標(biāo)題: Titlebook: Eugene O’Neill’s One-Act Plays; New Critical Perspec Michael Y. Bennett,Benjamin D. Carson Book 2012 Michael Y. Bennett and Benjamin D. Car [打印本頁(yè)] 作者: 正當(dāng)理由 時(shí)間: 2025-3-21 19:37
書目名稱Eugene O’Neill’s One-Act Plays影響因子(影響力)
作者: CRAFT 時(shí)間: 2025-3-21 23:10 作者: 尊敬 時(shí)間: 2025-3-22 00:44
Jonathan S. Ellison,Pooja Thakrart life is deeply tragic. O’Neill had, in Edward Shaughnessy’s words, “a tragedian’s mind-set”. rooted in a Catholic sensibility and fostered by knowledge of the classical (Greek) tradition.. While O’Neill lacked faith, his work “expresses in symbols” his “search for a faith” that forever eluded him.作者: larder 時(shí)間: 2025-3-22 05:33
John R. Lindsay,Lynnette K. Niemanene O’Neill insisted on one thing: that they name the playhouse they were to create “The Playwright’s Theatre.” If his intentions for participating in this new theatrical venture were not clear from this, O’Neill soon set a pattern of writing plays to be performed that would help answer questions he作者: Alopecia-Areata 時(shí)間: 2025-3-22 10:47 作者: 制定 時(shí)間: 2025-3-22 14:39
The Genetics of Polycystic Ovary Syndromeauthor O’Neill’s biography with his wife Barbara Gelb, reported in .There are several good reasons why the so-called ‘Lost Works’ of Eugene O’Neill have never been done before in New York. The production of three of them at the Key Theatre last night does not invalidate any of these reasons.”. The K作者: 制定 時(shí)間: 2025-3-22 20:40
https://doi.org/10.1007/978-981-99-5498-8e. However, stating that this early dramatic work can be viewed as a clumsy attempt by a young playwright does not sum it all up.. In spite of its flaws, like many early works, . deserves some critical attention because it exposes a series of threads that O’Neill later wove in different shapes, both作者: 俗艷 時(shí)間: 2025-3-22 23:25 作者: 斜坡 時(shí)間: 2025-3-23 01:39 作者: overture 時(shí)間: 2025-3-23 07:49
Studies in Fertility and Sterilityot information for Eugene O’Neill’s one-act play. O’Neill would soon pull this directly autobiographical work from its run on a three-play bill at the Provincetown Playhouse and try to kill it completely by destroying all copies of the script. From the hints in Woollcott’s review and the opening sta作者: 上下倒置 時(shí)間: 2025-3-23 12:38
Michael D. Sinclair,Joseph L. Gastwirthovided the Provincetown Players their first and only runaway commercial hit in its initial run, beginning in November of 1920. O’Neill himself ranked it among his best work,. and its adaptation to film and opera, both in 1933, speaks to its commercial and narrative appeal to audiences and artists. S作者: 反感 時(shí)間: 2025-3-23 14:29
https://doi.org/10.1007/978-981-15-0698-7ariat, seized at the point where it is still tragic — that is to say, before politics enters in.”. I would amplify Bab’s point and assert that the play is not merely social commentary. Yank is not just an exploited worker. Conventional analysis insists that even as the play’s staging may be expressi作者: 聽覺 時(shí)間: 2025-3-23 20:18
Novel Ablative Therapies for Renal Tumors,was a great mistake, my being born a man. I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a little in love with death!”. Spoken i作者: right-atrium 時(shí)間: 2025-3-23 22:26 作者: 天氣 時(shí)間: 2025-3-24 06:02 作者: Instantaneous 時(shí)間: 2025-3-24 08:25 作者: anachronistic 時(shí)間: 2025-3-24 14:20 作者: 大量殺死 時(shí)間: 2025-3-24 16:11 作者: Hyperplasia 時(shí)間: 2025-3-24 21:18 作者: syncope 時(shí)間: 2025-3-25 00:18
https://doi.org/10.1007/978-3-031-47141-432), a contrary, and significant, impulse in his dramatic practice is the one-act play. He began his career with . and other sea plays. And at the end of his life, O’Neill was planning six one-acts to be called collectively ., of which only . survives.作者: Occipital-Lobe 時(shí)間: 2025-3-25 04:22
Aaron W. Trammell M.D.,Anna R. Hemnes M.D.ave been made of the role of homosexuality in the works of Joseph Conrad, notably among them Richard Ruppel’s 2008 monograph, . To date, there are no such works that investigate fully the possible homosexual themes in O’Neill’s work.作者: agenda 時(shí)間: 2025-3-25 09:20
Karim Fizazi MD, PhD,Stephane Culine, “O’Neill introduces such sea illusionism, among other reasons, to contrast the objective and the subjective, to juxtapose real and imagined perceptions … O’Neill expresses a consistent impatience with a single perspective, using the sea’s tempting enchantment to distort supposedly dependable observations.”.作者: disciplined 時(shí)間: 2025-3-25 14:51
,“God Stiffen Us”,ave been made of the role of homosexuality in the works of Joseph Conrad, notably among them Richard Ruppel’s 2008 monograph, . To date, there are no such works that investigate fully the possible homosexual themes in O’Neill’s work.作者: Brochure 時(shí)間: 2025-3-25 17:03 作者: 陶瓷 時(shí)間: 2025-3-25 22:22 作者: Encapsulate 時(shí)間: 2025-3-26 00:22 作者: PLUMP 時(shí)間: 2025-3-26 05:49
ing these texts, during what can be considered O‘Neill‘s formative writing years, and the foundational period of American drama. A wide-ranging investigation into O‘Neill‘s one-acts, the contributors shed light on a less-explored part of his career and assist scholars in understanding O‘Neill‘s entire oeuvre.978-1-137-47177-2978-1-137-04393-1作者: 流動(dòng)性 時(shí)間: 2025-3-26 10:41
Jonathan S. Ellison,Pooja Thakrar. But the gap between what is longed for and what can be had is the very stuff of tragedy and is at the heart of O’Neill’s greatest works. “Man’s modern tragedy,” Shaughnessy writes, “is to seek a higher life but to know that it cannot be attained,”. and for O’Neill, “the one eternal tragedy of Man … is the only subject worth writing about.”.作者: FOLD 時(shí)間: 2025-3-26 14:03 作者: hysterectomy 時(shí)間: 2025-3-26 18:29
Book 2012foundation of his work - both thematically and stylistically, they telescope his later plays. This collection aims to fill the gap by examining these texts, during what can be considered O‘Neill‘s formative writing years, and the foundational period of American drama. A wide-ranging investigation in作者: BRAWL 時(shí)間: 2025-3-26 21:54
Introduction,t life is deeply tragic. O’Neill had, in Edward Shaughnessy’s words, “a tragedian’s mind-set”. rooted in a Catholic sensibility and fostered by knowledge of the classical (Greek) tradition.. While O’Neill lacked faith, his work “expresses in symbols” his “search for a faith” that forever eluded him.作者: consolidate 時(shí)間: 2025-3-27 03:33 作者: 保守 時(shí)間: 2025-3-27 09:17
,Rethinking O’Neill’S Beginnings,ow anthologized in the tellingly titled ., which includes ., and most important here, . (1913). Defining them as “l(fā)ost” concedes, rather appropriately, O’Neill’s dissatisfaction with these plays. But this definition likewise endorses two troubling conclusions that inform O’Neill criticism: first, th作者: 假設(shè) 時(shí)間: 2025-3-27 12:26
,Eugene O’Neill’S , and Standard Family Roles,author O’Neill’s biography with his wife Barbara Gelb, reported in .There are several good reasons why the so-called ‘Lost Works’ of Eugene O’Neill have never been done before in New York. The production of three of them at the Key Theatre last night does not invalidate any of these reasons.”. The K作者: 繁殖 時(shí)間: 2025-3-27 15:59 作者: 思想上升 時(shí)間: 2025-3-27 20:51 作者: 夾死提手勢(shì) 時(shí)間: 2025-3-28 00:46 作者: Liability 時(shí)間: 2025-3-28 04:34 作者: FLAIL 時(shí)間: 2025-3-28 06:17 作者: lactic 時(shí)間: 2025-3-28 13:37 作者: 拔出 時(shí)間: 2025-3-28 17:36
,Waiting For O’Neill,was a great mistake, my being born a man. I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a little in love with death!”. Spoken i作者: 思想上升 時(shí)間: 2025-3-28 19:51 作者: 招待 時(shí)間: 2025-3-28 23:17 作者: intertwine 時(shí)間: 2025-3-29 05:33 作者: 凌辱 時(shí)間: 2025-3-29 07:42 作者: spondylosis 時(shí)間: 2025-3-29 14:04 作者: Outspoken 時(shí)間: 2025-3-29 19:26 作者: CORE 時(shí)間: 2025-3-29 20:22 作者: Hyperplasia 時(shí)間: 2025-3-30 01:16 作者: Adherent 時(shí)間: 2025-3-30 06:37 作者: CLEAR 時(shí)間: 2025-3-30 11:59
William B. Kannel,Joseph Stokes IIIperiment with O’Neill produced a comedy that exposed a gap between the playwright’s overwrought, literary ambitions and the physical abilities of actors to execute those intentions faithfully in a theatrical performance. The fact that the selected works of O’Neill’s early efforts number among his bl作者: Triglyceride 時(shí)間: 2025-3-30 14:16
,The Playwright’S Theatre,ience would allow a monologue, whether he could hypnotize the audience into believing they were mad, the use of mood versus action, the use of African American characters when this was not yet part of the professional American theatre, and the use of expressionistic techniques.作者: BOAST 時(shí)間: 2025-3-30 20:01
,Rethinking O’Neill’S Beginnings,ten from New York City slums.. Yet O’Neill’s ambition is compromised by the equivalent of boasting, his “showing off his familiarity with New York’s seamy street life.”. The Gelbs are correct in stressing this contradiction in ., which intends an indictment of class-based injustice but frequently in作者: hypertension 時(shí)間: 2025-3-30 22:54
