標(biāo)題: Titlebook: Essays on Music, Adolescence, and Identity; The Adolescentia Pro Mary Beth Ray Book 2024 The Editor(s) (if applicable) and The Author(s), u [打印本頁(yè)] 作者: Heel-Spur 時(shí)間: 2025-3-21 17:43
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作者: anticipate 時(shí)間: 2025-3-21 23:36 作者: Excitotoxin 時(shí)間: 2025-3-22 01:15
Mary Beth RayForegrounds autoethnographic methods.Highlights contributors’ material and technological conditions of listening, & their emotional response to adolescence.Studies popular music across a range of genr作者: 沙發(fā) 時(shí)間: 2025-3-22 05:05
http://image.papertrans.cn/e/image/315327.jpg作者: 接觸 時(shí)間: 2025-3-22 12:26 作者: GREEN 時(shí)間: 2025-3-22 16:50
Combined Forces for Social Impactintroduces the media used to share and promote popular music such as television (e.g., MTV and VH1), FM radio stations, music magazines (., ., ., ., ., ., etc.); musical artifacts/physical products (including the rise of cassettes and release of the compact disc); devices/technology used to listen t作者: GREEN 時(shí)間: 2025-3-22 18:53 作者: 擴(kuò)張 時(shí)間: 2025-3-23 00:01
Management of Vestibular Schwannomas,address the album as a touchstone for adolescents who felt like outsiders within their communities. The album’s “raw” style, recorded very quickly and with no overdubs, expresses the anguish often connected with adolescence and in particular with Generation X youths, who were hitting adolescence whe作者: CREEK 時(shí)間: 2025-3-23 01:22
https://doi.org/10.1007/978-3-319-03596-3pling with race, identity, and inclusion, this album really spoke to him in ways other outlets could not. To ground this analysis with theory and structure, Campbell uses Cultural Citation and the Community Cultural Wealth Model as a framework for the conversation. Connecting the album with a young 作者: ALT 時(shí)間: 2025-3-23 08:33
Applications and Numerical Experiments,net, afforded consumers access to a vast range of global perspectives and material cultures. Against a backdrop of dynamic artistic experimentation and innovation arose a wealth of new musical genres and styles as diverse as teen pop, hip-hop, and alternative rock that met chart-topping success. In 作者: Admonish 時(shí)間: 2025-3-23 09:54
Richard C. Sicher,James A. Buncef the things you were listening to at a time of incredible transformation or crisis, and adolescence is one potent crucible of identity formation and crises of self. But because of that constellation, those songs and that act can shape your tastes and self-conception for life. Listening to the New K作者: troponins 時(shí)間: 2025-3-23 14:51 作者: 地殼 時(shí)間: 2025-3-23 21:13 作者: ablate 時(shí)間: 2025-3-24 01:18
Combining Artificial Neural Netsa during the 1990s, which included—for me and many other fat teens during that period—incessant weight-base bullying and violence. This reflection is the product of the socio-cultural act of remembering, which considers not just the music of . itself but also the audiovisual and material elements th作者: Spinal-Fusion 時(shí)間: 2025-3-24 05:50
Kaoru Hirota,Yoichi Yamazaki,Fangyan Dongitical music can provide opportunities for social and political integration with potentially longstanding effects. Engaging as a case study my own adolescent experience with the political rock music of Rage Against the Machine, this chapter aims to uncover the musical and contextual elements that he作者: larder 時(shí)間: 2025-3-24 09:12 作者: CRASS 時(shí)間: 2025-3-24 14:34 作者: 社團(tuán) 時(shí)間: 2025-3-24 16:25
Combining Science and Metaphysicsits pleasures, yet how important nostalgia is in curating our archives. Mackenzie argues that by looking into our pasts, in the spirit of both discovery and distress, we can provide a sense of agency of the self. While our adolescent selves are enlivened by change—new music, new friends, new landsca作者: ETCH 時(shí)間: 2025-3-24 22:42
A Closer Look at the Market Reactions,eeply uncomfortable in my feminine-coded body and obsessed with my peers’ opinions; I had lost my performative charisma and distanced myself from musical theatre and plays because they were considered .. But then OutKast released ., a double hip-hop/pop album whose lyrics and music videos make direc作者: 朦朧 時(shí)間: 2025-3-25 01:15
https://doi.org/10.1007/978-981-10-3827-3press our queernesses in ways that were (sort of) socially permissible. My high school years were defined by anti-queer bullying at school, anti-queer moralising in the evangelical church where I sought social refuge, and the enduring depression of not fitting in, no matter how hard I tried to. Emo 作者: Adrenal-Glands 時(shí)間: 2025-3-25 04:15
C. S. Moraitis,M. C. Riethmullers ideal world in love ballads. Restrained by the culture and environment around me, I could never come out of the closet. But through a compilation album of songs with sonics from prior decades and words of unwavering romance, I imagined a utopia where homosexuality was allowed. By going through the作者: Incorporate 時(shí)間: 2025-3-25 10:22
Gy?rgy Schultz,István Hargittaiapanese metal band Dir en grey helped me come to terms with my own identity. In 2005, I struggled to define my sexuality. I found solace in music, and updating my LiveJournal daily with veiled references to whoever my object of infatuation was at that moment. I shared a love of Dir en grey with new 作者: sperse 時(shí)間: 2025-3-25 13:25 作者: FELON 時(shí)間: 2025-3-25 16:32
to adolescence.Studies popular music across a range of genr.Essays on Music, Adolescence, and Identity: The Adolescentia Project.?explores music consumption, self-discovery, media culture, and memory through autoethnographic essays on albums we loved during adolescence covering three decades (1980-作者: CAJ 時(shí)間: 2025-3-25 20:32
https://doi.org/10.1007/978-3-7091-9276-4verview of each section of the book taking the reader through the 1980s, 1990s, and 2000s. Finally, it introduces the essays that comprise each decade’s section along with the main themes they address including but not limited to class, race, gender, and sexuality.作者: diathermy 時(shí)間: 2025-3-26 03:54 作者: 上下倒置 時(shí)間: 2025-3-26 08:04
Cultivating a Rebel Without a Pause,person’s “capital” is a new approach not often done. Fast forward to the present day, this album has not only impacted Campbell as a youth but also molded him into the educator, social justice advocate, and musicologist he has become today.作者: Fresco 時(shí)間: 2025-3-26 11:27 作者: 東西 時(shí)間: 2025-3-26 16:20
Introduction: The Adolescentia Project,verview of each section of the book taking the reader through the 1980s, 1990s, and 2000s. Finally, it introduces the essays that comprise each decade’s section along with the main themes they address including but not limited to class, race, gender, and sexuality.作者: molest 時(shí)間: 2025-3-26 17:21
,“,” Cher’s , and the Siren Call of a Gay Icon,identity. More than 20?years later, a more inclusive music scene offers openly gay and queer musicians that were?unavailable to teens like me at the turn of the millennium. As such, this chapter asks if the “gay icon” status has relevance today or if it’s a relic of the past.作者: FACT 時(shí)間: 2025-3-27 00:07 作者: BRAWL 時(shí)間: 2025-3-27 02:09
C. S. Moraitis,M. C. Riethmuller literature on nostalgia, music listening, queerness and immigration, I retrospectively decode this phase of my life and how I seized my autonomy to self-liberate. These songs—with the help of my own mind—carried me through like the wind beneath my wings, just as Bette Midler would probably describe it.作者: 恭維 時(shí)間: 2025-3-27 08:56 作者: amplitude 時(shí)間: 2025-3-27 10:29
Richard C. Sicher,James A. Buncel self and crafted fictional and future identities. Listening became inseparable from loving; loving the band meant imagining Jordan Knight as love object. As I retreated into the sonic pleasure of ., I imbibed the romantic ideals of its lyrics to escape in repeatable fifty-minute increments the traumas of my real life in those turbulent years.作者: excursion 時(shí)間: 2025-3-27 16:04 作者: placebo 時(shí)間: 2025-3-27 21:35
Combining Artificial Neural Netsgramming, music videos, concert footage, and tour merchandise taken as a whole. The reflection illustrates the ways in which ., helped me to accept and, eventually, embrace my experience as a fat teenage girl. . is the soundtrack to my reclamation of my body, myself, the space I take up, and my unwillingness to apologize for it.作者: 團(tuán)結(jié) 時(shí)間: 2025-3-28 00:57
Kaoru Hirota,Yoichi Yamazaki,Fangyan Dongt suggest that self-selected resistant adolescent leisure activities are necessarily hedonistic and self-destructive. Instead, I aim to illustrate how my exposure to politically charged music helped me develop my own political perspective and identity, and lay the groundwork for a career in ethnomusicology.作者: commensurate 時(shí)間: 2025-3-28 05:11 作者: EPT 時(shí)間: 2025-3-28 07:45
https://doi.org/10.1007/978-981-10-3827-3periment with cross-dressing and embrace my attraction to (boys who looked like) girls. My love of Panic! At the Disco led me to critique homophobia and helped me build the courage and conviction to leave my conservative church.作者: 抗生素 時(shí)間: 2025-3-28 13:33 作者: Palpable 時(shí)間: 2025-3-28 16:06
,“,”: Loving and Listening to New Kids on the Block as a Jamaican Adolescent,l self and crafted fictional and future identities. Listening became inseparable from loving; loving the band meant imagining Jordan Knight as love object. As I retreated into the sonic pleasure of ., I imbibed the romantic ideals of its lyrics to escape in repeatable fifty-minute increments the traumas of my real life in those turbulent years.作者: 吹牛需要藝術(shù) 時(shí)間: 2025-3-28 21:52 作者: 東西 時(shí)間: 2025-3-29 00:58
,“,”: ,, and the Reclamation of a Teenage Fat Body During the “Age of Fatphobia”,gramming, music videos, concert footage, and tour merchandise taken as a whole. The reflection illustrates the ways in which ., helped me to accept and, eventually, embrace my experience as a fat teenage girl. . is the soundtrack to my reclamation of my body, myself, the space I take up, and my unwillingness to apologize for it.作者: 植物學(xué) 時(shí)間: 2025-3-29 05:46
,Rage Against the Machine’s ,: An Autoethnography of Music and Political Socialization in Early Adolt suggest that self-selected resistant adolescent leisure activities are necessarily hedonistic and self-destructive. Instead, I aim to illustrate how my exposure to politically charged music helped me develop my own political perspective and identity, and lay the groundwork for a career in ethnomusicology.作者: 偽造 時(shí)間: 2025-3-29 09:11
,Everything Will Change: Revisiting The Postal Service’s ,nd yet, despite this, we still become ourselves. Mackenzie analyzes nostalgia through their discovery of . by The Postal Service in 2003, when they were a young, queer teenager, and as an adult, when they attend the anniversary tour in 2023.作者: CHOKE 時(shí)間: 2025-3-29 15:22 作者: 獸群 時(shí)間: 2025-3-29 16:12 作者: 船員 時(shí)間: 2025-3-29 22:41
Management of Vestibular Schwannomas, in the context of its troubled representation of masculinity, aware of contemporary research on “incel” culture, and how the rage contained on the record has in many sad ways become unleashed in acts of violence.作者: 侵害 時(shí)間: 2025-3-30 00:53
Applications and Numerical Experiments,ing engagement with music for its political and transgressive potential: Young people, in particular, used music to challenge entrenched identity paradigms, resist hegemonic power structures, and align with diverse affinity groups.作者: 牲畜欄 時(shí)間: 2025-3-30 07:26
Lecture Notes in Electrical Engineeringself—in all its contradictions, flux, and uncertainty—both in adolescence and in adulthood. Today, as I hear, rehear, remember, and (re)imagine the album, . reminds me that my thoughts, feelings, and response to living in this culture, this world, at this time are valid.作者: 小溪 時(shí)間: 2025-3-30 08:19 作者: 坦白 時(shí)間: 2025-3-30 14:04
,‘What’s it like to be a fucked-up teenager?’: Violent Femmes, a Primal Scream for Generation X, in the context of its troubled representation of masculinity, aware of contemporary research on “incel” culture, and how the rage contained on the record has in many sad ways become unleashed in acts of violence.作者: Complement 時(shí)間: 2025-3-30 17:19 作者: 諄諄教誨 時(shí)間: 2025-3-31 00:17
Prude Pirates and Other Contradictory Bodies: Gender, Ideology, and Identity in Adolescence,self—in all its contradictions, flux, and uncertainty—both in adolescence and in adulthood. Today, as I hear, rehear, remember, and (re)imagine the album, . reminds me that my thoughts, feelings, and response to living in this culture, this world, at this time are valid.作者: Aviary 時(shí)間: 2025-3-31 01:56 作者: 勛章 時(shí)間: 2025-3-31 07:45 作者: FIR 時(shí)間: 2025-3-31 12:13
https://doi.org/10.1007/978-3-031-11619-3 well they play together. Sandwiched between the Stones’ last two relevant records, . is one of the better old white rocker attempts at disco, but does little to stave off the ascent of young punks newly adopting the Rolling Stones arena rock template.作者: Cantankerous 時(shí)間: 2025-3-31 13:39 作者: Emmenagogue 時(shí)間: 2025-3-31 18:10
Gy?rgy Schultz,István Hargittaig a rip on Napster. These digital tools fostered my interest in media from other cultures, exposed me to new ways of thinking about gender and sexuality, and thus helped me negotiate my own evolving identity as a queer adolescent.作者: 縮影 時(shí)間: 2025-4-1 01:29
Part I: The 1980s,’s hypermasculinity and gender fluidity as reflected in the public consciousness and popular music culture. Finally, this chapter connects the salient themes of the decade to the selected album essays in order to explore the ways in which contributors’ formative musical experiences illuminate the so作者: Impugn 時(shí)間: 2025-4-1 05:06
,Something I Can Say, Something I Can Do: I’ve Come for , well they play together. Sandwiched between the Stones’ last two relevant records, . is one of the better old white rocker attempts at disco, but does little to stave off the ascent of young punks newly adopting the Rolling Stones arena rock template.作者: 富饒 時(shí)間: 2025-4-1 08:11
Part III: The 2000s,ion of P2P sharing sites and widely accessible digital music. Further, this chapter examines the decade’s progressing culture consciousness regarding gender, sexuality, and identity in popular music. Lastly, this chapter relates the overarching themes of the aughts to the consecutive album essays in作者: 死亡 時(shí)間: 2025-4-1 11:32
Raising My Voice: Japanese Visual Kei and Musical (Self-)discovery,g a rip on Napster. These digital tools fostered my interest in media from other cultures, exposed me to new ways of thinking about gender and sexuality, and thus helped me negotiate my own evolving identity as a queer adolescent.作者: 的是兄弟 時(shí)間: 2025-4-1 16:45
Book 2024bum of their adolescence. And third, by critiquing the act of music consumption in relation to identity construction and cultural remembering. By examining these influential albums, we can better understand the role of popular culture in identity construction and the long-term impact of these format
