標(biāo)題: Titlebook: Evolution on British Television and Radio; Transmissions and Tr Alexander Hall Book 2021 The Editor(s) (if applicable) and The Author(s), u [打印本頁(yè)] 作者: 你太謙虛 時(shí)間: 2025-3-21 16:53
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作者: 碎石 時(shí)間: 2025-3-21 21:34
Situating the Story: The Early Years of Evolution on the Wireless,ian Huxley, and early BBC science producers embedded early broadcasts with a progressive evolutionary narrative. Influenced by many external pressures—including nineteenth-century popular science, belief in radio’s power to educate and personal eugenicist ideology—the chapter shows how restrictions 作者: Immortal 時(shí)間: 2025-3-22 01:09 作者: 無可非議 時(shí)間: 2025-3-22 08:32 作者: 取消 時(shí)間: 2025-3-22 09:13 作者: 憤怒歷史 時(shí)間: 2025-3-22 14:38
Humanist Blockbusters: Depicting the Evolutionary Epic on Television,f humanist blockbusters to describe the approach to the evolutionary epic developed at the BBC, the chapter demonstrates how producers refined the abstract progressive narratives of earlier popular science for a primetime audience. The chapter introduces experimental approaches to science broadcasts作者: 憤怒歷史 時(shí)間: 2025-3-22 19:49
Creationism and Non-Darwinian Ideology in British Broadcasting,asts on both scientific criticism of evolutionary consensus and anti-evolution movements. The chapter demonstrates how in the 1980s an increased coverage of US creationism inadvertently gave a platform to an issue that was not part of mainstream discourse in the UK. The chapter argues that in using 作者: Bouquet 時(shí)間: 2025-3-22 23:26
Remembering or Deifying? The Darwin Anniversaries of 1959 and 2009,st on the Darwin Centenary in 1958–1959, the chapter explores how content reflected wider celebrations and their focus on the emergence of the modern evolutionary synthesis. The chapter demonstrates that media created for Darwin anniversaries has often reflected societal concerns of the day and argu作者: conformity 時(shí)間: 2025-3-23 01:53
Methodologie und Methodisches Vorgehen,ments the chapter précis the idea developed across the subsequent chapters, that by analysing science media on evolution, we can understand how progressive and secular humanist narratives became embedded in the normative framings, narrative structures and visual devices used across broadcast genres today.作者: corpus-callosum 時(shí)間: 2025-3-23 07:43
https://doi.org/10.1007/978-3-663-09972-7creationism as a narrative device to attract an audience, BBC science broadcasters sought to demarcate the boundary between science and pseudoscience, and in turn reinforced a dichotomous framing between evolution and religion.作者: 不可知論 時(shí)間: 2025-3-23 11:59 作者: Mortar 時(shí)間: 2025-3-23 16:00 作者: extinct 時(shí)間: 2025-3-23 19:36 作者: Gourmet 時(shí)間: 2025-3-24 01:01
https://doi.org/10.1007/978-3-531-94143-1chapter concludes as contestations over the autonomy and focus of science broadcasting increased in the late 1940s, arguing that Huxley’s approach and the progressive narratives it relied upon were able to bridge both didactic and science in society approaches to science broadcasting.作者: 喊叫 時(shí)間: 2025-3-24 04:31 作者: erythema 時(shí)間: 2025-3-24 08:07 作者: 鄙視 時(shí)間: 2025-3-24 12:11 作者: muster 時(shí)間: 2025-3-24 17:09
Sich erinnern, Bild-Text werden with cosmic, natural or human history, the chapter argues that the series that had widespread success and influence all had at their core progressive, secular, materialistic accounts of science and humanity.作者: gregarious 時(shí)間: 2025-3-24 19:32 作者: SOBER 時(shí)間: 2025-3-25 01:44 作者: violate 時(shí)間: 2025-3-25 06:55 作者: 薄荷醇 時(shí)間: 2025-3-25 11:06 作者: 不滿分子 時(shí)間: 2025-3-25 13:29 作者: Narrative 時(shí)間: 2025-3-25 19:28
Humanist Blockbusters: Depicting the Evolutionary Epic on Television, with cosmic, natural or human history, the chapter argues that the series that had widespread success and influence all had at their core progressive, secular, materialistic accounts of science and humanity.作者: Musket 時(shí)間: 2025-3-25 20:56
Remembering or Deifying? The Darwin Anniversaries of 1959 and 2009,a final coda, the chapter uses the vast broadcast content from the 2009 Darwin anniversary as a vantage point from which to reflect on the evolutionary epic, humanist narratives in science and the other major themes introduced in the prior chapters.作者: ELUDE 時(shí)間: 2025-3-26 04:12
Book 2021on in 1925 through to the 150th anniversary of Charles Darwin’s .Origin of the Species. in 2009. Going beyond science documentaries, the chapters deal with a broad range of broadcasting content to explore evolutionary themes in radio dramas, educational content, and science fiction shows like .Docto作者: Nutrient 時(shí)間: 2025-3-26 06:33
Book 2021g the diverse range of approaches to depicting evolution used in British productions, the book demonstrates how their success had a global influence on the genres and formats of science broadcasting used today..作者: Ganglion-Cyst 時(shí)間: 2025-3-26 12:11 作者: 我就不公正 時(shí)間: 2025-3-26 15:56 作者: Nomadic 時(shí)間: 2025-3-26 18:19
https://doi.org/10.1007/978-3-531-94143-1ian Huxley, and early BBC science producers embedded early broadcasts with a progressive evolutionary narrative. Influenced by many external pressures—including nineteenth-century popular science, belief in radio’s power to educate and personal eugenicist ideology—the chapter shows how restrictions 作者: 樹木中 時(shí)間: 2025-3-26 22:13
Soziale Arbeit in Theorie und Wissenschaft central to post-war content on evolution, whether religious or secular in its outlook. By situating the BBC’s only ever report on evolution (1952), and the first-ever dedicated television series on the subject (1958) in the wider context of science broadcasting at the BBC, the chapter shows how Hux作者: 強(qiáng)化 時(shí)間: 2025-3-27 05:08 作者: 實(shí)施生效 時(shí)間: 2025-3-27 08:53
https://doi.org/10.1007/978-3-658-42651-4t was in non-science broadcasts where the most stereotypical framing of evolution occurred. Whether explorations of evolutionary philosophy in ., the ethically questionable science fiction of . or in the many historical dramatisations centred on Darwinian controversies, in most non-science content, 作者: 較早 時(shí)間: 2025-3-27 12:03
Sich erinnern, Bild-Text werdenf humanist blockbusters to describe the approach to the evolutionary epic developed at the BBC, the chapter demonstrates how producers refined the abstract progressive narratives of earlier popular science for a primetime audience. The chapter introduces experimental approaches to science broadcasts作者: 亞麻制品 時(shí)間: 2025-3-27 16:52 作者: Jocose 時(shí)間: 2025-3-27 19:05
https://doi.org/10.1007/978-3-531-90828-1st on the Darwin Centenary in 1958–1959, the chapter explores how content reflected wider celebrations and their focus on the emergence of the modern evolutionary synthesis. The chapter demonstrates that media created for Darwin anniversaries has often reflected societal concerns of the day and argu作者: Urea508 時(shí)間: 2025-3-28 00:51 作者: insightful 時(shí)間: 2025-3-28 03:55
Evolution on British Television and Radio978-3-030-83043-4Series ISSN 2731-4359 Series E-ISSN 2731-4367 作者: 截?cái)?nbsp; 時(shí)間: 2025-3-28 10:10 作者: 性滿足 時(shí)間: 2025-3-28 13:02 作者: 增強(qiáng) 時(shí)間: 2025-3-28 14:48
https://doi.org/10.1007/978-3-030-83043-4Darwin; Dr Who; Science Broadcasting; Television Studies; Film Studies; Creationism作者: 省略 時(shí)間: 2025-3-28 20:55
Peter Kleinschmidt,Christian Rankerving the market demand from these facilities. . is also known as the “simple” facility location problem ., where both the alternative facility locations and the customer zones are considered discrete points on a plane or a road network. This assumes that the alternative sites have been predetermin作者: Commission 時(shí)間: 2025-3-29 01:47
