含糊 時間: 2025-3-25 20:00 作者: 擴(kuò)音器 時間: 2025-3-26 01:42 作者: appall 時間: 2025-3-26 06:50
Souslinmengen (allgemeine Eigenschaften),otes are then labelled to the corresponding type of instruments by the K nearest neighbors (K-NN) classification algorithm based on the MSEs. Finally, the source signals are reconstructed from the classified notes and the weighting matrices obtained from the NMF algorithm. Simulations are provided to show the performance of the proposed system.作者: Vulnerary 時間: 2025-3-26 08:40 作者: 發(fā)電機(jī) 時間: 2025-3-26 13:09 作者: 樣式 時間: 2025-3-26 17:41 作者: investigate 時間: 2025-3-26 21:40
https://doi.org/10.1007/978-3-662-28438-4 to develop a new generation of hybrid music search and recommendation engines. The target outcomes are novel adaptive methods of Music Information Retrieval in combination with Web 2.0 technologies for better quality in the automated recommendation and online marketing of world music collections.作者: BLANC 時間: 2025-3-27 03:10 作者: Negotiate 時間: 2025-3-27 06:35 作者: 多節(jié) 時間: 2025-3-27 13:25 作者: 讓空氣進(jìn)入 時間: 2025-3-27 14:34
Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre Recognitionaluated at a semantic (relative correct overlap RCO), and temporal (boundary retrieval F-measure) levels. The ASS/ATR method obtained the best results (average RCO of 94.5% and boundary F-measure of 50.1%). These performances were favourably compared with that obtained by a SVM-based technique providing a good benchmark of the state of the art.作者: 欄桿 時間: 2025-3-27 21:09 作者: ovation 時間: 2025-3-27 23:51 作者: 休息 時間: 2025-3-28 05:14
Conference proceedings 2011 held in Málaga, Spain, in June 2010. The 22 revised full papers presented were specially reviewed and revised for inclusion in this proceedings volume. The book is divided in five main chapters which reflect the present challenges within the field of computer music modeling and retrieval. The chapt作者: 天真 時間: 2025-3-28 08:22
Ma?geblichkeitsprinzip und Einheitsbilanznot only the audio files but also the scores. Using advanced signal processing techniques, we have developed new tools that will help us handling music information, preserve, develop and disseminate our cultural music assets and improve our learning and education systems.作者: instate 時間: 2025-3-28 13:50 作者: 鄙視讀作 時間: 2025-3-28 16:57 作者: MILL 時間: 2025-3-28 21:02
Pattern Induction and Matching in Music Signalstion - the temporal sequence of events can be subdivided into shorter patterns that are sometimes repeated and transformed. Methods are described for extracting such patterns from musical audio signals (pattern induction) and computationally feasible methods for retrieving similar patterns from a large database of songs (pattern matching).作者: 啞劇 時間: 2025-3-29 01:24 作者: 裂隙 時間: 2025-3-29 05:41 作者: abreast 時間: 2025-3-29 10:07 作者: 悲觀 時間: 2025-3-29 11:45 作者: 監(jiān)禁 時間: 2025-3-29 17:45
https://doi.org/10.1007/978-3-642-23126-1audio data processing; computational musicology; computer music generation; melodic similarity recognit作者: TOM 時間: 2025-3-29 20:59
, particularly for musically informed users. We describe two recent approaches to modelling musical harmony, using a probabilistic and a logic-based framework respectively, which attempt to reduce the gap between computational models and human understanding of music. The first is a chord transcripti作者: Alpha-Cells 時間: 2025-3-30 00:24
https://doi.org/10.1057/9781403981639buted as games for gaming consoles and applications for mobile devices that currently use proprietary file formats, but standardization orgranizations have been working to develop an interchangeable format. This paper surveys the applications and their requirements. It then reviews the current stand作者: Eclampsia 時間: 2025-3-30 07:34
Trade Union Strategies after May 1968,mited to changing the global volume or the track. Imagine now that the listener can turn into a musician, playing with the sound sources present in the stereo mix, changing their respective volumes and locations in space. For example, a given instrument or voice can be either muted, amplified, or mo作者: AUGER 時間: 2025-3-30 11:16 作者: 笨拙的你 時間: 2025-3-30 13:30 作者: 粗糙濫制 時間: 2025-3-30 18:54 作者: 致詞 時間: 2025-3-31 00:22
Souslinmengen (allgemeine Eigenschaften),ive matrix factorization (NMF) and note classification, assuming that the instruments used to play the sound signals are known a priori. The spectrogram of the mixture signal is first decomposed into building components (musical notes) using an NMF algorithm. The Mel frequency cepstrum coefficients 作者: Lamina 時間: 2025-3-31 03:39
https://doi.org/10.1007/978-3-662-28439-1rforming blind source separation (BSS) of multichannel audio data. In this paper we investigate the statistical source models implied by this approach. We show that it implicitly assumes a nonpoint-source model contrasting with usual BSS assumptions and we clarify the links between the measure of fi作者: 捕鯨魚叉 時間: 2025-3-31 05:03 作者: 漂亮才會豪華 時間: 2025-3-31 11:32
,Pr?vention — Treibjagd auf die Krankheit, the BBC. In the first method, the machine estimated classifications obtained with an automatic timbre recognition (ATR) model are post-processed using median filtering. The classification system (LSF/K-means) was trained using two different taxonomic levels, a high-level one (speech, music), and a 作者: Deceit 時間: 2025-3-31 15:15 作者: 沒有貧窮 時間: 2025-3-31 20:35
Ausgangssituation und Grundbegriffe,hat cannot be recognized are not often studied except by electroacoustic music composers. Besides, considerations on recognition of sources might help to address the problem of stimulus selection and categorization of sounds in the context of perception research. This paper introduces what we call a作者: 失誤 時間: 2025-3-31 22:24 作者: Nuance 時間: 2025-4-1 03:24
,Grundüberlegungen zu Teambuildingma?nahmen,es musical variations from it. The procedure consists of 1) segmentation, 2) symbolization (feature extraction, clustering, sequence structure analysis, temporal alignment), and 3) synthesis. The symbolization step yields a sequence of event classes. Simultaneously, representations are maintained th作者: 徹底檢查 時間: 2025-4-1 08:32 作者: callous 時間: 2025-4-1 11:15
,Managementans?tze in der Literatur,focuses on the similarity of musical notation or musical audio, in this paper we specifically use on the symbolic chord description as the primary musical representation. For an experiment, a large chord sequence corpus was created. In this experiment we compare a geometrical and an alignment approa
