標題: Titlebook: Entrepreneurship in the Creative Industries; How Innovative Agent Phillip McIntyre,Janet Fulton,Michael Meany Book 2023 The Editor(s) (if a [打印本頁] 作者: squamous-cell 時間: 2025-3-21 17:53
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書目名稱Entrepreneurship in the Creative Industries影響因子(影響力)學科排名
書目名稱Entrepreneurship in the Creative Industries網(wǎng)絡(luò)公開度
書目名稱Entrepreneurship in the Creative Industries網(wǎng)絡(luò)公開度學科排名
書目名稱Entrepreneurship in the Creative Industries被引頻次
書目名稱Entrepreneurship in the Creative Industries被引頻次學科排名
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書目名稱Entrepreneurship in the Creative Industries年度引用學科排名
書目名稱Entrepreneurship in the Creative Industries讀者反饋
書目名稱Entrepreneurship in the Creative Industries讀者反饋學科排名
作者: 媒介 時間: 2025-3-21 20:44
Phillip McIntyre,Janet Fulton,Michael MeanyExamines the contextual forces which led to the emergence of entrepreneurialism in the creative industries.Drills down into the practices, skills, and business models necessary for the undertaking of 作者: archenemy 時間: 2025-3-22 00:35
http://image.papertrans.cn/e/image/311830.jpg作者: 一個姐姐 時間: 2025-3-22 06:12 作者: 謙卑 時間: 2025-3-22 09:46
https://doi.org/10.1007/978-3-642-99373-2It sees contexts as spatial, temporal, and discursive spaces, interconnected or woven together with other connected spaces or structures, which are linked to, precede, or follow other discursive spaces that also operate hierarchically both above and below the ones we exist in. They are, in essence, 作者: 他很靈活 時間: 2025-3-22 15:42
https://doi.org/10.1007/978-1-349-06224-9ontext, examining it through the development of the political ideology of neoliberalism, and exploring the duality of philosophical, political, and economic oppositions that it resides within. We briefly examine the thinking that sits behind neoliberalism before looking at the notion of complementar作者: 他很靈活 時間: 2025-3-22 18:22 作者: 確定無疑 時間: 2025-3-22 22:08
Wolfgang H?hn,Torsten H. Franssonheoretical antecedents of the ideas underpinning entrepreneurship in the creative industries. We discovered where those big picture ideas came from, as we explored the interconnections between entrepreneurialism, creative industries, creativity, and systems and how they have developed. This chapter 作者: multiply 時間: 2025-3-23 04:59
G. Carte,P. Fraunié,P. Dussouillezto operate successfully in any field. This chapter details many of the things that all those engaging in entrepreneurial activity would be wise to know. It highlights what you need in your compendium of knowledge in order to successfully run a business you may have started in the creative industries作者: ADJ 時間: 2025-3-23 06:47 作者: audiologist 時間: 2025-3-23 09:47
Cultural Expressions of Resilience,ular music field. For those working in the classical areas, in orchestras, theater, and operas, contractual arrangements have been closer to the norm. Radio, on the other hand, has had a much greater propensity to operate in a very structured way and tends to employ people on a full-time or contract作者: 知道 時間: 2025-3-23 15:45 作者: Chronological 時間: 2025-3-23 22:06
Unsupervised Learning Algorithmsty of marketplace requirements for those working in the visual and performing arts. This marketplace requires artists to be experimental and innovative, pushing the frontiers of art as they capitalize on developing a distinctively marketable individuality. Artists must become entrepreneurial in orde作者: 斗爭 時間: 2025-3-23 23:41 作者: Comprise 時間: 2025-3-24 02:29 作者: 光滑 時間: 2025-3-24 08:43 作者: 休戰(zhàn) 時間: 2025-3-24 12:54
https://doi.org/10.1007/978-3-662-66114-7willing to take risks, sometimes enormous ones, in pursuing their goals. At the same time the entrepreneurial activity we illustrated was never the exclusive outgrowth of these decision-making agents’ actions alone. Each of the case studies we presented saw individuals interacting with and using the作者: textile 時間: 2025-3-24 18:24
978-3-031-19457-3The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 剝皮 時間: 2025-3-24 20:19
Book 2023se who found a way to successfully gain an income in the creative industries. It highlights the practical knowledge they gathered, how they negotiated their field of endeavour, and the decisions they made in the real world..Fundamentally the book answers three questions: How and why did we get here?作者: CANON 時間: 2025-3-25 03:08 作者: RODE 時間: 2025-3-25 06:12
https://doi.org/10.1007/978-3-642-99373-2e ideas are examined. This chapter concludes with the idea that a multitude of innovators have capitalized on emerging markets, allowing them to experiment with new products and business models as corporations have strengthened their presence worldwide in a form of ‘glocalized’ activity.作者: Indurate 時間: 2025-3-25 10:29 作者: MEET 時間: 2025-3-25 15:05
C. W. Hamm,W. Terres,W. Bleifeldchniques, and the domain are crucially important to gaining an income. In doing so, we provide a well thought-out, evidence-based explanation of how choice-making entities, agents, negotiate a place in the sociocultural systems they work within.作者: Interstellar 時間: 2025-3-25 18:51
Wolfgang H?hn,Torsten H. Franssonenter of the system, and previous chapters have clearly shown the interconnections between social, cultural, and individual structures, it can also be demonstrated that personal and often idiosyncratic skill sets are still a necessary part of this creative entrepreneurial system in action. We conclu作者: Dignant 時間: 2025-3-25 20:34
G. Carte,P. Fraunié,P. Dussouillez bookkeeping. We describe this knowledge as entrepreneurial domain knowledge and argue it must intersect with the domain knowledge of how to make specific cultural products in order for creative agents to gain an income.作者: innate 時間: 2025-3-26 03:15
The Jeanes Teacher Fund (1908–1960)onstrate the deep interconnectedness that exists within the creative system we are detailing in this book. The crucial thing to remember is that nothing occurs in isolation from anything else. Creative industry entrepreneurs in the twenty-first century are deeply connected socially, technologically,作者: 食品室 時間: 2025-3-26 07:30 作者: Gobble 時間: 2025-3-26 12:24 作者: 賠償 時間: 2025-3-26 14:33 作者: 搖曳 時間: 2025-3-26 19:53 作者: 粗魯性質(zhì) 時間: 2025-3-26 21:29
Heute schwebte das Thema am Fenster vorbeithe related term ‘intrapreneur’ refers to those who work within a business, not necessarily as the owner, as they take on the responsibility of creating innovation inside that business. ‘Technopreneurs’ exploit technology. We make a distinction between the industry, operating at the macro level, and作者: insipid 時間: 2025-3-27 02:50 作者: MODE 時間: 2025-3-27 07:15 作者: 冥界三河 時間: 2025-3-27 10:34 作者: 都相信我的話 時間: 2025-3-27 15:14 作者: 出汗 時間: 2025-3-27 17:57
Theoretical Contexts of Entrepreneurship in the Creative Industriesm and the development of phenomenology, before conjoining them, we argue that there is a complementarity to what appear to be binary opposites: free markets and planned economies, the individual and the collective, free will and determinism, agency and structure.作者: Ligneous 時間: 2025-3-28 01:35
Systems of Creative Industries Entrepreneurship: A Frameworkchniques, and the domain are crucially important to gaining an income. In doing so, we provide a well thought-out, evidence-based explanation of how choice-making entities, agents, negotiate a place in the sociocultural systems they work within.作者: Monotonous 時間: 2025-3-28 03:52 作者: 地殼 時間: 2025-3-28 06:17 作者: constitutional 時間: 2025-3-28 10:42 作者: 全面 時間: 2025-3-28 18:18 作者: 貿(mào)易 時間: 2025-3-28 22:35 作者: 奇怪 時間: 2025-3-28 23:26 作者: 解開 時間: 2025-3-29 03:49 作者: 彩色 時間: 2025-3-29 10:08 作者: evasive 時間: 2025-3-29 12:14
Conclusions and Caveats of Entrepreneurship in the Creative Industriesthe non-linear interactions of all three. It is the broad contexts seen in the emergence of digitization, globalization, and neoliberalism that provided the grounds for this entrepreneurial and systemic action. This chapter concludes with the declaration that, even when things change contextually, a作者: Alienated 時間: 2025-3-29 19:35
kills, and business models necessary for the undertaking of This books provides a critical perspective on entrepreneurialism in the creative industries. Split into three sections, the book first asks the contextual question; why, at this point in time, did we arrive at such a focus on entrepreneursh作者: 下級 時間: 2025-3-29 23:05 作者: ADAGE 時間: 2025-3-30 00:12 作者: 無能的人 時間: 2025-3-30 04:26 作者: mortuary 時間: 2025-3-30 10:37 作者: 混雜人 時間: 2025-3-30 13:50
Socio-Historical Context of Entrepreneurship in the Creative IndustriesIt sees contexts as spatial, temporal, and discursive spaces, interconnected or woven together with other connected spaces or structures, which are linked to, precede, or follow other discursive spaces that also operate hierarchically both above and below the ones we exist in. They are, in essence,
