標題: Titlebook: Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956; Julie Kalman,Ben Wellings,Keshia Jacotine [打印本頁] 作者: antibody 時間: 2025-3-21 18:48
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作者: Resistance 時間: 2025-3-21 21:20 作者: 巨頭 時間: 2025-3-22 03:20
Third evaluation of VAN, 1992, 1995,as contributions to a debate within Ukraine over national identity; and the geopolitical context within which such statements became politically provocative: explicitly or in subtext, all three rejected the perpetuation of the colonial cultural hierarchies of the Soviet past.作者: pus840 時間: 2025-3-22 06:44
Heiner Igel,Gunnar Jahnke,Yehuda Ben-Zionon, would be collaborating on the establishment of a song contest for the Asia-Pacific region brought some commercial sense to the engagement, but also foregrounds a particular conceptualisation of Australia as a bridge between Europe and Asia.作者: 裙帶關(guān)系 時間: 2025-3-22 11:05
Yehuda Ben-Zion,Vladimir Lyakhovskyies of ‘the political’ in international competition and revealed that Eurovision’s supposedly transnational public sphere was still officially conceived state-centrically and in ways that separated sexual and gender ‘diversity’ from the activism and politics of LGBT rights claims.作者: 細節(jié) 時間: 2025-3-22 13:26
https://doi.org/10.1007/978-3-540-93818-7ts, highlighting some of the uneasy democratic tensions that arise in balancing demands for greater popular participation with the goal of selecting acts that mirror the diversity and traditions of the competing nation.作者: 細節(jié) 時間: 2025-3-22 21:06
Entangled Histories: Identity, Eurovision and European Integration,a historical compromise between state, national and European identities. ‘Europe’ is imagined at Eurovision as a composite of state and nation bound together by a common past of conflict overcome, by performances that are shaped by its past and contemporary politics.作者: Memorial 時間: 2025-3-22 23:02 作者: 過時 時間: 2025-3-23 02:11 作者: 外面 時間: 2025-3-23 07:34 作者: –吃 時間: 2025-3-23 10:48
,‘If Love Was a Crime, We Would Be Criminals’: The Eurovision Song Contest and the Queer Internationies of ‘the political’ in international competition and revealed that Eurovision’s supposedly transnational public sphere was still officially conceived state-centrically and in ways that separated sexual and gender ‘diversity’ from the activism and politics of LGBT rights claims.作者: harbinger 時間: 2025-3-23 14:44 作者: SNEER 時間: 2025-3-23 20:10
Germany as Good European: National Atonement and Performing Europeanness in the Eurovision Song Conhrough the history of its participation in the ESC, and seeks to be a ‘good sport’ in the competition when it loses. In return, the ESC offers ample opportunity for Europe to either affirm or deny Germany’s self-image as the Good European, through voting and placings.作者: 怒目而視 時間: 2025-3-24 01:15
,‘Making Your Mind Up’: Britain, Europe and Eurovision-Scepticism,ision and European integration from the 1990s: memories of the defiance of Nazism in 1940 in the case of the EU; and memories of the ‘Swinging Sixties’ in the case of Eurovision. British responses to Eurovision remain trapped between aloofness and an inability to compete successfully.作者: 積習已深 時間: 2025-3-24 03:00
Which Belgium Won Eurovision? European Unity and Belgian Disunity,aster pulled out of the 1987 telecast. Belgium sits at the heart of Europe. In the post-war, the Belgian government was proactive in forming the structures that led to the European Union. How does Belgium’s self-conscious place in Europe serve to hold the nation together, and drive it apart?作者: 表示問 時間: 2025-3-24 09:19
Negotiating Post-war Nationhood: Serbia, Croatia, Bosnia-Herzegovina and the Eurovision Song Contesnal sanctions and isolation. This chapter will explore the separate ESC trajectories of Bosnia-Herzegovina, Croatia and Serbia. These three case studies offer insights into how Europe is imagined and re-lived in Europe’s cultural and political periphery, where forces of the East and West once again compete for geo-political influence.作者: 護身符 時間: 2025-3-24 13:25 作者: 短程旅游 時間: 2025-3-24 15:36
Earthquake Precursors in the Ionosphere,ision and European integration from the 1990s: memories of the defiance of Nazism in 1940 in the case of the EU; and memories of the ‘Swinging Sixties’ in the case of Eurovision. British responses to Eurovision remain trapped between aloofness and an inability to compete successfully.作者: 和平主義者 時間: 2025-3-24 19:17
Kunihiko Shimazaki,William Stuartaster pulled out of the 1987 telecast. Belgium sits at the heart of Europe. In the post-war, the Belgian government was proactive in forming the structures that led to the European Union. How does Belgium’s self-conscious place in Europe serve to hold the nation together, and drive it apart?作者: Prostatism 時間: 2025-3-25 01:19
Earthquake Prediction and Rock Mechanicsnal sanctions and isolation. This chapter will explore the separate ESC trajectories of Bosnia-Herzegovina, Croatia and Serbia. These three case studies offer insights into how Europe is imagined and re-lived in Europe’s cultural and political periphery, where forces of the East and West once again compete for geo-political influence.作者: travail 時間: 2025-3-25 04:09
Europe.Explores the role of culture and identity in post-warThis book uses the Eurovision Song Contest (ESC), as an analytical entry point to understand and illuminate post-War Europe and the drive to create an identity that can legitimise the European project in its broadest sense. The ESC presents作者: 無目標 時間: 2025-3-25 11:04
Book 2019ty of European unity.?Through the series of case studies that make up the chapters in this book, analysis brings these interlinked tensions to light, exploring the roles of culture and identity, alongside and a productive conversation with the political and economic projects of post-war European integration.?作者: infantile 時間: 2025-3-25 11:49
Book 2019 identity that can legitimise the European project in its broadest sense. The ESC presents an idealised vision of Europe, and this has long existed in a strained relationship with reality. While the trajectory of post-war European integration is a high-profile topic, we believe that the ESC offers a作者: Magnificent 時間: 2025-3-25 17:14
Beno?t Lebrun,D. Hatzfeld,P. Y. Bardimacy afflicting the European project requires an examination of the normative dimensions of support for European integration. This chapter views the historic development of the Eurovision Song Contest in the 1950s as an element of the broader initiative for European unity. It examines Eurovision’s 作者: Chandelier 時間: 2025-3-25 20:09 作者: 楓樹 時間: 2025-3-26 01:26 作者: 裙帶關(guān)系 時間: 2025-3-26 07:39
Kunihiko Shimazaki,William Stuartity, and the extent to which each gives Belgium meaning. In 1986, Belgium enjoyed its first and only win at the ESC, and thus became the host for 1987. The euphoria and national pride after the win quickly turned to controversy, and revealed the deep divisions in the country, when the Flemish broadc作者: largesse 時間: 2025-3-26 08:54 作者: 生命層 時間: 2025-3-26 15:07 作者: gustation 時間: 2025-3-26 20:35
Third evaluation of VAN, 1992, 1995,re’. But Eurovision songs are subject to interpretation for the overt or implicit political messages that they carry. Three of the most successful Ukrainian Eurovision entries—Ruslana’s ‘Wild Dances’ (winner, 2004), ‘Dancing Lasha Tumbai’ by Verka Serdiuchka (runner-up, 2007) and Jamala’s ‘1944’ (wi作者: optional 時間: 2025-3-27 00:50
Heiner Igel,Gunnar Jahnke,Yehuda Ben-Zionwith Europe. It considers the ideological dimensions of Eurovision’s own history and the impact this might have on the contest’s future in Asia. While Australia’s participation in Eurovision was tolerated as part of the sixtieth anniversary in 2015, its return performance in 2016 was greeted with so作者: sleep-spindles 時間: 2025-3-27 03:53
Yehuda Ben-Zion,Vladimir Lyakhovskydation in 1956. Organisers insist the event has a ‘non-political’ nature and thus prohibit ‘political’ messages, symbols and gestures. In 2015–16, a series of controversies about the display of flags during Eurovision broadcasts—including a ‘flag policy’ that restricted audience flags to UN member s作者: 低三下四之人 時間: 2025-3-27 07:23
https://doi.org/10.1007/978-3-540-93818-7g methods, I argue that that the institutional characteristics of modern democracy have always been present at Eurovision, with a shift over time that has mirrored the expansion of the franchise and the ‘democratisation’ of southern and eastern European states, as well as an increasing demand for di作者: 北極熊 時間: 2025-3-27 13:25 作者: Mendicant 時間: 2025-3-27 15:06 作者: osteoclasts 時間: 2025-3-27 18:12 作者: 埋葬 時間: 2025-3-28 00:59 作者: Memorial 時間: 2025-3-28 03:06
Entangled Histories: Identity, Eurovision and European Integration,imacy afflicting the European project requires an examination of the normative dimensions of support for European integration. This chapter views the historic development of the Eurovision Song Contest in the 1950s as an element of the broader initiative for European unity. It examines Eurovision’s 作者: Munificent 時間: 2025-3-28 06:46
Germany as Good European: National Atonement and Performing Europeanness in the Eurovision Song Con a distinctly German form of national identity, to craft a post-national identity and to embrace ideas of European citizenship. This manifests itself in the idea of Germany as a ‘Good European’ both in the context of the EU and NATO and the ESC. Germany has used a discrete style of nation-branding t作者: Cumulus 時間: 2025-3-28 13:13
,‘Making Your Mind Up’: Britain, Europe and Eurovision-Scepticism,in the process of European integration from 1961–2016. Early promise and active engagement gave way to a narrative of decline that was both a symptom and a cause of progressive disillusion with and disengagement from Europe. Memories of former greatness prevented an active engagement with both Eurov作者: 管理員 時間: 2025-3-28 17:22 作者: 暴行 時間: 2025-3-28 19:12
Negotiating Post-war Nationhood: Serbia, Croatia, Bosnia-Herzegovina and the Eurovision Song Contesup into five separate nations (Bosnia-Herzegovina, Croatia, Federal Republic of Yugoslavia, Macedonia and Slovenia). The former two entered ESC in 1993 as new nations, whereas the Federal Republic of Yugoslvia competed in 1992 but was banned from participation in the ESC until 2004 due to internatio作者: nocturnal 時間: 2025-3-28 22:58
Recognising Kosovo in the World of Televised International Song Contests,ent, Kosovo has not been allowed to join the European Broadcasting Union (EBU) and enter the ESC because the EBU argues that its rules for membership only allow national broadcasting organisations from states that are members of the International Telecommunication Union or the United Nations to do s作者: 預感 時間: 2025-3-29 05:18
