作者: ADAGE 時間: 2025-3-21 22:04
Evolutionary Computation for Musical Tasks, problem domain for EC researchers. Since we cannot hope to provide even a bare-bones treatise on music appreciation, much less music theory, we assume that the reader is at least somewhat familiar with music, if not as a producer, at least as a consumer. We will start by trying to define some music作者: esoteric 時間: 2025-3-22 01:20
Evolution in Digital Audio Technology,hods has long been the El Dorado of the computer music community. Here is what James Moorer, the pioneering computer music researcher at Stanford University and later director of the audio project at Lucasfilm, had to say about it (Roads 1982):作者: LEERY 時間: 2025-3-22 05:06 作者: 討好女人 時間: 2025-3-22 10:35
Experiments in Generative Musical Performance with a Genetic Algorithm,haping physical parameters of performance, such as timing, loudness, tempo and articulation. Expressive music performance research is aimed at establishing why, where and how these deviations take place in a piece of music. Interestingly, even though there are many commonalities in performance pract作者: scoliosis 時間: 2025-3-22 14:19
Composing with Genetic Algorithms: ,,ears, the author has written and rewritten a computer program called . that employs evolutionary computation. . has been used to help compose pieces ranging from works scored for solo human speaker to string quartets to orchestral works to pieces for instrumentalist and electronic computer music to 作者: scoliosis 時間: 2025-3-22 18:42
Improvizing with Genetic Algorithms: ,,a tune. As you pause outside to listen, it sounds like a tenor sax player backed up by a standard jazz trio of piano, bass and drums. You recognize the tune as John Coltrane’s . as the tenor player plays the song’s original melody in the first chorus of the tune. Once this ‘head’ chorus is complete,作者: 衣服 時間: 2025-3-22 23:52
Cellular Automata Music: From Sound Synthesis to Musical Forms,delling dynamic systems in which space and time are discrete, and quantities take on a finite set of discrete values. CA are highly suitable for modelling music: music is fundamentally time-based and it can be thought of as a system in which a finite set of discrete values (e.g. musical notes, rhyth作者: aristocracy 時間: 2025-3-23 03:01 作者: DEVIL 時間: 2025-3-23 08:58
Background: Setting the Geopolitical Stagessues pertinent to musical applications of the methodology. Thus this chapter should furnish readers with the necessary background needed to understand the remaining chapters in this volume as well as open up a number of important themes relevant to this collection.作者: 設(shè)施 時間: 2025-3-23 12:27
Asimina Michailidou,Hans-J?rg Trenz problem domain for EC researchers. Since we cannot hope to provide even a bare-bones treatise on music appreciation, much less music theory, we assume that the reader is at least somewhat familiar with music, if not as a producer, at least as a consumer. We will start by trying to define some music作者: Insatiable 時間: 2025-3-23 16:45
Arnold S. Borukhovich,Alexey V. Troshinhods has long been the El Dorado of the computer music community. Here is what James Moorer, the pioneering computer music researcher at Stanford University and later director of the audio project at Lucasfilm, had to say about it (Roads 1982):作者: 重畫只能放棄 時間: 2025-3-23 20:21 作者: nullify 時間: 2025-3-24 02:01 作者: heterodox 時間: 2025-3-24 05:17 作者: Offbeat 時間: 2025-3-24 07:43
Neugestaltung von Distributionsnetzwerken,a tune. As you pause outside to listen, it sounds like a tenor sax player backed up by a standard jazz trio of piano, bass and drums. You recognize the tune as John Coltrane’s . as the tenor player plays the song’s original melody in the first chorus of the tune. Once this ‘head’ chorus is complete,作者: 莊嚴(yán) 時間: 2025-3-24 14:31 作者: agonist 時間: 2025-3-24 18:32 作者: 免費 時間: 2025-3-24 22:56
Springer-Verlag London 2007作者: MODE 時間: 2025-3-24 23:19 作者: Clumsy 時間: 2025-3-25 03:38 作者: 冷淡周邊 時間: 2025-3-25 10:50
Background: Setting the Geopolitical Stagessues pertinent to musical applications of the methodology. Thus this chapter should furnish readers with the necessary background needed to understand the remaining chapters in this volume as well as open up a number of important themes relevant to this collection.作者: 不足的東西 時間: 2025-3-25 14:04
Arnold S. Borukhovich,Alexey V. Troshinhods has long been the El Dorado of the computer music community. Here is what James Moorer, the pioneering computer music researcher at Stanford University and later director of the audio project at Lucasfilm, had to say about it (Roads 1982):作者: 星星 時間: 2025-3-25 18:51 作者: ALIAS 時間: 2025-3-25 22:50
Die Solnhofener Plattenkalke, oberer Jura,delling dynamic systems in which space and time are discrete, and quantities take on a finite set of discrete values. CA are highly suitable for modelling music: music is fundamentally time-based and it can be thought of as a system in which a finite set of discrete values (e.g. musical notes, rhythms, etc.) evolve in space and time.作者: anesthesia 時間: 2025-3-26 02:13 作者: Habituate 時間: 2025-3-26 06:44
Evolution in Digital Audio Technology,hods has long been the El Dorado of the computer music community. Here is what James Moorer, the pioneering computer music researcher at Stanford University and later director of the audio project at Lucasfilm, had to say about it (Roads 1982):作者: 祝賀 時間: 2025-3-26 09:12 作者: 悄悄移動 時間: 2025-3-26 16:23
Cellular Automata Music: From Sound Synthesis to Musical Forms,delling dynamic systems in which space and time are discrete, and quantities take on a finite set of discrete values. CA are highly suitable for modelling music: music is fundamentally time-based and it can be thought of as a system in which a finite set of discrete values (e.g. musical notes, rhythms, etc.) evolve in space and time.作者: creatine-kinase 時間: 2025-3-26 20:00 作者: aerobic 時間: 2025-3-27 00:09
Eduardo Reck Miranda,John Al BilesFeatures chapters on the interplay between Evolutionary Computation and Music by leading pioneers in the field.No direct competition作者: 獨白 時間: 2025-3-27 02:56
http://image.papertrans.cn/e/image/317904.jpg作者: GULP 時間: 2025-3-27 08:10
Book 2007es to complete mappings of the genes that control our growth and development, a new approach to the study of music is emerging: the evolutionary computation approach. This book features chapters on the interplay between Evolutionary Computation and Music by leading pioneers in the field. .作者: 脆弱吧 時間: 2025-3-27 11:00
Evolution in Creative Sound Design,he machine generates 16 more variations based on the ‘parents’ you’ve selected. You choose again. And so on. The attraction of this idea is that one could navigate through very large design spaces without necessarily having any idea at all of how any of these things were being made. (Eno 1996)作者: 惡心 時間: 2025-3-27 16:15 作者: 較早 時間: 2025-3-27 18:45 作者: Mawkish 時間: 2025-3-28 01:36 作者: 不規(guī)則的跳動 時間: 2025-3-28 04:42 作者: 歡樂東方 時間: 2025-3-28 08:22
Book 2007ery almost three thousand years ago of the direct relationship between the pitch of a note and the length of a string or pipe, to the latest computer models of human musical cognition and intelligence, musicians have always looked to science to provide new and challenging ways to study and compose m作者: HOWL 時間: 2025-3-28 12:05
Asimina Michailidou,Hans-J?rg Trenzformance. We will then conduct an informal task analysis of music to define the tasks musicians perform and survey how EC has been applied to facilitate (or obfuscate, in some cases) the performance of those tasks. We will then summarize the various approaches that have been taken in representation, fitness and genetic operators.作者: DEBT 時間: 2025-3-28 18:24
Evolutionary Computation for Musical Tasks,formance. We will then conduct an informal task analysis of music to define the tasks musicians perform and survey how EC has been applied to facilitate (or obfuscate, in some cases) the performance of those tasks. We will then summarize the various approaches that have been taken in representation, fitness and genetic operators.作者: defendant 時間: 2025-3-28 21:21 作者: infinite 時間: 2025-3-29 00:28
Neugestaltung von Distributionsnetzwerken, and the drummer is more active and assertive. This continues for four more improvized choruses, at which point the tenor player begins playing the original melody of the tune again. After this reprise of the tune’s head, there is a brief coda and the tune ends.
