標(biāo)題: Titlebook: Exploring Transculturalism; A Biographical Appro Wolfgang Berg,Aoileann Ní éigeartaigh Book 2010 VS Verlag für Sozialwissenschaften | Sprin [打印本頁] 作者: trace-mineral 時(shí)間: 2025-3-21 19:50
書目名稱Exploring Transculturalism影響因子(影響力)
作者: 有效 時(shí)間: 2025-3-21 23:00 作者: 沙發(fā) 時(shí)間: 2025-3-22 04:09 作者: NAV 時(shí)間: 2025-3-22 05:05
https://doi.org/10.1007/978-3-030-89359-0rish diaspora in America entitled . to the Black Hills (2000), which was the co-winner of the Durkan Prize from the American Conference for Irish Studies for “excellence in scholarship” (A. Ní éigeartaigh 2008: 905).作者: CRAMP 時(shí)間: 2025-3-22 11:39 作者: 高歌 時(shí)間: 2025-3-22 13:15 作者: 高歌 時(shí)間: 2025-3-22 17:13
Rivers and Lakes, and a Bit More, alienation from his peers, Hamilton describes himself in terms we would usually associate with someone forced to leave behind their country of origin and go into exile: “We were ‘the homesick children’, struggling from an early age with the idea of identity and conflicting notions of Irish history and German history”.作者: 不斷的變動 時(shí)間: 2025-3-22 23:06
Eamonn Wall: Transculturalism, Hybridity and the New Irish in America,rish diaspora in America entitled . to the Black Hills (2000), which was the co-winner of the Durkan Prize from the American Conference for Irish Studies for “excellence in scholarship” (A. Ní éigeartaigh 2008: 905).作者: 受傷 時(shí)間: 2025-3-23 02:26 作者: 嬉耍 時(shí)間: 2025-3-23 07:14
Natsume Soseki: Culture Shock and the Birth of the Modern Japanese Novel,s of the other culture into their identities. The following chapter describes the painful journey of an exceptional Japanese intellectual, Natsume Soseki, who journeyed to London at the turn of the twentieth century, becoming a kind of cultural mediator between East and West via the highest level of literary scholarship.作者: chronology 時(shí)間: 2025-3-23 12:08 作者: 僵硬 時(shí)間: 2025-3-23 16:22
bove all the epoch of space. We are in the epoch of simultaneity; we are in the epoch of juxtaposition” (M. Foucault 1986: 22) heralded a new approach to identity in the contemporary world by suggesting that one’s identity is formed not as a result of the cultural and national values and history one作者: chlorosis 時(shí)間: 2025-3-23 20:11 作者: 攝取 時(shí)間: 2025-3-24 02:14 作者: Biguanides 時(shí)間: 2025-3-24 04:47
Some Constructs: From Theory to Practice,e country, or perhaps more accurately the empire in which they lived, was a multicultural society. Many of Europe‘s great cities, like Vienna, Trieste, Prague, Krakow, Chernovtsy, Vilnius, Riga, and St Petersburg, to mention just a few, were multicultural (or indeed multinational) communities.作者: Hyperalgesia 時(shí)間: 2025-3-24 09:15 作者: genuine 時(shí)間: 2025-3-24 11:39 作者: Mobile 時(shí)間: 2025-3-24 18:08 作者: gnarled 時(shí)間: 2025-3-24 21:01
978-3-531-17286-6VS Verlag für Sozialwissenschaften | Springer Fachmedien Wiesbaden GmbH, Wiesbaden 2010作者: headlong 時(shí)間: 2025-3-25 02:59 作者: 菊花 時(shí)間: 2025-3-25 03:31
Crossculturehttp://image.papertrans.cn/e/image/319602.jpg作者: allude 時(shí)間: 2025-3-25 10:07 作者: arbovirus 時(shí)間: 2025-3-25 15:17 作者: 閃光你我 時(shí)間: 2025-3-25 17:18
https://doi.org/10.1007/978-3-030-89359-0as associate professor of English at Creighton University from 1992-2000, and director of the Creighton Irish Summer School. He is currently the Smurfit-Stone Professor of Irish Studies at the University of Missouri-St Louis. Wall has published eight volumes of poetry and regularly writes book revie作者: 厭倦嗎你 時(shí)間: 2025-3-25 23:22
it involves idealism, love, sentimentalism and – crucially – a certain selective vision. In time one might realize that the apparent and challenging differences do but partially hide painful similarities (J. Barnes 2008: 38). For most migrants, moving to an unfamiliar country brings feelings of dif作者: 偏離 時(shí)間: 2025-3-26 02:41
How Transistor Area Shrank by 1 Million Foldm and way of thinking. The nature and extent of this change can be manifold. It can result, for example, in either total assimilation into the new culture or the total rejection of it. Some people, however, seem to be able to synthesize the various cultural influences, both at the personality and th作者: Foreknowledge 時(shí)間: 2025-3-26 04:33 作者: 不出名 時(shí)間: 2025-3-26 11:15 作者: facetious 時(shí)間: 2025-3-26 14:27
Rivers and Lakes, and a Bit More,is fight to restore Irish traditions and cultural sovereignty. His mother was German, homesick for her family and a country that was imploding in the aftermath of the Nazi reign. Hamilton thus grew up in a household significantly at odds with the surrounding society. Teased for speaking Irish and bu作者: Enrage 時(shí)間: 2025-3-26 18:23
https://doi.org/10.1007/978-3-031-02201-2 of nationality, identity and sexuality – and displaces that tale, as Tóibín himself acknowledged, onto “another country”, avoiding the “personal or polemical” in favour of the displaced and figuratively exiled (C. Tóibín 1996: 2). In so doing, Tóibín was following a model provided by one of his gre作者: 密碼 時(shí)間: 2025-3-26 23:48
Some Constructs: From Theory to Practice,onal” in the contemporary sense. As culture and the state were not claimed as congruent, cross border mobility was not necessarily transcultural either. When people moved from one place to another, and entered another state, they may have had to apply for permission to enter and reside there, or pai作者: 延期 時(shí)間: 2025-3-27 04:22
https://doi.org/10.1007/978-3-531-92440-3Autobiography / Biography; Culture; Diaspora; Diversity, cultural; Identity; Nation作者: 袋鼠 時(shí)間: 2025-3-27 05:41 作者: Harpoon 時(shí)間: 2025-3-27 12:17
,Becoming “Un-Dominican-York”: Julia Alvarez, Transculturalism and How the García Girls Lost Their Ar tormented first years. A childhood of displacement and confusion, the inherent traumas of dislocation, the steady and often troublesome negotiation of identities in the ambiguous regions of the hyphen: such are the constitutive elements that have shaped the profile of this transcultural author and the subjects of this chapter.作者: RUPT 時(shí)間: 2025-3-27 13:50 作者: DIS 時(shí)間: 2025-3-27 21:04
How Free Is the Free Movement of Services?,nco himself to watch it, and though according to Bu?uel, he did not consider it offensive, neither did he overturn the decision to censor it (L. Bu?uel 2004: 279). The year 1966 marked the beginning of the very successful late period of his career, during which he made six films in France, including作者: ticlopidine 時(shí)間: 2025-3-28 01:26
,How Not to Make a Mexican Musical: Luis Bu?uel and the Perils of Mexicanidad,nco himself to watch it, and though according to Bu?uel, he did not consider it offensive, neither did he overturn the decision to censor it (L. Bu?uel 2004: 279). The year 1966 marked the beginning of the very successful late period of his career, during which he made six films in France, including作者: Lumbar-Spine 時(shí)間: 2025-3-28 05:33 作者: PET-scan 時(shí)間: 2025-3-28 07:02 作者: 善于 時(shí)間: 2025-3-28 12:58
,“It’s my own stuff”: The Negotiations and Multiplicity of Ethnic Identities among Young Women of Miy of young women is primarily identified as originating from the Middle East. Their voices have not been considered enough in the official debate, for instance in the news media. Previous research has shown that the news media have since the 1970s been involved in objectifying immigrant women as iso作者: PRISE 時(shí)間: 2025-3-28 16:54 作者: 并入 時(shí)間: 2025-3-28 19:58 作者: 施舍 時(shí)間: 2025-3-29 00:26 作者: optional 時(shí)間: 2025-3-29 05:01 作者: Ondines-curse 時(shí)間: 2025-3-29 09:46
,How Not to Make a Mexican Musical: Luis Bu?uel and the Perils of Mexicanidad,er completing his studies in Madrid in 1925, he went to Paris, where he made his first film, in collaboration with Salvador Dalí, the surrealist . (1929) (L. Bu?uel 2004: 89-119). When he returned to Paris a decade later, having fled the Spanish Civil War, he produced propaganda films for the Republ作者: 天空 時(shí)間: 2025-3-29 12:43 作者: 土產(chǎn) 時(shí)間: 2025-3-29 15:37
