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標(biāo)題: Titlebook: Expanding Adaptation Networks; From Illustration to Kate Newell Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Literary Ada [打印本頁]

作者: 債務(wù)人    時間: 2025-3-21 16:09
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書目名稱Expanding Adaptation Networks讀者反饋




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作者: 反抗者    時間: 2025-3-21 23:18
,“It Wasn’t Like That in the Movie”: Novelization and Expansion,luctant readers, to expand readers’ understanding of characters and context, to provide alternative versions of a work’s narrative and outcome, and to affirm the set of recognizable reference points audiences come to associate with a given work. This chapter provides a brief overview of the history
作者: 哪有黃油    時間: 2025-3-22 00:53

作者: Harridan    時間: 2025-3-22 08:01
Literary Maps and the Creation of a Legend, some cases, create the experience of a particular narrative landscape through visual, pictorial, and spatial representations of writers, characters, settings, and scenes from preexisting creative works. This chapter begins with an overview of the genre of literary maps and the manner in which they
作者: DECRY    時間: 2025-3-22 09:56
Pop-up Books: Spectacle and Story,and moments and by reinforcing through repetition a synecdochic approach to reading literature. In the rendering of three-dimensionality with a two-dimensional medium, pop-up books draw attention to the role perception, expectation, and habit play in constructing boundaries between media. The chapte
作者: 致詞    時間: 2025-3-22 12:54

作者: 致詞    時間: 2025-3-22 18:56

作者: maculated    時間: 2025-3-22 22:04
Vertriebsmanagement für Industriegüter artistic production. I argue that the challenge of defining and delineating adaptation increases for works that have been adapted numerous times in a range of media and across multiple media platforms. Using . as a test case, I consider a myriad of Oz-based and Oz-inspired works within the model of
作者: thalamus    時間: 2025-3-23 05:24

作者: 無目標(biāo)    時間: 2025-3-23 08:33
Doris Gr?ve Miescher,Charlotte Holzerrk to representative scenes, moments, and elements. The aspects of a prose work that illustrators depict (and how they do so) correspond to those similarly reinforced in other illustrated editions as well as in film adaptations. Looking to several sets of illustrations of Henry James’s novellas . an
作者: Affectation    時間: 2025-3-23 13:40
some cases, create the experience of a particular narrative landscape through visual, pictorial, and spatial representations of writers, characters, settings, and scenes from preexisting creative works. This chapter begins with an overview of the genre of literary maps and the manner in which they
作者: 公豬    時間: 2025-3-23 17:47
,Der Prozess der Führung von unten,and moments and by reinforcing through repetition a synecdochic approach to reading literature. In the rendering of three-dimensionality with a two-dimensional medium, pop-up books draw attention to the role perception, expectation, and habit play in constructing boundaries between media. The chapte
作者: 古代    時間: 2025-3-23 21:55
tion to read one representational medium in terms of another. This chapter focuses on ekphrasis as a reading strategy that magnifies, refracts, and opens up a work to significations unavailable or otherwise invisible. I begin with a brief overview of definitions of ekphrasis and the differential rel
作者: 方便    時間: 2025-3-23 22:40
,Die Führungskraft als Performance Manager, As I have discussed in previous chapters, adaptation networks reveal the numerous ways in which readers engage with works and make them meaningful. This chapter considers adaptation as a strategy for personal meaning-making through the examination of work by two contemporary visual artists: that of
作者: 懲罰    時間: 2025-3-24 04:05
Kate NewellThe first book-length study of print-based adaptations.The only book to treat illustrations, maps, pop-up books, and ekphrasis as adaptation.Presents ephemera as central to adaptation and the developm
作者: GEAR    時間: 2025-3-24 08:40

作者: TOXIN    時間: 2025-3-24 12:16

作者: Polydipsia    時間: 2025-3-24 14:54

作者: Ganglion-Cyst    時間: 2025-3-24 22:11
Expanding Adaptation Networks978-1-137-56712-3Series ISSN 2634-629X Series E-ISSN 2634-6303
作者: Largess    時間: 2025-3-25 01:38
Vertriebsmanagement für Industriegüter a network. The adaptation network, I hold, is the aggregate of narrative moments, reference points, and iconography that comes to be associated with a particular work through successive acts of adaptation.
作者: 事與愿違    時間: 2025-3-25 04:31

作者: apiary    時間: 2025-3-25 09:05
Book 2017dge and memory of a work is constructed through reiterative processes and proposes a network-based model of adaptation to explain this. Whereas most adaptation studies prioritize film and television, this book’s focus on print invites new entry points for the study of adaptation..
作者: Platelet    時間: 2025-3-25 12:07
Doris Gr?ve Miescher,Charlotte Holzerwhich illustrations in illustrated novels are coded to elicit particular readings that can impact readers’ interpretations of a work by resolving ambiguities or visualizing aspects absent from the prose narrative.
作者: anus928    時間: 2025-3-25 17:49

作者: Pigeon    時間: 2025-3-25 22:13

作者: palpitate    時間: 2025-3-26 04:04
2634-629X .Presents ephemera as central to adaptation and the developmThis book addresses print-based modes of adaptation that have not conventionally been theorized as adaptations—such as novelization, illustration, literary maps, pop-up books, and ekphrasis. It discusses a broad range of image and word-base
作者: inundate    時間: 2025-3-26 08:10
,“It Wasn’t Like That in the Movie”: Novelization and Expansion,6), or backstory and social context, as in the case of the novelization of . (1992). In an examination of . (2003), the novelization of the show’s seventh season, I look also at the manner in which novelization can expand the range of intertexts through which a given work or franchise is viewed. Usi
作者: 滲透    時間: 2025-3-26 10:24
Literary Maps and the Creation of a Legend,emphasizes appreciation over user interaction, whereas the other privileges the reader and posits interactivity as appreciation. I conclude the chapter with a brief look at contemporary digital literary mapping projects and consider their contribution to adaptation and adaptation networks.
作者: drusen    時間: 2025-3-26 13:40
Pop-up Books: Spectacle and Story, Gunning’s definitions of “cinema of attractions” and “cinema of narrative integration,” I distinguish between spectacle-focused pop-up adaptations, which I call “l(fā)iterature of attractions,” and narrative-focused pop-up adaptations, which I call “pop-up of narrative integration.” I conclude the chap
作者: Stable-Angina    時間: 2025-3-26 20:39

作者: 一起平行    時間: 2025-3-26 21:53
Conclusion: Like an Open Book,as such, they might seem more receptive to a networked model of adaptation than a new work with comparatively limited adaptation history. To indicate the merit of the network model more fully, I turn to Emma Donoghue’s 2010 novel ., which she adapted to the screen for the 2015 film of the same name,
作者: 造反,叛亂    時間: 2025-3-27 04:48

作者: fodlder    時間: 2025-3-27 07:49
emphasizes appreciation over user interaction, whereas the other privileges the reader and posits interactivity as appreciation. I conclude the chapter with a brief look at contemporary digital literary mapping projects and consider their contribution to adaptation and adaptation networks.
作者: 放縱    時間: 2025-3-27 12:01
,Der Prozess der Führung von unten, Gunning’s definitions of “cinema of attractions” and “cinema of narrative integration,” I distinguish between spectacle-focused pop-up adaptations, which I call “l(fā)iterature of attractions,” and narrative-focused pop-up adaptations, which I call “pop-up of narrative integration.” I conclude the chap
作者: chisel    時間: 2025-3-27 16:15

作者: 小歌劇    時間: 2025-3-27 21:08
,Die Führungskraft als Performance Manager,as such, they might seem more receptive to a networked model of adaptation than a new work with comparatively limited adaptation history. To indicate the merit of the network model more fully, I turn to Emma Donoghue’s 2010 novel ., which she adapted to the screen for the 2015 film of the same name,
作者: Lice692    時間: 2025-3-27 22:33

作者: 使痛苦    時間: 2025-3-28 04:48
https://doi.org/10.1057/9781137268938capitalism; culture; energy; ethics; event; logic; Materialism; Orient; politics; religion; understanding; reli
作者: FLIRT    時間: 2025-3-28 10:01





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