標(biāo)題: Titlebook: Error, Ambiguity, and Creativity; A Multidisciplinary Sita Popat,Sarah Whatley Book 2020 The Editor(s) (if applicable) and The Author(s) 2 [打印本頁] 作者: irritants 時間: 2025-3-21 18:24
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作者: nauseate 時間: 2025-3-21 21:27 作者: Flirtatious 時間: 2025-3-22 02:44 作者: INTER 時間: 2025-3-22 08:14 作者: figure 時間: 2025-3-22 10:34
Dorothy N. Y. Fan,Clemens A. Schmittliberate accidents. Linked to this are computer-generated chance processes—randomness and ‘glitch’. All these concepts may be rooted, and play well against, the eighteenth-century ‘ruin lust’—the idea that the destroyed has a unique appeal—a source of both visual and emotional fascination, lending a作者: Nonconformist 時間: 2025-3-22 14:32
Gowrishankar Banumathy,Peter D. Adams, to a post-mechanistic scenario prevailing since the start of the twentieth century, where indeterminacy instead is the predominant feature of an intrinsically chaotic world. In this scenario, Shannon’s Information Theory reconceptualized entropy as presence that needs to be capitalized and current作者: Nonconformist 時間: 2025-3-22 18:20 作者: Gourmet 時間: 2025-3-22 22:20
https://doi.org/10.1007/978-1-4615-3724-3s are expended to prevent error: for instance, to avoid wrong-site surgery or to prevent the incorrect blood group being given during a transfusion. Most would agree that resources deployed to prevent these errors are appropriate. But, how far does a healthcare system go to prevent error? There are 作者: GNAT 時間: 2025-3-23 03:48
https://doi.org/10.1007/BFb0094429c, processes and aesthetics of digital mapping technologies. The first scope of this paper is to frame these projects as strategies of .-. adopted in response to the rise of mapping technologies such as Google Maps, Google Street View and Google Earth. The second scope is to describe the subjects be作者: chemoprevention 時間: 2025-3-23 07:46 作者: landfill 時間: 2025-3-23 11:19 作者: 供過于求 時間: 2025-3-23 17:49 作者: 玉米棒子 時間: 2025-3-23 19:10 作者: aerial 時間: 2025-3-24 01:12 作者: overbearing 時間: 2025-3-24 05:22
Sita Popat,Sarah WhatleyDraws together essays on arts, humanities, engineering, and medicine to comment upon the creative potential of error and ambiguity.Features scholars and practitioners from a broad range of disciplines作者: Subdue 時間: 2025-3-24 07:35 作者: Endemic 時間: 2025-3-24 13:52
https://doi.org/10.1007/978-3-030-39755-5Error as a creative tool; Error Network project; Ambiguity; Creative potential; Arts; Humanities; Social s作者: 兇兆 時間: 2025-3-24 17:21
Dorothy N. Y. Fan,Clemens A. Schmittliberate accidents. Linked to this are computer-generated chance processes—randomness and ‘glitch’. All these concepts may be rooted, and play well against, the eighteenth-century ‘ruin lust’—the idea that the destroyed has a unique appeal—a source of both visual and emotional fascination, lending authenticity from the ancient world.作者: fructose 時間: 2025-3-24 22:54 作者: Intersect 時間: 2025-3-25 01:15 作者: 六邊形 時間: 2025-3-25 05:32 作者: 芳香一點 時間: 2025-3-25 11:08
Introduction,ing a brief description of the context in which the idea of ‘error’ operates in various fields, the Introduction then gives a short overview of each chapter’s approach to the creative potential of error and/or ambiguity, and how the authors define these terms in the particular context of their own discipline.作者: figure 時間: 2025-3-25 12:10
Creative Thought-Spaces Nested in Ambiguity,e unknown, trying to describe the untouchable, making choreography. Objects are moved around their translations, transposed into transgressing boundaries. What on earth would make this meaningful? It could be art that stimulates us to insights that make us capable to deal with the uncertainty and fuzziness we cannot escape.ss作者: Nomadic 時間: 2025-3-25 17:36 作者: single 時間: 2025-3-25 21:51 作者: 水土 時間: 2025-3-26 02:29 作者: 故意釣到白楊 時間: 2025-3-26 06:58 作者: GEST 時間: 2025-3-26 09:45
Chun Shik Park,H. Daniel Lacorazzae unknown, trying to describe the untouchable, making choreography. Objects are moved around their translations, transposed into transgressing boundaries. What on earth would make this meaningful? It could be art that stimulates us to insights that make us capable to deal with the uncertainty and fuzziness we cannot escape.ss作者: 核心 時間: 2025-3-26 14:06
https://doi.org/10.1007/978-1-4615-3724-3diminishing returns with continued investment to avoid error, and with rising healthcare costs, a finite point must be reached in the War on Error. Maybe there is room for disruptive invention based on error. I will explore how error might be embraced, safely, to foster improvements in people’s lives through evolving healthcare innovations.作者: 動作謎 時間: 2025-3-26 20:40 作者: RALES 時間: 2025-3-26 22:31
Martha Triantafilou,Kathy Triantafiloue second part of the chapter I focus specifically on breaking. I look at how b-boys and b-girls use ‘crashing’, a vernacular term for a physical error, as an opportunity for creative reinvention and a vital skill that can be deployed in other areas of their lives.作者: Camouflage 時間: 2025-3-27 03:41
Gowrishankar Banumathy,Peter D. Adamsurther expose my own artistic practices dealing with reconceptualizations and experiential techniques of movement, perception and the body which elaborate a positive account of sustained or consistent indeterminacy.作者: Emasculate 時間: 2025-3-27 08:46
Beyond Error: Philosophy of Indeterminacy in the Age of Algorithms,urther expose my own artistic practices dealing with reconceptualizations and experiential techniques of movement, perception and the body which elaborate a positive account of sustained or consistent indeterminacy.作者: PHAG 時間: 2025-3-27 13:04 作者: jungle 時間: 2025-3-27 17:30
scholars and practitioners from a broad range of disciplinesThis book offers a set of eleven discipline-specific chapters from across the arts, humanities, psychology, and medicine. Each contributor considers the creative potential of error and/or ambiguity, defining these terms in the particular co作者: Keratin 時間: 2025-3-27 19:51
Cellular Respiration and Carcinogenesis and creativity. The essay homes in on materiality, representation and interaction to argue for ambiguity as key to developing user tactics, i.e. a critical stance towards the pervasive socio-digital condition.作者: Expediency 時間: 2025-3-27 22:17
https://doi.org/10.1007/978-3-319-22819-8 minds choose which of many possibilities is the most plausible is at the heart of understanding human behaviour, and gives us an insight into how and when ambiguity can be used to enhance creative problem-solving.作者: 整潔 時間: 2025-3-28 03:04 作者: 性別 時間: 2025-3-28 06:30 作者: 粗野 時間: 2025-3-28 11:53 作者: 反復(fù)無常 時間: 2025-3-28 18:03
,Tactical Ambiguity: Materiality, Representation and Interaction in Evan Meaney’s Glitched Portraits and creativity. The essay homes in on materiality, representation and interaction to argue for ambiguity as key to developing user tactics, i.e. a critical stance towards the pervasive socio-digital condition.作者: 里程碑 時間: 2025-3-28 21:39
Ambiguity in Psychology, minds choose which of many possibilities is the most plausible is at the heart of understanding human behaviour, and gives us an insight into how and when ambiguity can be used to enhance creative problem-solving.作者: 工作 時間: 2025-3-29 01:28 作者: 不持續(xù)就爆 時間: 2025-3-29 03:36
Perhaps This Cannot Be Anything (on Exercises in , and ,, Which Make Use of , in Processes of ,),hes. The results of these activities raise questions relating to a particular value of critical approaches within design and specifically in terms of the characteristics of outcomes that might result from such an enquiry.作者: Amorous 時間: 2025-3-29 09:20
Error as Music Composition: Human and Material Agencies,ction will discuss several case studies from my own compositions in which error and ambiguity play a central role; (1) those that rely on the accuracy-gap between human and computer and (2) those that foreground a balancing act between human and material agencies.作者: 一致性 時間: 2025-3-29 11:48
Book 2020tch in arts practices that exploit errors in computer programmes, or even create programmes specifically to produce errors. Together, the chapters explore how error can take us somewhere different or somewhere new, to develop a new, more interestingway of working.?作者: Fester 時間: 2025-3-29 17:13
s specifically to produce errors. Together, the chapters explore how error can take us somewhere different or somewhere new, to develop a new, more interestingway of working.?978-3-030-39757-9978-3-030-39755-5作者: 誘導(dǎo) 時間: 2025-3-29 21:04 作者: NAG 時間: 2025-3-30 01:56 作者: patella 時間: 2025-3-30 04:34
,Tactical Ambiguity: Materiality, Representation and Interaction in Evan Meaney’s Glitched Portraitstechnological dependence and disruption with art historical image readings informed by semiotics and phenomenology, applied in a qualitative case study on Evan Meaney’s video installation . (2008). The artwork consists of glitched recordings presented on the artist’s website, analysed together to ar作者: theta-waves 時間: 2025-3-30 08:45 作者: 指令 時間: 2025-3-30 14:31
Art of the Accident,liberate accidents. Linked to this are computer-generated chance processes—randomness and ‘glitch’. All these concepts may be rooted, and play well against, the eighteenth-century ‘ruin lust’—the idea that the destroyed has a unique appeal—a source of both visual and emotional fascination, lending a
