標(biāo)題: Titlebook: Exporting Culture; Which role for Europ Raphaela Henze,Gernot Wolfram Book 2014 Springer Fachmedien Wiesbaden 2014 Globalisierung.Interkult [打印本頁] 作者: fasten 時(shí)間: 2025-3-21 19:46
書目名稱Exporting Culture影響因子(影響力)
書目名稱Exporting Culture影響因子(影響力)學(xué)科排名
書目名稱Exporting Culture網(wǎng)絡(luò)公開度
書目名稱Exporting Culture網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Exporting Culture被引頻次
書目名稱Exporting Culture被引頻次學(xué)科排名
書目名稱Exporting Culture年度引用
書目名稱Exporting Culture年度引用學(xué)科排名
書目名稱Exporting Culture讀者反饋
書目名稱Exporting Culture讀者反饋學(xué)科排名
作者: 不能逃避 時(shí)間: 2025-3-21 23:57
Raphaela Henze,Gernot WolframEuropean culture as export commodity?.Cultural exchange in international context.Prominently staffed anthology.Includes supplementary material: 作者: 相容 時(shí)間: 2025-3-22 01:23 作者: Pantry 時(shí)間: 2025-3-22 06:40
Developmental Psychopathology at Schoolcultural offerings. Whilst writing this chapter, planned trade talks between the US and the EU are in jeopardy as some European nation states seek a ‘cultural exception’ to bilateral trade talks in a bid to ‘protect cultural diversity’ from the American cultural ‘juggernaut’.作者: 沒花的是打擾 時(shí)間: 2025-3-22 09:58 作者: intertwine 時(shí)間: 2025-3-22 12:57 作者: intertwine 時(shí)間: 2025-3-22 17:13
Exporting Culture in a Global World: War economy or Warhol economy?,larly in the present crisis situation. Educational institutions and more specifically networks, associations and alliances are the best platforms for creating the best conditions to contribute to the modernization of the educational system and generate opportunities for unconventional connections between creative business and academic spheres.作者: 編輯才信任 時(shí)間: 2025-3-22 22:50 作者: accessory 時(shí)間: 2025-3-23 03:15 作者: GRAVE 時(shí)間: 2025-3-23 08:46 作者: 雜色 時(shí)間: 2025-3-23 13:38 作者: 提名 時(shí)間: 2025-3-23 17:40
https://doi.org/10.1007/978-1-4419-6092-4h any real meaning behind it. Reflecting on the term, one might think: different artists from different countries come together from across the continent, share their ideas, exchange their knowledge and create new aesthetic experiences. This fascinating idea appears in political speeches and on the 作者: 手榴彈 時(shí)間: 2025-3-23 21:38 作者: 故意釣到白楊 時(shí)間: 2025-3-23 22:22 作者: Harpoon 時(shí)間: 2025-3-24 06:25
Alan Brown,Simone Kirpal,Felix Rauner-Institutes abroad, this is an increase of six percent; within Germany the increase has reached 17 percent, corresponding to 38,000 students. The President of the Goethe-Institut, Klaus-Dieter Lehmann, explains this overwhelming interest in the German language and Germany as a whole, not only with t作者: arbiter 時(shí)間: 2025-3-24 07:49
Ethnic Identity Measurement and Verification, individual passion, gratitude of the hosts and bold elements. What could be more exciting than curating an exhibition of European art in Shanghai, promoting African music in Vienna or putting up a German-Russian Year of Culture? And what, if not global exchange, will drive the arts into the future作者: PHONE 時(shí)間: 2025-3-24 12:24 作者: 合群 時(shí)間: 2025-3-24 18:10
Ethnicity: Inside Out or Outside In?,ct surroundings. More often than not the art world does not know much about them. Ask Jonathan Watkins who curated the Iraq Pavilion at the 2013 Biennale in Venice. He has visited Iraq three times “seeking out artists isolated from the burgeoning international calendar of biennials and art fairs. Tr作者: 燈絲 時(shí)間: 2025-3-24 20:23
Limiting Europe: Borderscape Practices,title European Capital of Culture is awarded by the European Council. Since 2011, two cities from two European Countries have been awarded the title each year. After four years of professional work headed by Trevor Davies, the city of Aarhus was elected in 2012. Aarhus is the second largest city in 作者: 去才蔑視 時(shí)間: 2025-3-25 01:28
Identities, Youth and Belongingultural diversity launched by UNESCO. Europe is not an innocent continent when it comes to questions of post-colonial attitudes, cultural diversity and the appreciation of cultural difference as defined by Homi Bhabha (Bhabha 2000). Rather, European countries have represented . power to establish co作者: 四目在模仿 時(shí)間: 2025-3-25 04:48 作者: 晚來的提名 時(shí)間: 2025-3-25 09:59
,The Weak and the Strong Term “European Arts Project” – Potential and Lack of Self-Consciousness witent, share their ideas, exchange their knowledge and create new aesthetic experiences. This fascinating idea appears in political speeches and on the websites of many art foundations and funding programs all over Europe. It is also an important approach of the cultural programs of the European Union.作者: 巫婆 時(shí)間: 2025-3-25 14:45 作者: collateral 時(shí)間: 2025-3-25 19:45 作者: 高射炮 時(shí)間: 2025-3-25 21:56 作者: 預(yù)防注射 時(shí)間: 2025-3-26 01:50 作者: 實(shí)現(xiàn) 時(shí)間: 2025-3-26 04:22
Transatlantic Cultural Diplomacy,ond, I compare American public diplomacy approaches to European ones. Given that both the EU and US have high-levels of cultural diversity, I conclude by drawing out the lessons and drawbacks of adopting an American approach to public diplomacy, especially in light of the changing geo-political landscape.作者: Ondines-curse 時(shí)間: 2025-3-26 10:52 作者: BILL 時(shí)間: 2025-3-26 14:38 作者: Oscillate 時(shí)間: 2025-3-26 18:04 作者: trigger 時(shí)間: 2025-3-26 23:32
Case Finding, Screening, and Referral,Cultural transfer, embodied in European arts projects, seems to be a key answer to many of the issues raised in this but also in the other texts in this volume. Therefore, . further explores cultural transfer and the prerequisites of European cross-border art projects in his contribution to this book.作者: commensurate 時(shí)間: 2025-3-27 01:26
Stephen White,Valentina Feklyuninathe last two decades: the inglorious demise of communism, Fukuyama’s brief dream of the global spread of American capitalism, the new terrorism since 9/11, astonishing natural disasters, the economic rise of China and India, epidemics and finally the crisis of the market economy.作者: phlegm 時(shí)間: 2025-3-27 06:20
Alan Brown,Simone Kirpal,Felix Raunerhe ever increasing search for employment due to the global financial crisis, but also with the subtle, continuous and long-term cooperation by the Goethe-Institut with countries across the world, based on equal partnerships from the start.作者: asthma 時(shí)間: 2025-3-27 09:32
Ethnic Identity Measurement and Verification?.In fact, the arts have always been bartered and have highlighted strange influences in the most evident way. Where sailors went, artefacts, mainly handicrafts, were transported back and forth; works of art that can be transported, as we are used to today, did not exist.作者: 刪減 時(shí)間: 2025-3-27 14:56
Ethnicity: Inside Out or Outside In?,avelling in a bulletproof car surrounded by soldiers was a constant reminder of the instability that underlies daily life (…) we went to the Fine Arts Association in Basra,” he recalls. “They say things which are heart-breaking – for instance, ‘You’re the first foreign curator who has come to see us.’”作者: AMPLE 時(shí)間: 2025-3-27 21:49
Introduction,ons such as the European Union, and many others, have made huge efforts in an attempt to change this image and to implement a new one based on an understanding of diversity, tolerance and cultural openness.作者: inquisitive 時(shí)間: 2025-3-27 23:03
Spending on culture is a solid investment,Cultural transfer, embodied in European arts projects, seems to be a key answer to many of the issues raised in this but also in the other texts in this volume. Therefore, . further explores cultural transfer and the prerequisites of European cross-border art projects in his contribution to this book.作者: Ardent 時(shí)間: 2025-3-28 02:06 作者: Conspiracy 時(shí)間: 2025-3-28 10:07 作者: 誰在削木頭 時(shí)間: 2025-3-28 12:08 作者: 泥瓦匠 時(shí)間: 2025-3-28 17:22 作者: ADJ 時(shí)間: 2025-3-28 21:43 作者: STEER 時(shí)間: 2025-3-29 01:45
https://doi.org/10.1007/978-1-4419-6092-4ent, share their ideas, exchange their knowledge and create new aesthetic experiences. This fascinating idea appears in political speeches and on the websites of many art foundations and funding programs all over Europe. It is also an important approach of the cultural programs of the European Union.作者: 柔聲地說 時(shí)間: 2025-3-29 06:50
https://doi.org/10.1057/9780230288690e of current ‘English’ origins. Still, with such significant numbers of other nationals on the doorstep, the Declaration on European Identity signed by the nine member states of 1973 conjures up a fading aspiration of uniformity and a European citizen of even 40 years ago would not recognise many of the major European cities today.作者: 擴(kuò)張 時(shí)間: 2025-3-29 09:28
Limiting Europe: Borderscape Practices,ach year. After four years of professional work headed by Trevor Davies, the city of Aarhus was elected in 2012. Aarhus is the second largest city in Denmark and the second Danish city to win the title after Copenhagen, which was nominated in 1996. Aarhus shares the title European Capital of Culture 2017 with Paphos (Cyprus).作者: 很像弓] 時(shí)間: 2025-3-29 11:51 作者: Mundane 時(shí)間: 2025-3-29 17:47
Book 2014 an intelligent recognition of the genuine values of the 21st century – creativity and cultural sensitivity? These and several other questions concerning the export of culture are addressed by authors from different countries in order to initiate a debate about the role European cultural products and services are able to play globally..作者: 貪婪性 時(shí)間: 2025-3-29 23:14
Introduction,rtistic exchanges, political movements, social imbalances and a history of flights and escapes have determined and determine this ongoing development. However, the history of colonialism, from a historical perspective, has led to a negative image in relation to the term ‘European Culture’. Instituti作者: Lipohypertrophy 時(shí)間: 2025-3-29 23:59
Transatlantic Cultural Diplomacy,cant cultural diversity. Has this been an impossible task or has the EU over time managed to create successful and legitimate ways of augmenting its soft power through the export of its cultural products? To shed light on this issue, I first consider the United States as the target audience for Euro作者: 阻撓 時(shí)間: 2025-3-30 05:26 作者: connoisseur 時(shí)間: 2025-3-30 10:08 作者: TEM 時(shí)間: 2025-3-30 14:55
,The Weak and the Strong Term “European Arts Project” – Potential and Lack of Self-Consciousness with any real meaning behind it. Reflecting on the term, one might think: different artists from different countries come together from across the continent, share their ideas, exchange their knowledge and create new aesthetic experiences. This fascinating idea appears in political speeches and on the 作者: 粘土 時(shí)間: 2025-3-30 20:32
