標(biāo)題: Titlebook: Ethics and the Arts; Paul Macneill Book 2014 Springer Science+Business Media Dordrecht 2014 Aesthetics.Art.Bioethics.Dance.Ethics.Humaniti [打印本頁] 作者: opioid 時(shí)間: 2025-3-21 17:51
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作者: 去世 時(shí)間: 2025-3-21 21:23
Literature and Ethics: Learning to Read with Emma Bovary he regarded as hypocritical and hollow—refused to sit in judgement on Emma Bovary. Her longing for tawdry ideals, men other than her husband who might be worthy of love, and for “what had looked so beautiful in books” suggests why, like Cervantes’ classic ., . is also a novel about an imagination d作者: flavonoids 時(shí)間: 2025-3-22 01:48 作者: 透明 時(shí)間: 2025-3-22 06:23 作者: 木訥 時(shí)間: 2025-3-22 11:02
The Photograph Not as Proof but as Limitsts at the limits of representation, revealing there is more to the subject than can be contained by the image. Understanding photography in this way provides resources for constructing a mode of looking that maintains a form of otherness based on unknowability. Instead of turning the other into who作者: 憤憤不平 時(shí)間: 2025-3-22 16:37 作者: 憤憤不平 時(shí)間: 2025-3-22 18:17 作者: 過分 時(shí)間: 2025-3-22 22:47
Embracing the Unknown, Ethics and Danceesn’t know, in relation to a body which acts. However, it is one thing to acknowledge that dimming the lights on subjectivity can be aesthetically fruitful, another to call it .. This chapter explores the sense in which Spinoza’s understanding of goodness is able to introduce an ethical perspective 作者: cogitate 時(shí)間: 2025-3-23 01:26
: Contemporary Indigenous Dance, Loss and Cultural Intuitionseries of case studies taken from rehearsal notes..Contemporary Indigenous experience of ‘being in place’ and ‘seeing country’ are reflected on in order to understand how this work of ‘a(chǎn)rt making’ and ‘culture making’ can encourage audiences to ‘listen differently’ for Indigenous approaches to meani作者: 冥界三河 時(shí)間: 2025-3-23 05:42
Politics and Ethics in Applied Theatre: Face-to-Face and Disturbing the Fabric of the Sensible suggests that theatre’s common prejudice towards physiognomy needs to be countered. Rather than seeing the face in order to be edified by the story of suffering it reveals, it should make an ethical demand for our responsibility to that person, and therefore, to all people in a similar situation. P作者: NOTCH 時(shí)間: 2025-3-23 13:07 作者: Desert 時(shí)間: 2025-3-23 17:18 作者: Migratory 時(shí)間: 2025-3-23 21:09 作者: Obsequious 時(shí)間: 2025-3-24 00:19 作者: Buttress 時(shí)間: 2025-3-24 02:46
and ethics to be mutually challenged and changed in this meeting..The book is aimed at artists and students of the arts, who may be interested in approaching ethics and the arts in a new way. It is also aimed a978-94-017-7900-5978-94-017-8816-8作者: SKIFF 時(shí)間: 2025-3-24 09:13 作者: 微枝末節(jié) 時(shí)間: 2025-3-24 11:42 作者: 樹膠 時(shí)間: 2025-3-24 18:06
https://doi.org/10.1007/978-1-4419-1280-0al, social or political issues. There were moral issues raised by the relationship between money and art as an enterprise, but few prominent artists who expressed moral issues in their work. Nevertheless there were notable exceptions, and throughout the twentieth century some artists continued to wo作者: Aggressive 時(shí)間: 2025-3-24 21:03
Classification Performance Evaluation,sts at the limits of representation, revealing there is more to the subject than can be contained by the image. Understanding photography in this way provides resources for constructing a mode of looking that maintains a form of otherness based on unknowability. Instead of turning the other into who作者: 指令 時(shí)間: 2025-3-25 01:01
,Modellselektion für Neuronale Netzwerke,oethical claims. In a sense, film might be viewed as a nexus where art, science, philosophy, behavioural sciences, and medicine join to enable and enrich our understanding. This chapter provides examples of how feature films and their specific scenes can be used to promote reflection on a variety of作者: Capitulate 時(shí)間: 2025-3-25 05:27 作者: 漸變 時(shí)間: 2025-3-25 09:20
https://doi.org/10.1007/978-1-4842-3315-3esn’t know, in relation to a body which acts. However, it is one thing to acknowledge that dimming the lights on subjectivity can be aesthetically fruitful, another to call it .. This chapter explores the sense in which Spinoza’s understanding of goodness is able to introduce an ethical perspective 作者: Absenteeism 時(shí)間: 2025-3-25 14:32
Giulia Massini,Stefano Terzi,Massimo Buscemaseries of case studies taken from rehearsal notes..Contemporary Indigenous experience of ‘being in place’ and ‘seeing country’ are reflected on in order to understand how this work of ‘a(chǎn)rt making’ and ‘culture making’ can encourage audiences to ‘listen differently’ for Indigenous approaches to meani作者: Spartan 時(shí)間: 2025-3-25 16:39 作者: lavish 時(shí)間: 2025-3-25 22:05 作者: 出血 時(shí)間: 2025-3-26 03:46
Data Mining Applications Using LOGENPRO,ly) transformative and ethically relevant power of ‘presence’ as so enacted. Also discussed is the place of . in relation to ‘presence’ and the importance of affect in ethics. Woven together these threads present a conception of ethics as creative and retaining the aliveness of performance. It is an作者: Formidable 時(shí)間: 2025-3-26 06:22 作者: observatory 時(shí)間: 2025-3-26 10:08 作者: 慢慢啃 時(shí)間: 2025-3-26 14:57 作者: 注意到 時(shí)間: 2025-3-26 20:10 作者: jabber 時(shí)間: 2025-3-26 23:42 作者: 后退 時(shí)間: 2025-3-27 03:04
Of Redemption: The Good of Film Experiencetheir connections to contemporary debates over film ethics. Comparing Sam Girgus and Siegfried Kracauer on ‘redemption’ reveals one such path while also opening a route to future discussions of film and ethics.作者: 使困惑 時(shí)間: 2025-3-27 05:40
https://doi.org/10.1007/978-0-387-74731-6in relation to science and medicine. In particular: the arts as they are employed within the medical humanities; rhetorical devices in supporting ‘medical progress’; and artists and their works in response to climate change.作者: 高貴領(lǐng)導(dǎo) 時(shí)間: 2025-3-27 13:27 作者: Nucleate 時(shí)間: 2025-3-27 13:44 作者: 美色花錢 時(shí)間: 2025-3-27 21:15
Toward an Intersubjective Ethics of Acting and Actor Trainingat ‘First philosophy is an ethics’ and Merleau-Ponty’s notion of the lived body, the essay articulates some of the opportunities offered by acting for examining the ethical implications of intersubjectivity in practice and performance.作者: 淺灘 時(shí)間: 2025-3-27 23:27
Introduction: Ethics and the Arts,aphy, film and documentary, dance and theatre. There is a section dealing with the relationship between ethics and the arts from philosophical perspectives—and a chapter in that section considers the role of the media in framing ethical issues. Ethics and the arts are also explored in relation to bi作者: commodity 時(shí)間: 2025-3-28 02:30
Literature and Ethics: Learning to Read with Emma Bovaryut a small-town adulteress who lives beyond her means, and eventually kills herself when her debts become unmanageable. At its time of publication the book was considered scandalous and subversive: Emma Bovary is a creature of desire, a married woman who undermines the sanctity of marriage. While th作者: Organonitrile 時(shí)間: 2025-3-28 10:12 作者: 點(diǎn)燃 時(shí)間: 2025-3-28 13:21
Modern Painting and Moralityend of the twentieth-century and through into this century. Two early modern painters (from the mid-1600s) are considered in comparison with two modern painters as a way of highlighting significant differences within and between early modern and modern eras. From the end of the nineteenth-century, m作者: Lipoma 時(shí)間: 2025-3-28 17:13
The Photograph Not as Proof but as Limitgraphic image persists. The myth of indexicality—the legacy of photograph as trace, as having a special relationship to the real—runs throughout photography discourse, specifically discourse about photographs of suffering and how viewers might respond ethically to them. In this chapter, Roland Barth作者: 保全 時(shí)間: 2025-3-28 22:00
Of Redemption: The Good of Film Experience’ These recent developments mark a change in cinema studies’ previous emphasis on concerns over film ontology and epistemology. Drawing from a range of ethical thinkers, such as Foucault, Derrida, Lacan, ?i?ek, Badiou, Deleuze, Levinas, and a number of feminist and queer theorists, this turn toward 作者: 核心 時(shí)間: 2025-3-29 02:54
Movies and Medical Ethicsinical signs and symptoms of illness, recount medical history and scientific progress, and enhance understanding of research and medical practices. They provide instruments for highlighting contemporary social issues and society’s perception of health care, disease and medical ethics, as well as to 作者: cornucopia 時(shí)間: 2025-3-29 04:03 作者: 扔掉掐死你 時(shí)間: 2025-3-29 08:26
Embracing the Unknown, Ethics and Dancey of the dancer (which adopts a mode of not-knowing), and two, the body that creates. According to these artists, the subject-dancer needs to make room for the body by getting out of the way. The idea that subjectivity is no longer central and that the body holds the key is not new. Nietzsche is ren作者: LIKEN 時(shí)間: 2025-3-29 13:32 作者: 變形詞 時(shí)間: 2025-3-29 19:16
Toward an Intersubjective Ethics of Acting and Actor Trainingcting and performance from the author’s dual perspectives as an artist who makes theatre . as a theorist who reflects on the work he creates. The essay reviews phenomenological approaches to intersubjectivity, how ethical issues have been raised in relation to theatre and the practices of making the作者: 感情脆弱 時(shí)間: 2025-3-29 23:06
Politics and Ethics in Applied Theatre: Face-to-Face and Disturbing the Fabric of the Sensibles and the ‘distribution of the sensible’ taken from Rancière. The concept of the face is used to suggest that intimate meetings between people, the primary ground of much performance practice, can create an ethical demand on a person that is both specific and general. Where the classic conception of作者: promote 時(shí)間: 2025-3-30 01:12
in Performance: An Enigmatic Qualitypertory theatre had been under attack for being superficial and frivolous. These critiques were accompanied by significant shifts in ideas about the role of theatre, and changing notions about what constitutes good performance. There were a number of remarkable experiments in acting practices and in作者: maculated 時(shí)間: 2025-3-30 04:05 作者: Diaphragm 時(shí)間: 2025-3-30 10:42
Ethics and the Arts: A Critical Review of the New Moralisms there was no relationship. Aesthetics and ethics were seen as autonomous spheres. The various ‘new moralists’ argue that, in some circumstances, there is a relationship. No?l Carroll and Berys Gaut, for example, argue that moral ‘flaws’ in some works of art may detract from the work’s aesthetic val作者: 一再困擾 時(shí)間: 2025-3-30 13:27 作者: 違法事實(shí) 時(shí)間: 2025-3-30 17:00 作者: FOR 時(shí)間: 2025-3-31 00:34
Data-Centric Systems and Applicationsut a small-town adulteress who lives beyond her means, and eventually kills herself when her debts become unmanageable. At its time of publication the book was considered scandalous and subversive: Emma Bovary is a creature of desire, a married woman who undermines the sanctity of marriage. While th作者: 蔓藤圖飾 時(shí)間: 2025-3-31 03:41
