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標(biāo)題: Titlebook: Evaluating the Experiential Quality of Musical Instruments; A Psychometric Appro Gian-Marco Schmid Book 2017 Springer Fachmedien Wiesbaden [打印本頁(yè)]

作者: incompatible    時(shí)間: 2025-3-21 17:47
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作者: 隨意    時(shí)間: 2025-3-21 22:16
Islam Between Culture and Politicserspective (Barbosa et al., 2015; Morreale, Angeli, & O’Modhrain, 2014). This emphasis has apparently been present since the beginning of the NIME-conference in 2001 and may be a result of the conference’s origin from the field of Human-Computer Interaction (HCI) (e.g. Wanderley & Orio, 2002).
作者: MAIZE    時(shí)間: 2025-3-22 03:34
Islam in German East Africa, 1885–1918ed interviews with various musicians from different backgrounds have been conducted in order to identify potentially important criteria. The thereby collected criteria were sorted by means of affinity diagramming. Semantically redundant criteria were dropped, resulting in a first list of potential questionnaire items.
作者: 馬具    時(shí)間: 2025-3-22 08:04
https://doi.org/10.1057/9780230119291nsistencies, indicating a reliable measurement tool for the psychometric assessment of the experiential quality of different musical instruments. The present findings suggest that three interrelated latent facets contribute to this higher-level construct.
作者: BRACE    時(shí)間: 2025-3-22 12:40

作者: 擴(kuò)張    時(shí)間: 2025-3-22 14:54

作者: 擴(kuò)張    時(shí)間: 2025-3-22 17:28
Introduction,erspective (Barbosa et al., 2015; Morreale, Angeli, & O’Modhrain, 2014). This emphasis has apparently been present since the beginning of the NIME-conference in 2001 and may be a result of the conference’s origin from the field of Human-Computer Interaction (HCI) (e.g. Wanderley & Orio, 2002).
作者: pulse-pressure    時(shí)間: 2025-3-23 00:43

作者: 帶傷害    時(shí)間: 2025-3-23 01:50

作者: 步履蹣跚    時(shí)間: 2025-3-23 06:22
Book 2017& possibilities, (2) perceived control & comfort and (3) perceived stability, sound quality & aesthetics. This structure is similar to research regarding the conceptualization of violin quality. It is therefore suggested that musicians who use different instruments tend to have an analogical concept of instrument quality.
作者: LITHE    時(shí)間: 2025-3-23 12:48

作者: 離開(kāi)真充足    時(shí)間: 2025-3-23 17:48
Evaluating the Experiential Quality of Musical Instruments978-3-658-18420-9Series ISSN 2625-3577 Series E-ISSN 2625-3615
作者: NICHE    時(shí)間: 2025-3-23 20:23
https://doi.org/10.1007/978-3-658-18420-9Musical Instrument Evaluation; User Experience; Questionnaire Development; New Interfaces for Musical E
作者: 廚房里面    時(shí)間: 2025-3-24 02:16

作者: ALB    時(shí)間: 2025-3-24 05:44

作者: decode    時(shí)間: 2025-3-24 09:26
https://doi.org/10.1007/978-3-658-39954-2 various backgrounds. The interviews served as input for developing an initial item pool. Additionally, an affinity diagramming workshop was conducted in order to get a first impression of the possible core themes and for guidance in the item generation phase.
作者: 吊胃口    時(shí)間: 2025-3-24 13:32

作者: incision    時(shí)間: 2025-3-24 17:02
Related work,n assessed evaluation criteria. After that we take a glimpse at the related field of general musical instrument evaluation. The section concludes with a synthesis of this outlook and its implications for our work.
作者: largesse    時(shí)間: 2025-3-24 21:47
Research goals and motivation,his work is a first attempt towards the development of a UX-inspired psychometric tool that allows to assess experiential qualities of a musical instrument. These experiential qualities are expected to represent relevant attributes of a musical instrument, and as being perceived as relevant for the musical experience by the musician.
作者: 難管    時(shí)間: 2025-3-24 23:35

作者: Demonstrate    時(shí)間: 2025-3-25 03:44

作者: 毛細(xì)血管    時(shí)間: 2025-3-25 09:58
Islam in a World of Diverse FaithsStudy 2 aimed at further refining and reducing the item pool by asking experts to rate the importance of each item for assessing the subjective quality of musical instruments. The experts were also invited to suggest alternative phrasings and additional relevant items.
作者: 適宜    時(shí)間: 2025-3-25 12:45
Study 2: Refinement and reduction of the item pool,Study 2 aimed at further refining and reducing the item pool by asking experts to rate the importance of each item for assessing the subjective quality of musical instruments. The experts were also invited to suggest alternative phrasings and additional relevant items.
作者: 表被動(dòng)    時(shí)間: 2025-3-25 16:42
Gian-Marco SchmidStudy in Psychology.Includes supplementary material:
作者: 虛弱的神經(jīng)    時(shí)間: 2025-3-25 23:28
BestMastershttp://image.papertrans.cn/e/image/317259.jpg
作者: 下垂    時(shí)間: 2025-3-26 00:35
Islam Between Culture and Politicsley, 2015). A tendency towards a musician-centered perspective can be observed by a majority of evaluation studies that investigated the performer’s perspective (Barbosa et al., 2015; Morreale, Angeli, & O’Modhrain, 2014). This emphasis has apparently been present since the beginning of the NIME-con
作者: 陰險(xiǎn)    時(shí)間: 2025-3-26 06:20
Spyros A. Sofos,Roza Tsagarousianoun assessed evaluation criteria. After that we take a glimpse at the related field of general musical instrument evaluation. The section concludes with a synthesis of this outlook and its implications for our work.
作者: senile-dementia    時(shí)間: 2025-3-26 09:15

作者: 矛盾    時(shí)間: 2025-3-26 14:07

作者: 斷斷續(xù)續(xù)    時(shí)間: 2025-3-26 19:45
https://doi.org/10.1007/978-3-658-39954-2 various backgrounds. The interviews served as input for developing an initial item pool. Additionally, an affinity diagramming workshop was conducted in order to get a first impression of the possible core themes and for guidance in the item generation phase.
作者: 分發(fā)    時(shí)間: 2025-3-26 21:34

作者: perpetual    時(shí)間: 2025-3-27 01:11

作者: 邊緣    時(shí)間: 2025-3-27 07:42
Evaluating the Experiential Quality of Musical InstrumentsA Psychometric Appro
作者: conformity    時(shí)間: 2025-3-27 09:53
Introduction,ley, 2015). A tendency towards a musician-centered perspective can be observed by a majority of evaluation studies that investigated the performer’s perspective (Barbosa et al., 2015; Morreale, Angeli, & O’Modhrain, 2014). This emphasis has apparently been present since the beginning of the NIME-con
作者: 茁壯成長(zhǎng)    時(shí)間: 2025-3-27 16:34

作者: 整潔    時(shí)間: 2025-3-27 18:57
Research goals and motivation,his work is a first attempt towards the development of a UX-inspired psychometric tool that allows to assess experiential qualities of a musical instrument. These experiential qualities are expected to represent relevant attributes of a musical instrument, and as being perceived as relevant for the
作者: 收集    時(shí)間: 2025-3-28 00:59

作者: hypotension    時(shí)間: 2025-3-28 05:05
Study 1: Interviews with musicians and item generation, various backgrounds. The interviews served as input for developing an initial item pool. Additionally, an affinity diagramming workshop was conducted in order to get a first impression of the possible core themes and for guidance in the item generation phase.
作者: 我怕被刺穿    時(shí)間: 2025-3-28 08:15
Study 3: Exploratory Factor Analysis,tory factor analysis (EFA). With this approach correlative relations among variables are investigated, which allows for a reduction of the present items to fewer latent factors. Furthermore, EFA is often used for detecting inadequate items and provides decision rules for retaining or removing items.
作者: 少量    時(shí)間: 2025-3-28 12:36
General Discussion,three interrelated facets of the musician’s perception of the experiential quality of musical instruments (MPX-Q). The subscales show high internal consistencies, indicating a reliable measurement tool for the psychometric assessment of the experiential quality of different musical instruments. The
作者: FRET    時(shí)間: 2025-3-28 16:11
Europ?ische Wohlfahrtssysteme: Stand der Forschung — theoretisch-methodische überlegungentungen. Von innen gesehen ist offensichtlich die Pluralit?t, ja das hohe Ma an Differenzierung und Varianz zwischen den Mitgliedstaaten das zentrale Charakteristikum. Diese Besonderheit — Pluralit?t und Varianz — trifft insbesondere auch auf die Wohlfahrtssysteme in den Staaten der EU zu. Das vergle




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