標(biāo)題: Titlebook: Ethnographies of ‘On Demand’ Films; Anthropological Expl Alex Vailati,Gabriela Zamorano Villarreal Book 2021 The Editor(s) (if applicable) [打印本頁(yè)] 作者: Annihilate 時(shí)間: 2025-3-21 18:09
書目名稱Ethnographies of ‘On Demand’ Films影響因子(影響力)
書目名稱Ethnographies of ‘On Demand’ Films影響因子(影響力)學(xué)科排名
書目名稱Ethnographies of ‘On Demand’ Films網(wǎng)絡(luò)公開(kāi)度
書目名稱Ethnographies of ‘On Demand’ Films網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書目名稱Ethnographies of ‘On Demand’ Films被引頻次
書目名稱Ethnographies of ‘On Demand’ Films被引頻次學(xué)科排名
書目名稱Ethnographies of ‘On Demand’ Films年度引用
書目名稱Ethnographies of ‘On Demand’ Films年度引用學(xué)科排名
書目名稱Ethnographies of ‘On Demand’ Films讀者反饋
書目名稱Ethnographies of ‘On Demand’ Films讀者反饋學(xué)科排名
作者: 課程 時(shí)間: 2025-3-22 00:12 作者: 陶器 時(shí)間: 2025-3-22 03:55 作者: 圖畫文字 時(shí)間: 2025-3-22 06:39
Environmental Pollution and Remediations with “experts on the subject” and more authorial experiences affected by ethnographic gazes and experimental aesthetic concerns, videos that address registered cultural assets reveal a lack or confusion of professional and amateur orientation in this field.作者: conquer 時(shí)間: 2025-3-22 12:23 作者: 擴(kuò)音器 時(shí)間: 2025-3-22 14:42
Fundamentals of Oversampled A/D Converters,e of the largest state capitals in Brazil’s Northeast, focusing on elites. Weddings’ videos, as we will demonstrate, contribute to class reproduction and are a window to explore the different levels of hegemony that produces those future memories.作者: 擴(kuò)音器 時(shí)間: 2025-3-22 19:18 作者: 表否定 時(shí)間: 2025-3-23 00:57
Polynomial Matrix Fraction Descriptions,l layers. Starting from a first case regarding a promotional documentary in the city of Huanta, Ayacucho, we will explore these promotional and performative aspects in cases of Andean folk music videos in Peru.作者: Presbycusis 時(shí)間: 2025-3-23 04:47
Design of Office Information Systems subjected to thematic analysis. The chapter argues that external funding for the activities of these outfits creates a conundrum in that while it offers an assured means of sustainability, it also curtails creativity.作者: 健壯 時(shí)間: 2025-3-23 08:47 作者: CRUMB 時(shí)間: 2025-3-23 09:41 作者: FACT 時(shí)間: 2025-3-23 17:26
The Ethnographer as Merchant. Making Commissioned Home Movies in Postsocialist Romaniaular and largely unacknowledged offshoots. In dialogue with the history of visual anthropology and film studies, this case study also sheds light on the power relations that run through the ethnographic relationship and documentary filmmaking.作者: CHAR 時(shí)間: 2025-3-23 21:30 作者: 褻瀆 時(shí)間: 2025-3-23 22:47 作者: CLAMP 時(shí)間: 2025-3-24 04:41 作者: antiquated 時(shí)間: 2025-3-24 10:32
Shooting Elites: An Ethnography of Wedding Film Production for Elitese of the largest state capitals in Brazil’s Northeast, focusing on elites. Weddings’ videos, as we will demonstrate, contribute to class reproduction and are a window to explore the different levels of hegemony that produces those future memories.作者: GONG 時(shí)間: 2025-3-24 14:28 作者: commonsense 時(shí)間: 2025-3-24 18:55
Multiple Videographies: From Promotional Documentaries to Music Videos of Andean Popular Music in thl layers. Starting from a first case regarding a promotional documentary in the city of Huanta, Ayacucho, we will explore these promotional and performative aspects in cases of Andean folk music videos in Peru.作者: 調(diào)整 時(shí)間: 2025-3-24 22:00 作者: Mobile 時(shí)間: 2025-3-25 00:57
On-Demand Postscript: Emergent Engagements in the Anthropology of Images characterize broader relationships that are not merely economic, but subjected to the logic of reciprocity and other forms of social exchange in which the world of images serve to articulate different notions about social belonging, history, modernity, and contemporaneity.作者: investigate 時(shí)間: 2025-3-25 06:48
Book 2021on, which involves processes of negotiation and interaction between clients and commissioned video makers. On-demand films are considered as a space of collaboration and self-representation, that allows to reflect on the potential of fiction, artifice, and montage to render material desires, aspirations, and ideas of the future..作者: beta-cells 時(shí)間: 2025-3-25 11:28 作者: Ancillary 時(shí)間: 2025-3-25 14:22
Expanding the Family Frame: Social Specialists, Mediated Experiences, and Gendered Images of Mobilitnational settings, relating those depicted to those engaging in and those watching the videos. They all become part of the social relationships that are inscribed in the video. Yet this imaginary filmic space creates gendered, contested spaces of mobility and immobility.作者: 上下連貫 時(shí)間: 2025-3-25 19:16
Of Archons and Amateurs: Commissioned Filmmaking in Contemporary Brazilian Cinemae, it not only potentially broadens the spectrum of what receives social attention in non-fiction film, but also opens up documentary discourse to different sources of knowledge and multiple points of view.作者: 邊緣帶來(lái)墨水 時(shí)間: 2025-3-25 23:15 作者: dandruff 時(shí)間: 2025-3-26 02:50
Materials-by-Design: Prospects and Promise,national settings, relating those depicted to those engaging in and those watching the videos. They all become part of the social relationships that are inscribed in the video. Yet this imaginary filmic space creates gendered, contested spaces of mobility and immobility.作者: 消音器 時(shí)間: 2025-3-26 06:19 作者: 偽造 時(shí)間: 2025-3-26 12:30
ed video makers. On-demand films are considered as a space of collaboration and self-representation, that allows to reflect on the potential of fiction, artifice, and montage to render material desires, aspirations, and ideas of the future..978-3-030-78913-8978-3-030-78911-4作者: aquatic 時(shí)間: 2025-3-26 13:28 作者: 蘆筍 時(shí)間: 2025-3-26 17:23
The Ethnographer as Merchant. Making Commissioned Home Movies in Postsocialist Romaniaased on a long-term inquiry in a Roma village, in Romania, I propose to examine how a commercial social relationship, specific to the practice of commissioned home movies, participates in the meaning of the filmed scenes and in the elaboration of a specific visual and material culture of the postsoc作者: 茁壯成長(zhǎng) 時(shí)間: 2025-3-26 23:59
Walking Shadows?Rap: The Enchantment of Video and the Anthropologist as an Audiovisual Mediatorm southern Brazil. Starting from my role as an audiovisual facilitator in the band, I will analyze the potential of each of the production stages—preproduction, filming, and editing—in the ethnographic approach. I take the idea of “enchantment” from Alfred Gell (.) to understand how a double captiva作者: Phonophobia 時(shí)間: 2025-3-27 01:43 作者: 種類 時(shí)間: 2025-3-27 05:53 作者: canonical 時(shí)間: 2025-3-27 09:35
Shooting Elites: An Ethnography of Wedding Film Production for Eliteshenomenon is probably one of the most relevant. Marriages, birthdays and births are some of the family events that videos turn into “facts” and memories. In these films we find highly sophisticated cinema languages and continuous aesthetic experimentation coupled to ingenious distribution strategies作者: Tempor 時(shí)間: 2025-3-27 16:16 作者: grandiose 時(shí)間: 2025-3-27 17:56 作者: 小淡水魚 時(shí)間: 2025-3-27 21:55
Multiple Videographies: From Promotional Documentaries to Music Videos of Andean Popular Music in thusic groups. The promotional nature of these productions leads us to an aspect of audiovisual practices that is commonly devalued in film criticism as mainly a product of advertising or institutional interest. This chapter proposes an exploration of the different forms of the promotion in these vide作者: Nostalgia 時(shí)間: 2025-3-28 05:53 作者: Eosinophils 時(shí)間: 2025-3-28 08:23 作者: 現(xiàn)存 時(shí)間: 2025-3-28 11:17
On-Demand Postscript: Emergent Engagements in the Anthropology of Imageser discussions in our field. Emerging literature on curatorship is largely devoted to exploring mutual intrusions between anthropology and contemporary art. Interestingly, vernacular forms of curatorial practices, which are characteristic of on-demand audiovisual production, could pave very producti作者: 北京人起源 時(shí)間: 2025-3-28 18:19 作者: vasospasm 時(shí)間: 2025-3-28 18:46 作者: hypnogram 時(shí)間: 2025-3-29 02:48 作者: 前奏曲 時(shí)間: 2025-3-29 04:02
Environmental Pollution and Remediationd analyses of professional and personal experiences during the registration of the Campina Grande Street Market in the state of Paraíba as a part of Brazilian cultural heritage. The recent expansion of audiovisual work in the processes of intangible heritage registration does not reverberate in self作者: nitric-oxide 時(shí)間: 2025-3-29 08:13
https://doi.org/10.1007/978-3-030-90252-0grant Aymara families started settling in the late 1970s and established informal commercial networks that rapidly acquired economic relevance both locally and globally. Explained now as “indigenous middle classes” or “non-bourgeois elites”, the commercial dynamics, ways of life, and esthetics of th作者: 眨眼 時(shí)間: 2025-3-29 15:14
Fundamentals of Oversampled A/D Converters,henomenon is probably one of the most relevant. Marriages, birthdays and births are some of the family events that videos turn into “facts” and memories. In these films we find highly sophisticated cinema languages and continuous aesthetic experimentation coupled to ingenious distribution strategies作者: gorgeous 時(shí)間: 2025-3-29 17:57
Yves Geerts,Michiel Steyaert,Willy Sanseneo production studio in Toronto, Canada, interviews with those responsible for the scouting departments at clubs in Brazil and a joint visualization of videos at a home of emigrants in Safranbolu, Turkey. I conclude that . videos have multiple meanings. On football, one of the meanings of these vide
