標(biāo)題: Titlebook: Exploring Transdisciplinarity in Art and Sciences; Zo?‘Kapoula,Emmanuelle Volle,Moreno Andreatta Book 2018 Springer International Publishi [打印本頁] 作者: 補給線 時間: 2025-3-21 20:02
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作者: arrogant 時間: 2025-3-21 23:13 作者: heart-murmur 時間: 2025-3-22 04:16
Investigating Creativity from a Semantic Network Perspectivedue to the challenge of representing semantic memory, the relationship between semantic memory and creativity has not been thoroughly investigated. In recent years, computational network science tools are increasingly being applied at the cognitive level to examine language and memory systems. Netwo作者: Germinate 時間: 2025-3-22 08:00
The Neuropsychological Aspects of Musical Creativity the attainment of a flourishing life. More specifically, creativity is commonly defined, within the framework of psychology, as an act or product that shall fulfill three main criteria: originality, unexpectedness, and usefulness. The cognitive science approach to creativity investigates the intell作者: sperse 時間: 2025-3-22 11:22
Empirical Aesthetics: In Quest of a Clear Terminology and Valid Methodologynd a worldwide increasing and scientifically active community we face an obvious confusion of terminology and a lack of standard research methods to base our research on. The initial question to be addressed for researchers in the field of aesthetics is whether they aim to research aesthetics regard作者: 緩和 時間: 2025-3-22 14:24
Design and Enfictionment Experiencing a Hybridizing Strategy in Architectural Prospectsspective academics and practices. In an academic situation, we here observed three productions of students in a master’s degree program at the School of Architecture of Lyon, ENSAL, France. By creating a video tale, the produced projects bear a temporal dimension which re-introduces a linearity into作者: 緩和 時間: 2025-3-22 17:49 作者: 分開 時間: 2025-3-22 22:55 作者: paltry 時間: 2025-3-23 01:53
Postural and Emotional Impact of Carsten H?ller’s Artwork “Light Corner”sked to stand in quiet stance in the middle of Carsten H?ller’s “Light Corner” (2001). This artwork, one of the first of the Dynamo exhibition, was a room (three walls, the fourth side being the entrance) covered with light bulbs flickering while speakers displayed sound vibrations at similar fast-p作者: 衰弱的心 時間: 2025-3-23 08:20
Gesture: A Transsubjective Tool to Understand a Work of Architecturel issue with many practical repercussions, especially when there is a need to intervene in valuable or historical buildings; it is also pertinent in what regards the didactics of architecture. We propose that the interpretation of architecture in a transsubjective way derives from the analysis of th作者: 大喘氣 時間: 2025-3-23 12:44 作者: OMIT 時間: 2025-3-23 14:01 作者: arousal 時間: 2025-3-23 21:15
Composing Music from Neuronal Activity: The Spikiss Projectnd used to trigger simple tones or more complex sounds. We used experimental recordings of brain activity under the form of “spikes”, recorded with microelectrodes in human subjects. The recordings come from different sources, which have been all published in the neuroscience literature. We emphasiz作者: MAPLE 時間: 2025-3-24 01:13
Edith Piaf, Billie Holiday, and Elisabeth Schwarzkopf Making Music Togethergoal of a performance made for a music festival in L’Aquila (Italy) in 2015. This raises musical questions: what kind of sound could link Billie Holiday to Schwarzkopf, Schwarzkopf to Piaf? What kind of musical structure? With the help of the software ImproteK, the three ladies eventually sang toget作者: 起波瀾 時間: 2025-3-24 05:18
Zo?‘Kapoula,Emmanuelle Volle,Moreno AndreattaProvides a compelling analysis of the interplay between art and sciences.Covers a broad range of interdisciplinary topics.Written by experts in the field作者: 招募 時間: 2025-3-24 09:27
http://image.papertrans.cn/e/image/319603.jpg作者: cipher 時間: 2025-3-24 12:55 作者: 性滿足 時間: 2025-3-24 17:00 作者: 連詞 時間: 2025-3-24 19:07 作者: Longitude 時間: 2025-3-25 02:35
https://doi.org/10.1007/978-3-319-76054-4Creativity; Creative brain; Architecture and Fiction; Hearing and paintings; Perception of 3D space; Musi作者: expdient 時間: 2025-3-25 06:34
Global Perspectives on Higher Educationreative mind and creative behaviour. This chapter attempts to contribute to this effort, by reviewing the literature on brain activity and creativity, within the theoretical framework offered by the multivariate approach. According to this approach the multidimensional creative process is conceptual作者: 易達(dá)到 時間: 2025-3-25 09:20
,The Puzzle of Coalition “Defection”,s to arts and sciences. But how does the brain produce creative ideas? This question has been addressed in cognitive neuroscience research by measuring the brain activation during creative idea generation using different techniques such as EEG and MRI. This chapter introduces some of the key finding作者: enmesh 時間: 2025-3-25 12:18 作者: calumniate 時間: 2025-3-25 17:04 作者: 舊式步槍 時間: 2025-3-25 22:36
nd a worldwide increasing and scientifically active community we face an obvious confusion of terminology and a lack of standard research methods to base our research on. The initial question to be addressed for researchers in the field of aesthetics is whether they aim to research aesthetics regard作者: Armada 時間: 2025-3-26 00:32 作者: corpuscle 時間: 2025-3-26 07:28
Simone L?ssig,Karl Heinrich Pohle of the most striking examples of a mono-economy state, could suffer from this crisis heavily in the future. For their artistic project, the authors teamed up with French scientists who work on the revolutionary replacement of petrol-based products with the more environmentally friendly bioderived 作者: Onerous 時間: 2025-3-26 12:15
Helga Schneider,Christopher E. Ruddpainters during the creative process of artistic visual patterns, and by beholders while painting viewing. But philosophers and modern neuroscience have challenged this kind of unimodal and classical framework of perception. Any perception, and more importantly the aesthetic one, is a complex multim作者: Feature 時間: 2025-3-26 13:06
https://doi.org/10.1057/9781137440006sked to stand in quiet stance in the middle of Carsten H?ller’s “Light Corner” (2001). This artwork, one of the first of the Dynamo exhibition, was a room (three walls, the fourth side being the entrance) covered with light bulbs flickering while speakers displayed sound vibrations at similar fast-p作者: Electrolysis 時間: 2025-3-26 18:51 作者: 憎惡 時間: 2025-3-26 22:31 作者: 原諒 時間: 2025-3-27 01:15 作者: 善變 時間: 2025-3-27 07:33
How to Achieve Business Success in Koreand used to trigger simple tones or more complex sounds. We used experimental recordings of brain activity under the form of “spikes”, recorded with microelectrodes in human subjects. The recordings come from different sources, which have been all published in the neuroscience literature. We emphasiz作者: 言外之意 時間: 2025-3-27 10:51
https://doi.org/10.1007/978-1-349-13090-0goal of a performance made for a music festival in L’Aquila (Italy) in 2015. This raises musical questions: what kind of sound could link Billie Holiday to Schwarzkopf, Schwarzkopf to Piaf? What kind of musical structure? With the help of the software ImproteK, the three ladies eventually sang toget作者: 衍生 時間: 2025-3-27 17:01 作者: BABY 時間: 2025-3-27 19:15 作者: 反復(fù)無常 時間: 2025-3-28 01:16 作者: Priapism 時間: 2025-3-28 04:13 作者: exostosis 時間: 2025-3-28 06:38
Simone L?ssig,Karl Heinrich Pohlteamed up with French scientists who work on the revolutionary replacement of petrol-based products with the more environmentally friendly bioderived products. As a result in collaboration with them as well as with Interactive Performance Laboratory, the performance, presented at the Garage Contemporary Art Museum in Moscow, had been created.作者: obstruct 時間: 2025-3-28 14:04 作者: rheumatology 時間: 2025-3-28 18:34
Performative Gesture in the Era of Science Art: , Projectteamed up with French scientists who work on the revolutionary replacement of petrol-based products with the more environmentally friendly bioderived products. As a result in collaboration with them as well as with Interactive Performance Laboratory, the performance, presented at the Garage Contemporary Art Museum in Moscow, had been created.作者: 嚴(yán)峻考驗 時間: 2025-3-28 21:03 作者: 催眠藥 時間: 2025-3-29 02:12 作者: 尖 時間: 2025-3-29 03:16
https://doi.org/10.1007/978-1-349-13090-0ation and style: the chosen common notation will define how the improvisation will follow the reference scenario, where the chosen memories inds and character interacting with this structure. The result can be arresting, surrealistic, kitsch; it is often fun.作者: 吝嗇性 時間: 2025-3-29 10:23
Creative Brain, Creative Mind, Creative Personreativity is provided. The viewpoint presented in this chapter should motivate investigators to reflect on the creative brain using wide theoretical lenses such as the one offered by the multivariate approach.作者: Lumbar-Stenosis 時間: 2025-3-29 15:16 作者: Intruder 時間: 2025-3-29 18:44 作者: 取之不竭 時間: 2025-3-29 22:36
Akira Watanabe,Theodore H. Bullock memory, examining the relation of semantic memory structure to creative achievement and fluid intelligence, and relating flexibility of thought to the robustness of their semantic networks to attack. Finally, a general theory relating semantic memory structure to typical and atypical semantic proce作者: arrogant 時間: 2025-3-30 03:43 作者: gerrymander 時間: 2025-3-30 05:56 作者: Fecundity 時間: 2025-3-30 09:39
