標(biāo)題: Titlebook: European Cinema; An Introduction Jill Forbes,Sarah Street Textbook 2000Latest edition The Editor(s) (if applicable) and The Author(s) 2000 [打印本頁] 作者: intrinsic 時間: 2025-3-21 19:33
書目名稱European Cinema影響因子(影響力)
書目名稱European Cinema影響因子(影響力)學(xué)科排名
書目名稱European Cinema網(wǎng)絡(luò)公開度
書目名稱European Cinema網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱European Cinema被引頻次
書目名稱European Cinema被引頻次學(xué)科排名
書目名稱European Cinema年度引用
書目名稱European Cinema年度引用學(xué)科排名
書目名稱European Cinema讀者反饋
書目名稱European Cinema讀者反饋學(xué)科排名
作者: CANE 時間: 2025-3-21 23:53 作者: 裙帶關(guān)系 時間: 2025-3-22 01:17
Jeannette Prinzessin zu Fürstenberg at a time when that country was pioneering a new form of social and economic order: socialism. In the nationalised Soviet film industry the state controlled film production, a situation which highlights the relationship between art and politics during the early years of the Soviet regime. Indeed, m作者: 混沌 時間: 2025-3-22 05:34
https://doi.org/10.1007/978-3-662-47841-7 lodges in a London home at a time when a number of blonde-haired young women have been murdered in the city. It was one of the most significant British films of the decade, praised by critics who in particular appreciated Hitchcock’s importation of German techniques which were used to create suspen作者: 世俗 時間: 2025-3-22 08:52
https://doi.org/10.1007/978-3-322-80576-8 end, both in the history of France and in the French cinema. When Renoir began the film he was at the height of his fame and fortune. His adaptation of Zola’ s novel ., starring Jean Gabin and Simone Simon, had opened at the end of 1938 to universal acclaim and, with his brother Claude, his assista作者: chlorosis 時間: 2025-3-22 14:34
https://doi.org/10.1007/978-3-662-28867-2ad been at war for three. In the summer of that year Mussolini’s fascist government would be overthrown and the country torn apart by civil war. In retrospect, it is perhaps surprising that at this point Italy still had a thriving film industry. It is estimated that in 1942 no less than 117 feature 作者: chlorosis 時間: 2025-3-22 20:34
https://doi.org/10.1007/978-3-663-02273-2maximum annoyance to the type of people one is always glad to see offended’ (., 1 April 1999, 12). It certainly gave great offence to the Franco government in Spain, where it was filmed in 1961 but promptly banned. It was, in fact, first released in New York in 1962, and was not seen in Spain until 作者: Folklore 時間: 2025-3-23 01:11 作者: obscurity 時間: 2025-3-23 04:18 作者: 沒花的是打擾 時間: 2025-3-23 07:45
https://doi.org/10.1007/978-3-662-33080-7nation of a decade in which Italian cinema has re-established itself on the international scene. Films such as Giuseppe Tornatoré s . (., 1987) and Gabriele Salvatores’s . (1992) won Oscars for Best Foreign Film, and the established stars Sophia Loren and Marcello Mastroianni received similar Lifeti作者: paleolithic 時間: 2025-3-23 12:41
Zusammenfassung der Ergebnisse in Thesenced by the inhabitants of this divided city, of their seemingly infinite delight and disbelief, provoked unprecedented sympathy worldwide for a people long respected for the economic success and political stability of the two states in which recent history had determined that they should live, but f作者: hermetic 時間: 2025-3-23 16:59 作者: TAP 時間: 2025-3-23 18:10 作者: Mendacious 時間: 2025-3-24 01:28
Die Welt als Bühne mit doppeltem Bodenlms ever made outside Hollywood ($49 million). While Eisenstein had a hand-painted red flag in his film, emphasising the triumphant spirit of the Revolution and turning its success forward in time, Mikhalkov turned time backwards by having the red stars, symbol of Soviet power, removed from the Krem作者: breadth 時間: 2025-3-24 05:59 作者: faculty 時間: 2025-3-24 10:01 作者: 性學(xué)院 時間: 2025-3-24 14:34
http://image.papertrans.cn/e/image/316721.jpg作者: 無可爭辯 時間: 2025-3-24 18:27 作者: output 時間: 2025-3-24 20:19
Economics and Politicsion-dollar business. In the early years, cinema was dominated by buccaneering capitalists like Charles Pathé; today it is an integral part of a global electronics industry which is likely to expand massively in the twenty-first century, with feature films making up a ‘significant element’ alongside 作者: 神圣不可 時間: 2025-3-25 02:06 作者: motivate 時間: 2025-3-25 05:05 作者: 鬼魂 時間: 2025-3-25 08:28 作者: Creditee 時間: 2025-3-25 15:19 作者: Compass 時間: 2025-3-25 17:01
Ossessionead been at war for three. In the summer of that year Mussolini’s fascist government would be overthrown and the country torn apart by civil war. In retrospect, it is perhaps surprising that at this point Italy still had a thriving film industry. It is estimated that in 1942 no less than 117 feature 作者: 逢迎白雪 時間: 2025-3-25 22:04 作者: Adulate 時間: 2025-3-26 02:56 作者: chemical-peel 時間: 2025-3-26 08:05
Carmenappealing to a wider European and international audience. It is a dance film, a showcase for ., a fusion of contemporary dance and flamenco. The main events in the film are the search for a principal dancer, followed by the rehearsals for a flamenco ballet based on the opera ., by the French compose作者: cartilage 時間: 2025-3-26 11:53
Good Morning Babilonianation of a decade in which Italian cinema has re-established itself on the international scene. Films such as Giuseppe Tornatoré s . (., 1987) and Gabriele Salvatores’s . (1992) won Oscars for Best Foreign Film, and the established stars Sophia Loren and Marcello Mastroianni received similar Lifeti作者: 救護車 時間: 2025-3-26 14:18 作者: 相反放置 時間: 2025-3-26 18:33
La hainee France, attracting large audiences and generating websites and electronic discussion groups — a success which is based on its ability to appeal to widely different audiences. Its subject-matter is parochial, but it addresses all those who live in large, cosmopolitan conurbations; it appeals to gen作者: 艱苦地移動 時間: 2025-3-26 22:21 作者: 過渡時期 時間: 2025-3-27 05:03
Sibirskii tsiriul’nik (The Barber of Siberia)lms ever made outside Hollywood ($49 million). While Eisenstein had a hand-painted red flag in his film, emphasising the triumphant spirit of the Revolution and turning its success forward in time, Mikhalkov turned time backwards by having the red stars, symbol of Soviet power, removed from the Krem作者: Aura231 時間: 2025-3-27 06:38 作者: 核心 時間: 2025-3-27 12:08
Ossessionenitiatives such as the setting up of the Venice Film Festival in 1934, the creation of a film school, and the building of Cinecittà, the studio facility near Rome intended to emulate Hollywood, demonstrate the commitment of the fascist regime to the industry. Overall, these measures must be judged s作者: 協(xié)定 時間: 2025-3-27 15:05 作者: CRUE 時間: 2025-3-27 21:02 作者: Acetaminophen 時間: 2025-3-27 22:12 作者: 臨時抱佛腳 時間: 2025-3-28 03:04
Textbook 2000Latest editionled analysis of films from several European countries including Britain and Russia, the book encourages a comparative approach and raises urgent questions about the future of European cinema in the context of globalization. It will be of interest to students in Film Studies, European Studies and Modern European Languages and Cultures.作者: Precursor 時間: 2025-3-28 08:55
https://doi.org/10.1007/978-3-662-28867-2nitiatives such as the setting up of the Venice Film Festival in 1934, the creation of a film school, and the building of Cinecittà, the studio facility near Rome intended to emulate Hollywood, demonstrate the commitment of the fascist regime to the industry. Overall, these measures must be judged s作者: 專橫 時間: 2025-3-28 13:39
https://doi.org/10.1007/978-3-663-02273-2publican government, and ended with the victory of right-wing authoritarian forces, led by Franco, who was to remain in power for the next thirty-six years. The Francoist state was anti-democratic, and opposed both to capitalism, which it considered materialist and decadent, and to communism. Basic 作者: Spina-Bifida 時間: 2025-3-28 18:05 作者: delegate 時間: 2025-3-28 22:18
Zusammenfassung der Ergebnisse in Thesenurated the final chapter in the Cold War following the ‘velvet revolutions’ that had swept across eastern Europe at the decade’s end, and a new beginning for Germany, which was unified almost a year later on 3 October 1990.作者: nugatory 時間: 2025-3-29 02:08
social, historical and aesthetic context.Jill Forbes is a hThe survival of cinema in Europe and the analysis of its heritage are key issues for the new century. This book asks how we can define European cinema and how it should be studied. It provides an overview of the problems, traditions and key作者: 不理會 時間: 2025-3-29 04:20
https://doi.org/10.1007/978-3-662-33081-4events in the film are the search for a principal dancer, followed by the rehearsals for a flamenco ballet based on the opera ., by the French composer Bizet, itself based on the novel by Prosper Mérimée.作者: 十字架 時間: 2025-3-29 09:52 作者: majestic 時間: 2025-3-29 12:27 作者: 導(dǎo)師 時間: 2025-3-29 17:48 作者: Nucleate 時間: 2025-3-29 22:27 作者: 火海 時間: 2025-3-30 03:44 作者: GROSS 時間: 2025-3-30 07:52
https://doi.org/10.1007/978-3-662-33078-4iculously planned work of art, but it looks like a television current affairs or documentary programme. Like Godard’s . or Blier’s . is a . film which sums up the mood and preoccupations of a particular time and place, but in a way that is internationally appealing.作者: 宮殿般 時間: 2025-3-30 08:25
The Lodgerory, based on the Jack the Ripper murders, can be linked to contemporary fears of, and ambivalence about, modernity and city life, and is distinctively British in its settings. As this chapter will also argue, it raises questions of gender identity which featured in many German films of this period (Petro, 1989).作者: CODA 時間: 2025-3-30 13:03
La règle du jeurtunes of the studios or big business. . was the company’s first project, and an ambitious one, described by Renoir as ‘a(chǎn) precise description of bourgeois people of our period’ (Curchod and Faulkner, 10).作者: 狗窩 時間: 2025-3-30 17:55
