標(biāo)題: Titlebook: Ethno Identity Dance for Sex, Fun and Profit; Staging Popular Danc Anthony Shay Book 2016 The Editor(s) (if applicable) and The Author(s) 2 [打印本頁] 作者: Kennedy 時(shí)間: 2025-3-21 16:55
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作者: 寬敞 時(shí)間: 2025-3-22 00:16
Conclusion, representation—I have passed the last part of that time contemplating the multiple meanings of these dances, which were so compelling to me and thousands of others. This volume has focused on the motives that impel individuals to perform, create and view ethno-identity dances. As I have attempted t作者: 鋼筆尖 時(shí)間: 2025-3-22 03:28 作者: 積習(xí)難改 時(shí)間: 2025-3-22 06:31 作者: 合同 時(shí)間: 2025-3-22 09:56 作者: ablate 時(shí)間: 2025-3-22 16:10
Chapter 4 Lovely Hula Hands: The Many Faces of Hula, and customs, including dance customs. He focuses on the centrality of the ., or verses, which the dance movements serve to emphasize and enhance, thus making the verses the most important aspect of the performance. He goes on to contrast and compare hula kahiko, or ancient hula, with hula ‘a(chǎn)uana, 作者: ablate 時(shí)間: 2025-3-22 19:44
Chapter 5 Irish Dancing: “When Irish Feet Are Twinkling” the Irish, pointing out that Ireland and Ukraine were the only colonized nations in Europe. Following the disaster of the Potato Famine in the mid-nineteenth century, strong anti-English feelings of nationalism arose. The Gaelic League in 1893 therefore identified two elements—Irish dancing and the作者: Cacophonous 時(shí)間: 2025-3-22 23:58 作者: STALE 時(shí)間: 2025-3-23 04:03 作者: oncologist 時(shí)間: 2025-3-23 06:16 作者: Type-1-Diabetes 時(shí)間: 2025-3-23 10:41
Grundlagen der Unternehmensbewertung, draws the viewer, particularly the heterosexual male viewer. Belly dance was introduced to the West at nineteenth-century world fairs, particularly the Columbian Exhibition in 1893, where it was considered to be scandalous because of the dancers’ race and their lack of corsets. He addresses the ter作者: 歡樂東方 時(shí)間: 2025-3-23 16:18 作者: 對手 時(shí)間: 2025-3-23 18:04
,Unternehmer nach H?fetradition, of theater and fantasy: dramatic and theatrical movements and gestures and the sexual fantasies that the tango performance produces for many participants. He describes the history of the dance: how it originated in the brothels of Buenos Aires, found popularity in turn-of-the-century Paris and Lond作者: Condyle 時(shí)間: 2025-3-24 01:58 作者: 喪失 時(shí)間: 2025-3-24 04:44
,übersicht über die bisherigen Ergebnisse, the Irish, pointing out that Ireland and Ukraine were the only colonized nations in Europe. Following the disaster of the Potato Famine in the mid-nineteenth century, strong anti-English feelings of nationalism arose. The Gaelic League in 1893 therefore identified two elements—Irish dancing and the作者: enmesh 時(shí)間: 2025-3-24 07:22
Empirischer Stand der Forschungnsemble, the Duquesne University Tamburitzans, and the Gandy Dancers of Los Angeles. Each of these groups performs Ukrainian ethno-identity dances, but each has a different ethnic composition and different motives for performing the dances— for nation, for profit, for fun, respectively. Shay then gi作者: Mystic 時(shí)間: 2025-3-24 13:07
https://doi.org/10.1057/978-1-137-59318-4performance; folk; traditional; world; belly; Greek; hula; tango; Irish; Ukranian; multicultural; international作者: 花費(fèi) 時(shí)間: 2025-3-24 17:46
http://image.papertrans.cn/e/image/316277.jpg作者: 撤退 時(shí)間: 2025-3-24 22:23
978-1-349-95517-6The Editor(s) (if applicable) and The Author(s) 2016作者: coltish 時(shí)間: 2025-3-24 23:42 作者: FLASK 時(shí)間: 2025-3-25 07:13
Chapter 1 “I Wish I Could Shimmy Like My Sister Kate”: The Multiple Parallel Traditions of Belly Danminology of belly dancing, its movements and aesthetics, and its history from the ancient world to the present. Shay refers especially to cabaret belly dancing, its acceptance in the 1970s by American women who were eager to learn it, and issues of orientalism that surround it.作者: Estrogen 時(shí)間: 2025-3-25 08:54
Chapter 2 “Breaking Plates on the Plaka”: Zorba Dancing masculinity and homosexuality, and attempts to unlink the connection between homosexuality and effeminacy. He then demonstrates that in performing Zorba’s dance, men dance for one another in a show of power and prestige. He concludes the chapter by provideing a detailed history of the dance’s origins.作者: ellagic-acid 時(shí)間: 2025-3-25 13:41
Chapter 3 It Takes Two to Tangoon, and gained acceptance among Argentine elites. He describes its movements, stressing the importance of improvisation. Shay then looks at the machismo role of the male dancer and femme fatale role of the woman.作者: condemn 時(shí)間: 2025-3-25 18:29 作者: Bone-Scan 時(shí)間: 2025-3-25 20:17
https://doi.org/10.1007/978-94-017-6559-6ared for audiences for purposes of representation or self-representation that refer to a specific ethnic group. The fourth concept is that of spectacle, an increasingly important element in ethno-identity dances as exemplified by the Moiseyev Dance Company and ..作者: Lipoprotein 時(shí)間: 2025-3-26 02:48 作者: Allege 時(shí)間: 2025-3-26 06:33
,Die übernahme des Unternehmens, masculinity and homosexuality, and attempts to unlink the connection between homosexuality and effeminacy. He then demonstrates that in performing Zorba’s dance, men dance for one another in a show of power and prestige. He concludes the chapter by provideing a detailed history of the dance’s origins.作者: Impugn 時(shí)間: 2025-3-26 11:24 作者: 是剝皮 時(shí)間: 2025-3-26 16:21
https://doi.org/10.1007/978-3-663-19660-0modern hula. He proceeds to demonstrate the important role of the Hollywood film industry in giving the sexy and alluring dance an important place in the tourist industry in which the hula girl serves as an icon. He stresses the role of hula in the construction of Hawaiian identity.作者: 胡言亂語 時(shí)間: 2025-3-26 17:45 作者: EXTOL 時(shí)間: 2025-3-26 21:27 作者: 懲罰 時(shí)間: 2025-3-27 02:45
https://doi.org/10.1007/978-3-658-10573-0 create identities, to preserve cultures, because it is sexy, because the aesthetic components of the dance are compelling and alluring, because the contexts in which we can participate and view ethno-identity dances are inviting and exciting.作者: 歌劇等 時(shí)間: 2025-3-27 07:59
,übersicht über die bisherigen Ergebnisse,he author describes four stages of Irish dancing: ., an improvised form of step dancing from the west of Ireland, dancing master-led step dancing from other areas, competition step dancing, and finally the spectacle of ..作者: tenosynovitis 時(shí)間: 2025-3-27 12:07
Empirischer Stand der Forschungin the 1930s, and continuing conflict with the Russians. (The conflict that was ongoing in 2016 occurred after the writing of this chapter.) He describes Ukrainian dance, both in the field dances and the spectacularized ethno-identity staged dances.作者: ADOPT 時(shí)間: 2025-3-27 14:42 作者: MORT 時(shí)間: 2025-3-27 21:00 作者: FLAG 時(shí)間: 2025-3-28 01:59 作者: 真實(shí)的人 時(shí)間: 2025-3-28 05:09
Book 2016s dancingfor tourists - dancing for the nation or to demonstrate ethnic pride. In thisstudy Shay also examines belly dance, Zorba Dancing in Greek nightclubs andrestaurants, Tango, Hula, Irish step dancing, and Ukrainian dancing..作者: Arthr- 時(shí)間: 2025-3-28 07:39
t - such as dancingfor tourists - dancing for the nation or to demonstrate ethnic pride. In thisstudy Shay also examines belly dance, Zorba Dancing in Greek nightclubs andrestaurants, Tango, Hula, Irish step dancing, and Ukrainian dancing..978-1-349-95517-6978-1-137-59318-4作者: NOTCH 時(shí)間: 2025-3-28 11:17 作者: 無王時(shí)期, 時(shí)間: 2025-3-28 16:57 作者: 使絕緣 時(shí)間: 2025-3-28 22:48
Jan Skrobanek schwer, eine Geschichte der dortigen wissenschaftlichen Heilkunde, ihrer Vertreter und namhaften Werke zu schreiben. Von einer eigenst?ndigen florentinischen Schule, ja der Medizin in der Toscana überhaupt, kann ebenso wie von einem nennenswerten Einflu? auf die Entwicklung der europ?ischen Medizin作者: 戰(zhàn)勝 時(shí)間: 2025-3-28 23:50
