標題: Titlebook: Ethics in Screenwriting; New Perspectives Steven Maras Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 responsibility.morali [打印本頁] 作者: quick-relievers 時間: 2025-3-21 16:56
書目名稱Ethics in Screenwriting影響因子(影響力)
書目名稱Ethics in Screenwriting影響因子(影響力)學科排名
書目名稱Ethics in Screenwriting網絡公開度
書目名稱Ethics in Screenwriting網絡公開度學科排名
書目名稱Ethics in Screenwriting被引頻次
書目名稱Ethics in Screenwriting被引頻次學科排名
書目名稱Ethics in Screenwriting年度引用
書目名稱Ethics in Screenwriting年度引用學科排名
書目名稱Ethics in Screenwriting讀者反饋
書目名稱Ethics in Screenwriting讀者反饋學科排名
作者: 公司 時間: 2025-3-21 20:50
On Morals, Ethics and Screenwriting: An Interview with Jimmy McGovernnd the need to be mindful of justice, especially when writing about historical events such as the Hillsborough Stadium tragedy, the Liverpool Docks dispute, Bloody Sunday and joint enterprise laws in the UK.作者: –LOUS 時間: 2025-3-22 02:40 作者: Connotation 時間: 2025-3-22 06:12
,‘Tarrying with the Negative’?,ives exploring ethics in screenwriting. The chapter argues for a greater focus on screenwriting as a practice that engages with ethics on a number of different levels. It also recommends a more considered understanding of ethics as multifaceted and multidimensional.作者: 不真 時間: 2025-3-22 10:58 作者: 安心地散步 時間: 2025-3-22 15:54
Kathinka Evers,Arleen Salles,Michele Fariscolend of fact and fiction (reality and fabrication), including footage of a real firing squad execution. By showing Rosas’s oscillation between reality and fabrication, DePaoli explores the ethical implications associated with the nonfiction film elements in Rosas’s prose-based treatment and in the surviving film.作者: 安心地散步 時間: 2025-3-22 20:45 作者: 使害羞 時間: 2025-3-23 01:09
https://doi.org/10.1007/978-3-030-21278-0or ethical behaviour that does not rely on appearances and preconceptions, and instead respects and protects the differences of others. This philosophy informs central solutions in the . script, a case study that dramatizes this creative ethics.作者: sebaceous-gland 時間: 2025-3-23 02:18 作者: pulmonary 時間: 2025-3-23 06:13 作者: mettlesome 時間: 2025-3-23 11:01
Discursive Practices and Systems,for thinking about ‘public service storytelling’ and discusses the implications for screenwriting practices when considerations of the ethical implications and impact of stories are an established part of the commissioning process from the earliest stages.作者: Fretful 時間: 2025-3-23 16:26
The Concept of ‘Double Storytelling’ in Danish Public Service TV Drama Productionfor thinking about ‘public service storytelling’ and discusses the implications for screenwriting practices when considerations of the ethical implications and impact of stories are an established part of the commissioning process from the earliest stages.作者: oblique 時間: 2025-3-23 20:59
2731-4480 enwriters.Offers new perspectives on a key area of media pra.Ethics in Screenwriting: New Perspectives .is a book that breaks new ground by forging a link between screenwriting research and a burgeoning interest in film, media, and narrative ethics. Going beyond the orthodox discussion of morality o作者: 適宜 時間: 2025-3-24 00:18 作者: 讓空氣進入 時間: 2025-3-24 02:29
nd the need to be mindful of justice, especially when writing about historical events such as the Hillsborough Stadium tragedy, the Liverpool Docks dispute, Bloody Sunday and joint enterprise laws in the UK.作者: Self-Help-Group 時間: 2025-3-24 06:52
https://doi.org/10.1007/978-1-349-11783-3d’s 2010 Australian film . forms a key case study. Maras argues that film and script use characters and situations to perform and explore different ethical or moral positionings in a world in which categories of Good and Evil are open to a range of powers and forces.作者: 粘連 時間: 2025-3-24 11:44 作者: Confound 時間: 2025-3-24 17:27
: An Ethical Auto-analysisk of truthful representation, subjectivism, the double story and ethical dramatic construction to produce screenplays that were both dramatically and commercially appropriate while also offering an ethical representation of a particular history.作者: 可用 時間: 2025-3-24 22:27
The Ethics of Actuality in the Scripting of Enrique Rosas’s ,lend of fact and fiction (reality and fabrication), including footage of a real firing squad execution. By showing Rosas’s oscillation between reality and fabrication, DePaoli explores the ethical implications associated with the nonfiction film elements in Rosas’s prose-based treatment and in the surviving film.作者: 切掉 時間: 2025-3-25 01:16
Blurring Boundaries, Transmedia Storytelling and the Ethics of C. S. Peircethe approach to ethical issues in the realm of transmediality. This chapter concludes with two case studies—the transmedia projects . from Sweden and . from Brazil, analysing to what extent the two cases comply with Peircean ethics.作者: Parley 時間: 2025-3-25 05:34 作者: cringe 時間: 2025-3-25 09:27 作者: 迅速飛過 時間: 2025-3-25 14:13 作者: 加花粗鄙人 時間: 2025-3-25 16:49
Ethics Beyond the Code,sion of the morality of film under the Hays Office production code in the USA during the 1930s and 1940s. This approach limits discussion of ethics to a coded form of morality. Through careful analysis of the production code and its ethical discourse, Maras makes a case for the need for new perspect作者: 龍蝦 時間: 2025-3-25 20:31
The Concept of ‘Double Storytelling’ in Danish Public Service TV Drama Production of the in-house drama unit (DR Fiction) at the Danish Broadcasting Corporation (DR) as a case study. Since 2003, DR has had certain production ‘dogmas’ for how to develop television drama series. The dogma of ‘double storytelling’ insists on series containing social and ethical themes beside ‘the g作者: overreach 時間: 2025-3-26 00:10 作者: Conducive 時間: 2025-3-26 06:18
On Morals, Ethics and Screenwriting: An Interview with Jimmy McGovernGovern outlines the central place of morals and ethics in his conception of a good story. In addition, he teases out the importance of truth-telling and the need to be mindful of justice, especially when writing about historical events such as the Hillsborough Stadium tragedy, the Liverpool Docks di作者: 偉大 時間: 2025-3-26 09:20
: An Ethical Auto-analysiseries . (2014) of which Packard was the lead writer and producer. Placing their work in the context of new theories of history writing, as well as a reconsideration of representation in ethnography and film studies, the chapter examines how the screenwriter of . negotiated and referred to a framewor作者: 吞吞吐吐 時間: 2025-3-26 15:25 作者: 使饑餓 時間: 2025-3-26 17:15 作者: IRK 時間: 2025-3-27 00:50 作者: 巨碩 時間: 2025-3-27 01:16 作者: 音樂會 時間: 2025-3-27 06:18
Screenwriting as Dialogic Ethics After ,r the chapter explores how dialogic ethics provides a useful framework to consider the construction of ethical relations in screenwriting. David Mich?d’s 2010 Australian film . forms a key case study. Maras argues that film and script use characters and situations to perform and explore different et作者: FOLLY 時間: 2025-3-27 10:50 作者: micronutrients 時間: 2025-3-27 16:20 作者: 生命層 時間: 2025-3-27 17:48 作者: Aesthete 時間: 2025-3-27 22:16
Discursive Practices and Systems, of the in-house drama unit (DR Fiction) at the Danish Broadcasting Corporation (DR) as a case study. Since 2003, DR has had certain production ‘dogmas’ for how to develop television drama series. The dogma of ‘double storytelling’ insists on series containing social and ethical themes beside ‘the g作者: Exaggerate 時間: 2025-3-28 03:53 作者: engrossed 時間: 2025-3-28 06:33
Govern outlines the central place of morals and ethics in his conception of a good story. In addition, he teases out the importance of truth-telling and the need to be mindful of justice, especially when writing about historical events such as the Hillsborough Stadium tragedy, the Liverpool Docks di作者: RECUR 時間: 2025-3-28 12:09
https://doi.org/10.1007/978-3-642-48593-0eries . (2014) of which Packard was the lead writer and producer. Placing their work in the context of new theories of history writing, as well as a reconsideration of representation in ethnography and film studies, the chapter examines how the screenwriter of . negotiated and referred to a framewor作者: endarterectomy 時間: 2025-3-28 18:05 作者: 謙虛的人 時間: 2025-3-28 21:29 作者: 合唱團 時間: 2025-3-29 01:42 作者: 神秘 時間: 2025-3-29 03:03
https://doi.org/10.1007/978-3-030-21278-0of his creative process. The chapter grapples with Carrière’s emphasis on the mysterious aspects of writing and his advice to hone the skill of improvisation, a process Carrière likens to groping in the dark. Pruneda Sentíes argues that Carrière’s embrace of the mystery of creativity holds lessons f作者: acheon 時間: 2025-3-29 09:59 作者: 琺瑯 時間: 2025-3-29 13:12 作者: Microgram 時間: 2025-3-29 18:36
978-1-349-71359-2The Editor(s) (if applicable) and The Author(s) 2016作者: Stable-Angina 時間: 2025-3-29 23:20
Ethics in Screenwriting978-1-137-54493-3Series ISSN 2731-4480 Series E-ISSN 2731-4499 作者: 停止償付 時間: 2025-3-30 01:00
Steven MarasAnalyses screenwriting drawing on media ethics and ethical theory.Explores critical questions raised by ethical analysis of scripts and screenwriters.Offers new perspectives on a key area of media pra
