標(biāo)題: Titlebook: Exoticizing the Past in Contemporary Neo-Historical Fiction; Elodie Rousselot Book 2014 Palgrave Macmillan, a division of Macmillan Publis [打印本頁] 作者: probiotic 時間: 2025-3-21 17:26
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作者: 發(fā)芽 時間: 2025-3-21 22:13 作者: PHAG 時間: 2025-3-22 01:54
Exoticising Colonial History: British Authors’ Australian Convict Novels be expected to ‘signal a discourse community’s norms, epistemology, ideology, and social ontology’ (Berkenkotter and Huckin, 1993, p. 475). Since 1830, Australia has continued to develop its own brand of historical fiction in the convict novel, which now encompasses more than eighty texts by Austra作者: synovitis 時間: 2025-3-22 05:21 作者: 進(jìn)步 時間: 2025-3-22 08:51 作者: Microaneurysm 時間: 2025-3-22 14:13
‘It’s like gold leaf, and now it’s rising, peeling away’: Britishness and Exoticism in Sarah Waters’ian romps’ (Waters, 2002, n.p.) for a more historically charged setting — London in the 1940s.. The radical change of period allows indeed for a very different intensity: the colourful, Dickensian atmosphere of . (1998) or . (1999) is replaced with the depiction of the drab living conditions of wart作者: Microaneurysm 時間: 2025-3-22 20:45 作者: Lice692 時間: 2025-3-23 00:10
Neo-Victorian Experiments with (Natural) History in Harry Karlinsky’s eturning to, that of the debate and controversy surrounding Charles Darwin’s publication of . (1859). A number of recent neo-Victorian novels have indeed re-imagined the life and work of the nineteenth-century scientist, creatively re-staging both Darwin’s discovery of evolution and its aftermath.. 作者: 符合國情 時間: 2025-3-23 01:51
‘Who Do You Think You Are Kidding?’: The Retrieval of the Second World War in Kazuo Ishiguro’s , and, Mr Hitler?’ performed by Bud Flanagan. This song includes the lines: ‘[w]e are the boys who will stop your little game/We are the boys who will make you think again’. Many believe it to be a song from the 1940s, due no doubt to the authentic musical arrangement, and the voice of Flanagan, a singer作者: 手術(shù)刀 時間: 2025-3-23 07:31 作者: tangle 時間: 2025-3-23 11:43
‘A History of Darkness’: Exoticising Strategies and the Nigerian Civil War in , by Chimamanda Ngozi o the critical and commercial success of her novel, Adichie has made regular contributions to high-profile international publications and broadcasts. She has also received prestigious accolades such as the British Orange Prize for Fiction in 2007 and a MacArthur Fellowship in 2008 from the United St作者: 殘酷的地方 時間: 2025-3-23 16:02 作者: DRILL 時間: 2025-3-23 20:50
Diskussion, Einordnung und Ausblick,1983), though he has refused to attempt a generic definition and eschews comparisons, pointing instead to the diversity of form that Australian convict fiction shares with the historical novel (1983, pp. 6–7, 10, 12).作者: ANNUL 時間: 2025-3-23 22:38 作者: STALL 時間: 2025-3-24 02:27
Exoticising Colonial History: British Authors’ Australian Convict Novels1983), though he has refused to attempt a generic definition and eschews comparisons, pointing instead to the diversity of form that Australian convict fiction shares with the historical novel (1983, pp. 6–7, 10, 12).作者: Deadpan 時間: 2025-3-24 09:36 作者: Inflated 時間: 2025-3-24 12:34 作者: slow-wave-sleep 時間: 2025-3-24 15:15
Forschung zur diagnostischen Kompetenz, backdrop of the widespread humanitarian injustices that took place in the context of King Leopold’s Congo in the 1890s. Leopold’s rule saw thousands of Congolese men, women and children exploited as forced labour, the devastating effects of which included extensive maltreatment and ‘decimation on a作者: Prognosis 時間: 2025-3-24 22:03 作者: 牛的細(xì)微差別 時間: 2025-3-25 01:21
m. Contemporary readers, living in a globalised world of neo-colonial contact and universal exposure to government-defined acts of terrorism, are invited to draw comparisons to their own political present and the manner in which power is distributed, and all too often forcefully reified, across the 作者: Blazon 時間: 2025-3-25 05:51
,Mehr Demokratief?rderung wagen,epistemological debates’ (Letissier, 2010, p. 96). Yet what these texts reveal as well is their fascination with reliving previous moments of scientific discovery, and in the case of Darwin’s development of evolution theory, this seems to include experiencing anew the public controversy the latter t作者: Limpid 時間: 2025-3-25 07:56
Matthias Finger,Silvia Bürgin,Ueli Haldimannlish and/or British archetypes: the bumptious middle-class little Englander (Mainwaring), the public-school educated philanderer (Wilson), the old soldier (Jones), the mummy’s boy (Pike), the canny and miserly Scotsman (Frazer), the effete aesthete (Godfrey), the cockney spiv (Walker), and the offic作者: 顧客 時間: 2025-3-25 11:59
Ziele und Methodik der empirischen Studie,ought by WWII that continues to haunt the present. It is as if the spectre of the Holocaust is always there, sitting at the table, hiding in a closet, ready to make its way onto the page. Finding the appropriate ways to register this ghostly presence is, not surprisingly, a central concern in a numb作者: leniency 時間: 2025-3-25 17:24 作者: Diuretic 時間: 2025-3-25 22:31 作者: Alienated 時間: 2025-3-26 02:56 作者: progestin 時間: 2025-3-26 06:46
‘We were again on the trail of cannibals’: Consuming Trauma and Frustrating Exoticism in Robert Edri backdrop of the widespread humanitarian injustices that took place in the context of King Leopold’s Congo in the 1890s. Leopold’s rule saw thousands of Congolese men, women and children exploited as forced labour, the devastating effects of which included extensive maltreatment and ‘decimation on a作者: 議程 時間: 2025-3-26 11:07
‘It’s like gold leaf, and now it’s rising, peeling away’: Britishness and Exoticism in Sarah Waters’ history by presenting a version of it experienced from the margins. Waters’s version of the Blitz is therefore written in a minor mode, setting aside historical landmarks and well-known figures to bring forward ‘little narratives’ (Lyotard, 1984, p. 60) and repressed memories.作者: 安裝 時間: 2025-3-26 16:36 作者: 祖?zhèn)髫?cái)產(chǎn) 時間: 2025-3-26 17:28 作者: 建筑師 時間: 2025-3-27 00:33 作者: PAN 時間: 2025-3-27 02:58 作者: STRIA 時間: 2025-3-27 06:30
‘A History of Darkness’: Exoticising Strategies and the Nigerian Civil War in , by Chimamanda Ngozi ency, and political corruption. Cooper’s concern that the novel connects with such representation is due to its historical subject matter: the Nigerian civil war of 1966–70, also known as the Biafran war. Born seven years after the conflict, Adichie explained that she ‘grew up in [its] shadow’ indee作者: 方舟 時間: 2025-3-27 12:40 作者: osculate 時間: 2025-3-27 13:56 作者: insomnia 時間: 2025-3-27 18:59 作者: 社團(tuán) 時間: 2025-3-28 01:09
https://doi.org/10.1057/9781137375209Neo-historical fiction; Post-colonial fiction; history of literature; novel; Victorian era; British and I作者: Collected 時間: 2025-3-28 05:52 作者: Factorable 時間: 2025-3-28 09:50 作者: 變量 時間: 2025-3-28 12:13
Overview: This collection of essays is dedicated to examining the recent literary phenomenon of the ‘neo-historical‘ novel, a sub-genre of contemporary historical fiction which critically re-imagines specific periods of history.978-1-349-47724-1978-1-137-37520-9作者: 抒情短詩 時間: 2025-3-28 15:55
Katrin Regier,Stefanie Regier,Meike Zellneras Hilary Mantel, Ian McEwan and Sarah Waters) exploiting the creative possibilities the genre affords, and the creation in 2009 of its very own literary award, the Walter Scott Prize for historical fiction. Boasting one of the largest monetary prizes of its kind in the United Kingdom, the Walter Sc作者: BANAL 時間: 2025-3-28 19:54
Beantwortung der Forschungsfragento Cardinal Wolsey’s secretary and lawyer, and later Henry VIII’s minister and adviser.. In . (2012), Mantel continues her project of rescuing Cromwell from obscurity, but also pays heed to Anne Boleyn, whose protean figure has been the subject of much interpretation. In this sense, Mantel acts as a作者: hazard 時間: 2025-3-29 01:56 作者: 我正派 時間: 2025-3-29 04:00
Jürgen Enders,Christoph Heine,Peter Kl?s to propagate degrading colonial fantasies and stereotypes. Concerned with telling the other side of the story or recuperating the Other from the distorting fictions of the archive, they generate agenda-fuelled narratives. Anne Enright’s . (2002) tells the story of an Irish born courtesan in Paris w作者: 說明 時間: 2025-3-29 08:00
Forschung zur diagnostischen Kompetenz,g’ (Kohlke and Gutleben, 2010, p. 20), and thus to bring to the foreground disregarded historical injustices. For the reader, however, the neo-Victorian novel holds out the additional promise of an imaginative escape into a new and unfamiliar exotic space and time, posited outside of everyday experi作者: Liability 時間: 2025-3-29 14:56
Konzeptuelle Fassungen von Inklusionian romps’ (Waters, 2002, n.p.) for a more historically charged setting — London in the 1940s.. The radical change of period allows indeed for a very different intensity: the colourful, Dickensian atmosphere of . (1998) or . (1999) is replaced with the depiction of the drab living conditions of wart作者: 演講 時間: 2025-3-29 17:21
69), while at the same time moving beyond these earlier forms. As Dana Shiller’s analysis of a work published as early as Peter Ackroyd’s . (1987) demonstrates, self-referential and meta-critical engagements with past historical periods and their cultural environment have been a feature of a certain作者: Gentry 時間: 2025-3-29 22:12 作者: ostensible 時間: 2025-3-30 03:00
Matthias Finger,Silvia Bürgin,Ueli Haldimann, Mr Hitler?’ performed by Bud Flanagan. This song includes the lines: ‘[w]e are the boys who will stop your little game/We are the boys who will make you think again’. Many believe it to be a song from the 1940s, due no doubt to the authentic musical arrangement, and the voice of Flanagan, a singer
