標題: Titlebook: Entr‘a(chǎn)cte; Performing Publics, Jordan Geiger Book 2015 Palgrave Macmillan, a division of Nature America Inc. 2015 architecture.model.publi [打印本頁] 作者: Neogamist 時間: 2025-3-21 18:50
書目名稱Entr‘a(chǎn)cte影響因子(影響力)
書目名稱Entr‘a(chǎn)cte影響因子(影響力)學(xué)科排名
書目名稱Entr‘a(chǎn)cte網(wǎng)絡(luò)公開度
書目名稱Entr‘a(chǎn)cte網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Entr‘a(chǎn)cte被引頻次
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書目名稱Entr‘a(chǎn)cte讀者反饋
書目名稱Entr‘a(chǎn)cte讀者反饋學(xué)科排名
作者: definition 時間: 2025-3-21 21:38 作者: CANE 時間: 2025-3-22 01:07
Use and Misuse of the United States Census and feel like in this rapidly changing future? Suddenly, Yla’s future seemed really uncertain and hard to project. I asked myself what I could imagine about his life experience and what it was that I wished the most for my unborn son. As for my wish, I decided that it would culminate in one vision:作者: 不感興趣 時間: 2025-3-22 08:02 作者: Carcinoma 時間: 2025-3-22 10:23 作者: 萬神殿 時間: 2025-3-22 16:57 作者: 萬神殿 時間: 2025-3-22 19:29 作者: 串通 時間: 2025-3-22 22:30 作者: 愉快嗎 時間: 2025-3-23 02:57
Growing the Seeds of Changeine. In a time of extreme political turbulence it was a constant reminder never to forget the reality around in Europe of the late 1930s.”. I saw this contemporary reader of Lenin who was fully immersed in his book in El Campo de Cebada in Madrid (Figure 8.1). I came to visit this public urban garde作者: 使人入神 時間: 2025-3-23 07:29
2946-3092 to the otherwise sometimes inert space between stage and pit. This collection employs the entr‘a(chǎn)cte as a model for conceptualizing emerging formations of publics and of public space.978-1-349-49280-0978-1-137-41418-2Series ISSN 2946-3092 Series E-ISSN 2946-3106 作者: 一個攪動不安 時間: 2025-3-23 11:37
Useful Plants of Neotropical Originpe—24-hour cable news networks, interactive media, blogs, tweets, comment strings, etc.—alter both how and what we know about our world. Despite the frenzy of the popular press over nature-related stories, about the latest climate change findings or giant storms and forest fires, popular media generally fail to impart a . of the natural world.作者: dry-eye 時間: 2025-3-23 15:48
Innovating Around Context Awareness,ries of light pavilions on which video images were cast, and which were shaped like the beam of a projector, and a sound network consisting of a series of speaker towers, each tied to one of 24 different tracks of a single composition.作者: Compassionate 時間: 2025-3-23 20:19 作者: 反對 時間: 2025-3-23 22:49
Looking into Nature: Learning and Delight in a STE[A]M Parkpe—24-hour cable news networks, interactive media, blogs, tweets, comment strings, etc.—alter both how and what we know about our world. Despite the frenzy of the popular press over nature-related stories, about the latest climate change findings or giant storms and forest fires, popular media generally fail to impart a . of the natural world.作者: 有效 時間: 2025-3-24 05:03 作者: Diverticulitis 時間: 2025-3-24 07:19 作者: 得意人 時間: 2025-3-24 12:44
https://doi.org/10.1007/978-1-4614-9466-9of digitally networked technologies and social media, we are confronted with the collective, the virtual doppelg?riger of the crowd. It defies representation but can be coordinated to perform acts of protest, creativity, and wisdom.作者: 情感脆弱 時間: 2025-3-24 16:51
Crowd Choreographiesof digitally networked technologies and social media, we are confronted with the collective, the virtual doppelg?riger of the crowd. It defies representation but can be coordinated to perform acts of protest, creativity, and wisdom.作者: Factual 時間: 2025-3-24 20:01 作者: 一再困擾 時間: 2025-3-25 03:13 作者: 有惡意 時間: 2025-3-25 06:45 作者: 青春期 時間: 2025-3-25 09:45 作者: 愛了嗎 時間: 2025-3-25 13:00
2946-3092 to the otherwise sometimes inert space between stage and pit. This collection employs the entr‘a(chǎn)cte as a model for conceptualizing emerging formations of publics and of public space.978-1-349-49280-0978-1-137-41418-2Series ISSN 2946-3092 Series E-ISSN 2946-3106 作者: Projection 時間: 2025-3-25 19:27
https://doi.org/10.1007/978-3-658-15959-7, and does the entr’acte bring that to light? For as stated in this book’s introductory essay: “the entr’actes greatest potential exists in the social and material amalgams that rapidly organize and refigure the commons.” But what kind of commons?作者: 我正派 時間: 2025-3-25 21:55 作者: choleretic 時間: 2025-3-26 03:56
Avant-Gardes in Performancehttp://image.papertrans.cn/e/image/311885.jpg作者: Resistance 時間: 2025-3-26 05:43
Use Cases of Discrete Event Simulationd of the binding that assures a hard boundary and a sequence to the volume, seems inherently ill suited, misguided. This book has ordering systems that refer to its subject matter by scales, yet the range is infinitely extensible as a grid and promises to frustrate any hope for its completion or arr作者: Obstruction 時間: 2025-3-26 11:05 作者: Pepsin 時間: 2025-3-26 15:16 作者: 宴會 時間: 2025-3-26 18:21
https://doi.org/10.1007/978-3-658-10376-7ehran to Cairo and from Madrid to New York, citizens have claimed streets and squares to press citizenship claims and realize more insurgent forms of self-government. In parallel, they have used smartphones and computers along with social media, blogs, and crowdmaps to assemble online and in digital作者: 白楊魚 時間: 2025-3-26 22:03
https://doi.org/10.1007/978-1-4939-0721-2uded recurring relationships, archetypes, scale, time, and complexity. The environment’s imageability was also defined by the reciprocal relationships between the observer and the city, enabling the observer to construct his or her subjectivity and meaning based upon experience, memory, and culture.作者: 蕁麻 時間: 2025-3-27 02:55 作者: Evacuate 時間: 2025-3-27 06:40 作者: Ergots 時間: 2025-3-27 10:47
Useful Plants of Neotropical Origin to gather and the resulting new understandings have utterly transformed human knowledge over and over again.. Today, transitions in the media landscape—24-hour cable news networks, interactive media, blogs, tweets, comment strings, etc.—alter both how and what we know about our world. Despite the f作者: falsehood 時間: 2025-3-27 13:42 作者: 跳動 時間: 2025-3-27 19:33 作者: 虛構(gòu)的東西 時間: 2025-3-28 01:58 作者: employor 時間: 2025-3-28 03:31
https://doi.org/10.1057/9781137414182architecture; model; public space; stage作者: LAIR 時間: 2025-3-28 08:47 作者: ICLE 時間: 2025-3-28 10:50
Entr‘a(chǎn)cte978-1-137-41418-2Series ISSN 2946-3092 Series E-ISSN 2946-3106 作者: aggressor 時間: 2025-3-28 15:30 作者: 遭遇 時間: 2025-3-28 19:00
Cloud Megastructures and Platform Utopiass of computation spinning off one by one, perhaps they cohere into something like a global Stack, with ., and . layers. If so, then at the scale of the city, this Stack retains its fondness for megastructures.作者: defeatist 時間: 2025-3-29 01:07
“Hello! My Name Is Sophia,” I Am Going to Tweet Democracy, Google My College Degree, and 3-D Print Mh another three hours to go, I was leafing through . magazine and came across a two-page spread—a picture of a newborn baby girl on a black background with a text overlay. The title of the piece read “Hello. My name is Sophia, I’m an American baby born in 2012, and I already know a few things about 作者: scrutiny 時間: 2025-3-29 03:23
The Hypercity That Occupy Builtehran to Cairo and from Madrid to New York, citizens have claimed streets and squares to press citizenship claims and realize more insurgent forms of self-government. In parallel, they have used smartphones and computers along with social media, blogs, and crowdmaps to assemble online and in digital作者: BUOY 時間: 2025-3-29 09:02 作者: 裂隙 時間: 2025-3-29 12:28
Crowd Choreographiescome a senseless mob. Its first casualty was architecture, which it destroyed if its movement was impeded or its growth was curtailed. However, in the work of the postwar architectural avant-garde, the crowd became an entity to be embraced. In it were the seeds of vibrancy that could animate archite作者: 衰弱的心 時間: 2025-3-29 17:03
