標(biāo)題: Titlebook: Exploring Music Contents; 7th International Sy S?lvi Ystad,Mitsuko Aramaki,Kristoffer Jensen Conference proceedings 2011 Springer-Verlag Gm [打印本頁(yè)] 作者: 難受 時(shí)間: 2025-3-21 18:45
書(shū)目名稱(chēng)Exploring Music Contents影響因子(影響力)
書(shū)目名稱(chēng)Exploring Music Contents影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Exploring Music Contents網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Exploring Music Contents網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Exploring Music Contents被引頻次
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書(shū)目名稱(chēng)Exploring Music Contents讀者反饋
書(shū)目名稱(chēng)Exploring Music Contents讀者反饋學(xué)科排名
作者: A精確的 時(shí)間: 2025-3-21 21:10
Interactive Music Applications and Standardsbuted as games for gaming consoles and applications for mobile devices that currently use proprietary file formats, but standardization orgranizations have been working to develop an interchangeable format. This paper surveys the applications and their requirements. It then reviews the current stand作者: 王得到 時(shí)間: 2025-3-22 03:41 作者: Jubilation 時(shí)間: 2025-3-22 04:39 作者: violate 時(shí)間: 2025-3-22 09:03 作者: 戰(zhàn)勝 時(shí)間: 2025-3-22 13:36
Transcription of Musical Audio Using Poisson Point Processes and Sequential MCMCse into the frequency domain, where a Poisson point process model is used to write a polyphonic pitch likelihood function. From here Bayesian priors are incorporated both over time (to link successive frames) and also within frames (to model the number of notes present, their pitches, the number of 作者: 戰(zhàn)勝 時(shí)間: 2025-3-22 18:54 作者: 滔滔不絕的人 時(shí)間: 2025-3-22 23:10
Notes on Nonnegative Tensor Factorization of the Spectrogram for Audio Source Separation: Statisticarforming blind source separation (BSS) of multichannel audio data. In this paper we investigate the statistical source models implied by this approach. We show that it implicitly assumes a nonpoint-source model contrasting with usual BSS assumptions and we clarify the links between the measure of fi作者: enumaerate 時(shí)間: 2025-3-23 01:53
What Signal Processing Can Do for the Musicnot only the audio files but also the scores. Using advanced signal processing techniques, we have developed new tools that will help us handling music information, preserve, develop and disseminate our cultural music assets and improve our learning and education systems.作者: 使習(xí)慣于 時(shí)間: 2025-3-23 06:30 作者: hyperuricemia 時(shí)間: 2025-3-24 06:26
Identifying Attack Articulations in Classical Guitarnd or model music expressivity; to identify the expressive resources that characterize an instrument, musical genre, or performer; or to build synthesis systems able to play expressively. Our research is focused on the study of classical guitar and deals with modeling the use of the expressive resou作者: 有罪 時(shí)間: 2025-3-24 07:25
Comparing Approaches to the Similarity of Musical Chord Sequencesfocuses on the similarity of musical notation or musical audio, in this paper we specifically use on the symbolic chord description as the primary musical representation. For an experiment, a large chord sequence corpus was created. In this experiment we compare a geometrical and an alignment approa作者: 漫步 時(shí)間: 2025-3-24 13:53
Songs2See and GlobalMusic2One: Two Applied Research Projects in Music Information Retrieval at Fraunof Music Information Retrieval. The Songs2See project is supported by the Thuringian Ministry of Economy, Employment and Technology through granting funds of the European Fund for Regional Development. The target outcome of this project is a web-based application that assists music students with the作者: 等級(jí)的上升 時(shí)間: 2025-3-24 15:03 作者: Barter 時(shí)間: 2025-3-24 19:26
A Database Approach to Symbolic Music Content Managementat allow an in-depth management of musical content. In order to cope with the flexibility of music material, the language is designed to easily incorporate user-defined functions at early steps of the query evaluation process. We describe our architectural vision, develop a formal description of the作者: 陪審團(tuán)每個(gè)人 時(shí)間: 2025-3-25 01:30
Conference proceedings 2011 held in Málaga, Spain, in June 2010. The 22 revised full papers presented were specially reviewed and revised for inclusion in this proceedings volume. The book is divided in five main chapters which reflect the present challenges within the field of computer music modeling and retrieval. The chapt作者: 無(wú)聊點(diǎn)好 時(shí)間: 2025-3-25 05:14
0302-9743 of the 7th International Symposium on Computer Music Modeling and Retrieval, CMMR 2010, held in Málaga, Spain, in June 2010. The 22 revised full papers presented were specially reviewed and revised for inclusion in this proceedings volume. The book is divided in five main chapters which reflect the作者: Spongy-Bone 時(shí)間: 2025-3-25 08:55
Science before the Medieval Period,s described: the whole music system is split into several web services sharing an unique music representation. . is proposed as the interchangeable music data format based on the solid and flexible . representation. A web browser-based graphic environment is developed as the user interface for the Computer Music Cloud as music web applications.作者: SENT 時(shí)間: 2025-3-25 14:24
Reading Strasbourg 368: A Thrice-Told Tale to address the problem of stimulus selection and categorization of sounds in the context of perception research. This paper introduces what we call abstract sounds with the existing musical background and shows their relevance for different applications.作者: minion 時(shí)間: 2025-3-25 19:32 作者: 長(zhǎng)處 時(shí)間: 2025-3-25 21:50 作者: frenzy 時(shí)間: 2025-3-26 03:22 作者: Anonymous 時(shí)間: 2025-3-26 04:57 作者: 支架 時(shí)間: 2025-3-26 08:44
Pitch Gestures in Generative Modeling of Music the relevant temporal perception literature, the necessary performance elements to add in the metrical generative model, related to the chunk memory, are obtained. In particular, the pitch gestures are modeled as rising, falling, or as arches with positive or negative peaks.作者: Radiculopathy 時(shí)間: 2025-3-26 15:54
Conference proceedings 2011ers range from music interaction, composition tools and sound source separation to data mining and music libraries. One chapter is also dedicated to perceptual and cognitive aspects that are currently subject to increased interest in the MIR community.作者: 河流 時(shí)間: 2025-3-26 17:51 作者: hemophilia 時(shí)間: 2025-3-26 23:22 作者: 團(tuán)結(jié) 時(shí)間: 2025-3-27 04:20
A Database Approach to Symbolic Music Content Managementorate user-defined functions at early steps of the query evaluation process. We describe our architectural vision, develop a formal description of the language, and illustrate a user-friendly syntax with several classical examples of symbolic music information retrieval.作者: Cosmopolitan 時(shí)間: 2025-3-27 07:01 作者: Anonymous 時(shí)間: 2025-3-27 11:29
Mercedes Pérez Sarrameda,Sergio E. Recuencoone, showing the improvement in spectrogram displaying obtained with an automatic adaptation of the resolution. The analysis operator is invertible, thus leading to a perfect reconstruction of the original signal through the analysis coefficients.作者: 萬(wàn)神殿 時(shí)間: 2025-3-27 14:02 作者: 袖章 時(shí)間: 2025-3-27 19:57
VIII. Social Law as a Scientific Discipline,ations such as legatos and glissandos. After describing the components of our system, we report some experiments with recordings containing single articulations and short melodies performed by a professional guitarist.作者: 帳單 時(shí)間: 2025-3-28 01:13
Probabilistic and Logic-Based Modelling of Harmony are integrated in a Bayesian framework, achieving state-of-the-art performance. The second approach uses inductive logic programming to learn logical descriptions of harmonic sequences which characterise particular styles or genres. Each approach brings us one step closer to modelling music in the way it is conceptualised by musicians.作者: assent 時(shí)間: 2025-3-28 04:49
An Entropy Based Method for Local Time-Adaptation of the Spectrogramone, showing the improvement in spectrogram displaying obtained with an automatic adaptation of the resolution. The analysis operator is invertible, thus leading to a perfect reconstruction of the original signal through the analysis coefficients.作者: thalamus 時(shí)間: 2025-3-28 08:24 作者: hematuria 時(shí)間: 2025-3-28 11:37 作者: arbiter 時(shí)間: 2025-3-28 16:44 作者: 下船 時(shí)間: 2025-3-28 21:36
https://doi.org/10.1007/978-3-030-73682-8agic is that “the music is in the sound”: the structure of the mix is embedded in the sound signal itself, using audio watermarking techniques, and the embedded information is exploited by the player to perform the separation of the sources (patent pending) used in turn by a spatializer.作者: 攤位 時(shí)間: 2025-3-29 00:56 作者: 叫喊 時(shí)間: 2025-3-29 05:28
History of Research on Tumor Angiogenesiss section we test the impact of the simplifying nonpoint-source assumption on underdetermined linear instantaneous mixtures of musical sources and discuss the limits of the approach for such mixtures.作者: 名義上 時(shí)間: 2025-3-29 08:17 作者: PATHY 時(shí)間: 2025-3-29 12:35 作者: synovitis 時(shí)間: 2025-3-29 17:06
https://doi.org/10.1007/978-3-031-10481-7 to develop a new generation of hybrid music search and recommendation engines. The target outcomes are novel adaptive methods of Music Information Retrieval in combination with Web 2.0 technologies for better quality in the automated recommendation and online marketing of world music collections.作者: 歡笑 時(shí)間: 2025-3-29 21:25 作者: Acetaminophen 時(shí)間: 2025-3-30 03:30 作者: DEVIL 時(shí)間: 2025-3-30 06:36 作者: Sad570 時(shí)間: 2025-3-30 12:16 作者: sleep-spindles 時(shí)間: 2025-3-30 15:55
Comparing Approaches to the Similarity of Musical Chord Sequencesefficient than the alignment approach. Furthermore, the results demonstrate that a priori key information boosts retrieval performance, and that using a triadic chord representation yields significantly better results than a simpler or more complex chord representation.作者: 爭(zhēng)議的蘋(píng)果 時(shí)間: 2025-3-30 17:34
Songs2See and GlobalMusic2One: Two Applied Research Projects in Music Information Retrieval at Fraun to develop a new generation of hybrid music search and recommendation engines. The target outcomes are novel adaptive methods of Music Information Retrieval in combination with Web 2.0 technologies for better quality in the automated recommendation and online marketing of world music collections.作者: Omniscient 時(shí)間: 2025-3-30 23:59
Unsupervised Analysis and Generation of Audio Percussion Sequences low clustering refinement) versus specificity (long context, high clustering refinement) of the generated sequence. For a broad variety of musical styles the musical characteristics of the original are preserved. At the same time, considerable variability is introduced in the generated sequence.作者: 收集 時(shí)間: 2025-3-31 01:59
MusicGalaxy: A Multi-focus Zoomable Interface for Multi-facet Exploration of Music Collectionsploring the collection. Following a user-centered design approach with focus on usability, a prototype system has been created by iteratively alternating between development and evaluation phases. The results of an extensive user study including gaze analysis using an eye-tracker prove that the prop作者: 食品室 時(shí)間: 2025-3-31 08:43 作者: 在前面 時(shí)間: 2025-3-31 12:25
From Losch to the Nineteen Fifties,ploring the collection. Following a user-centered design approach with focus on usability, a prototype system has been created by iteratively alternating between development and evaluation phases. The results of an extensive user study including gaze analysis using an eye-tracker prove that the prop作者: gnarled 時(shí)間: 2025-3-31 14:47 作者: BRAVE 時(shí)間: 2025-3-31 20:40 作者: colony 時(shí)間: 2025-4-1 00:36
What Signal Processing Can Do for the Musicnot only the audio files but also the scores. Using advanced signal processing techniques, we have developed new tools that will help us handling music information, preserve, develop and disseminate our cultural music assets and improve our learning and education systems.作者: 膝蓋 時(shí)間: 2025-4-1 05:01 作者: Gullible 時(shí)間: 2025-4-1 06:38 作者: 責(zé)怪 時(shí)間: 2025-4-1 10:37 作者: FILTH 時(shí)間: 2025-4-1 14:23 作者: Generalize 時(shí)間: 2025-4-1 21:34 作者: linear 時(shí)間: 2025-4-2 01:01 作者: 性上癮 時(shí)間: 2025-4-2 04:09
https://doi.org/10.1007/978-3-030-73682-8mited to changing the global volume or the track. Imagine now that the listener can turn into a musician, playing with the sound sources present in the stereo mix, changing their respective volumes and locations in space. For example, a given instrument or voice can be either muted, amplified, or mo作者: 寵愛(ài) 時(shí)間: 2025-4-2 09:33 作者: 小口啜飲 時(shí)間: 2025-4-2 12:50 作者: 遺傳學(xué) 時(shí)間: 2025-4-2 16:55
Styles of Reasoning and Relativism,se into the frequency domain, where a Poisson point process model is used to write a polyphonic pitch likelihood function. From here Bayesian priors are incorporated both over time (to link successive frames) and also within frames (to model the number of notes present, their pitches, the number of
