作者: ingestion 時(shí)間: 2025-3-21 23:35 作者: 思鄉(xiāng)病 時(shí)間: 2025-3-22 01:24
Entertaining Children978-1-137-30546-6Series ISSN 2947-5767 Series E-ISSN 2947-5775 作者: 流浪者 時(shí)間: 2025-3-22 05:57 作者: Platelet 時(shí)間: 2025-3-22 10:44 作者: Commentary 時(shí)間: 2025-3-22 15:44
2947-5767 ons into the employment and participation of children in the entertainment industry with examples drawn from historical and contemporary contexts.978-1-349-45482-2978-1-137-30546-6Series ISSN 2947-5767 Series E-ISSN 2947-5775 作者: Commentary 時(shí)間: 2025-3-22 20:10 作者: 被詛咒的人 時(shí)間: 2025-3-22 21:54
https://doi.org/10.1057/9781137305466education; theatre; youth; childhood studies作者: Entreaty 時(shí)間: 2025-3-23 03:52 作者: 類人猿 時(shí)間: 2025-3-23 07:25
Yujing Chu,Songmao Wang,Yang Yang,Tong Dingward economic development, a theory that issued from the Enlightenment period. With the double objective of the exploitation by the State of a cheap workforce and of the reduction of poverty and criminality rates, the destitute became the new focus of vocational training and the Kingdom of Naples im作者: Explosive 時(shí)間: 2025-3-23 12:24
Leisure Spaces and the Aesthetics of Europe, years with a theatrical troupe Marsh managed. This was an economically pivotal time for boy workers in all walks of life as traditional apprenticeships mutated into cash wage jobs. The Marsh-Stewart arrangement encompasses elements of both the traditional craft apprenticeship and its successor, the作者: 調(diào)味品 時(shí)間: 2025-3-23 16:48 作者: 攀登 時(shí)間: 2025-3-23 21:06
https://doi.org/10.1007/978-3-658-42362-9nce-based leisure industry and the emergence of the emotionally valued, sentimentalized cult of the child—were brought together and became mutually reinforcing. The representations of childhood that emerged from this symbiosis fuelled the aspirations of an increasingly child-focused society, concern作者: 技術(shù) 時(shí)間: 2025-3-23 23:56
Wolfgang Strasdas,Runa Zeppenfeldchild as priceless object, and, conversely, as exploitable entity. Child performers had become enormously popular attractions on the late eighteenth-century and early nineteenth-century stage, but commercial cinema, with its global reach and sophisticated production methods, offered the possibility 作者: cunning 時(shí)間: 2025-3-24 03:13
https://doi.org/10.1007/978-3-658-08423-3engagement as a child performer.. In fact I considered myself to be an experienced jobbing actress who had to fight hard through the many days of large-group auditions and screen tests required by the Anglo/American team of producers for this film series intended for the small screen. I was cast as 作者: 抵制 時(shí)間: 2025-3-24 06:39
,?konomische Bedeutung des Tourismus,g her job to cover the nascent newsboys’ strike. During her first-act solo turn, Katherine sits alone at her typewriter: “Give those kids and me the brand new century and watch what happens.”. Set in 1899 and based on the true story of a high-profile children’s strike that set the stage for labor re作者: artless 時(shí)間: 2025-3-24 14:28
Reiseberatung und Reisedarbietung,), gained its first international success with the performance ., which involved children as performers and facilitators. . was preceded by an earlier collaboration involving children, . (2005). Prior to this piece, Mammalian made performance by and for adults, involving variously or in combination,作者: observatory 時(shí)間: 2025-3-24 17:15
https://doi.org/10.1007/978-3-031-45848-4had been initiated and produced as a cultural and personal mission by the English impresario John Coast, with the support of Indonesia’s first president, Soekarno. The “l(fā)ittle . dancers” came from the traditional Balinese village of Peliatan, near Ubud in central Bali. Although Bali’s exotic allure 作者: Friction 時(shí)間: 2025-3-24 19:05
Adrián Mendieta-Aragón,Raquel Arguedas-Sanzcular the role of children working in theater. Yet, similar issues that relate especially to traditional local theatrical performances in a non-European context have been insufficiently examined. One such example is Taiwanese opera (.: song drama). Similar to Beijing opera (or Peking opera), but dis作者: Accommodation 時(shí)間: 2025-3-25 00:00 作者: Schlemms-Canal 時(shí)間: 2025-3-25 05:38 作者: 負(fù)擔(dān) 時(shí)間: 2025-3-25 09:08
Yujing Chu,Songmao Wang,Yang Yang,Tong Dings (theaters, music-copying houses), and saw civic institutions contribute to this development. The object of this chapter is to show the interaction between economic and cultural pressures upon the vocational training of this workforce.作者: 頂點(diǎn) 時(shí)間: 2025-3-25 15:02 作者: Gustatory 時(shí)間: 2025-3-25 16:02 作者: Femish 時(shí)間: 2025-3-25 22:55 作者: Germinate 時(shí)間: 2025-3-26 04:06 作者: 可轉(zhuǎn)變 時(shí)間: 2025-3-26 07:13 作者: Abjure 時(shí)間: 2025-3-26 10:58 作者: 禁止,切斷 時(shí)間: 2025-3-26 14:22 作者: LATHE 時(shí)間: 2025-3-26 18:30
Children and Youth of the Empire: Tales of Transgression and Accommodationned the existence of these troupes for three decades; the highest density occurred during the years 1900–1910. With itineraries that sometimes included South Africa and Canada, the Empire (as distinct from “the East”) constituted their geographic range.作者: 欲望 時(shí)間: 2025-3-26 23:53 作者: Endometrium 時(shí)間: 2025-3-27 03:58 作者: finite 時(shí)間: 2025-3-27 06:22 作者: CAND 時(shí)間: 2025-3-27 11:20 作者: Mirage 時(shí)間: 2025-3-27 16:48
Defying Death: Children in the Indian Circustypically removed from a state of abject poverty and placed into a world devoid of caste or class. It is a community of acrobats and clowns, without the religious and societal restrictions found outside the circus tent in India. These children are provided with food, training, and a “tent” over thei作者: 考博 時(shí)間: 2025-3-27 20:54
Setting the Scene: An Introduction since the 1830s.With mounting anxiety they have railed against young people’s consumption of and exposure to cheap theater, cheap novels, films, television, and latterly electronic media. As he explains,.He goes on,作者: Somber 時(shí)間: 2025-3-27 22:50
Musical Education and the Job Market: The Employment of Children and Young People in the Neapolitan ward economic development, a theory that issued from the Enlightenment period. With the double objective of the exploitation by the State of a cheap workforce and of the reduction of poverty and criminality rates, the destitute became the new focus of vocational training and the Kingdom of Naples im作者: debacle 時(shí)間: 2025-3-28 04:16 作者: 一再困擾 時(shí)間: 2025-3-28 08:53 作者: 執(zhí)拗 時(shí)間: 2025-3-28 11:19
British Child Performers 1920–40: New Issues, Old Legaciesnce-based leisure industry and the emergence of the emotionally valued, sentimentalized cult of the child—were brought together and became mutually reinforcing. The representations of childhood that emerged from this symbiosis fuelled the aspirations of an increasingly child-focused society, concern作者: 不可接觸 時(shí)間: 2025-3-28 15:48
“How much do you love me?” The Child’s Obligations to the Adult in 1930s Hollywoodchild as priceless object, and, conversely, as exploitable entity. Child performers had become enormously popular attractions on the late eighteenth-century and early nineteenth-century stage, but commercial cinema, with its global reach and sophisticated production methods, offered the possibility 作者: 隨意 時(shí)間: 2025-3-28 20:02 作者: 藐視 時(shí)間: 2025-3-29 00:55 作者: 燈泡 時(shí)間: 2025-3-29 06:22
Young Mammals: The Politics and Aesthetics of Long-Term Collaboration with Children in Mammalian Div), gained its first international success with the performance ., which involved children as performers and facilitators. . was preceded by an earlier collaboration involving children, . (2005). Prior to this piece, Mammalian made performance by and for adults, involving variously or in combination,作者: exclusice 時(shí)間: 2025-3-29 09:04 作者: Lacerate 時(shí)間: 2025-3-29 14:39
Child Training and Employment in Taiwanese Opera 1940s–1960s: An Overviewcular the role of children working in theater. Yet, similar issues that relate especially to traditional local theatrical performances in a non-European context have been insufficiently examined. One such example is Taiwanese opera (.: song drama). Similar to Beijing opera (or Peking opera), but dis作者: 出生 時(shí)間: 2025-3-29 17:53
Higher Wages, Less Pain: The Changing Role of Children in Traditional Chinese Theaterg people—both future performers and spectators alike. Two boys have deliberately run away from their Beijing Opera school, determined to escape the constant beatings and almost inhuman training regime. They race through the back streets of the city, eating forbidden snacks and enjoying their newfoun作者: 食物 時(shí)間: 2025-3-29 21:15
Defying Death: Children in the Indian Circuskers balance above their heads and trapeze artists fly through the air. We accept that adults risk their lives as a form of entertainment, but in the Indian circus children and teenagers also defy death on a daily basis. The circus in India has not always exploited its artists, as a role in the circ作者: NAIVE 時(shí)間: 2025-3-30 03:21
Reiseberatung und Reisedarbietung,piece swiftly became (in the words of Mammalian’s website) “Canada’s most happening performance art export,”. as the model, though not the same children, was subsequently seen in 27 cities from Los Angeles to Sydney..作者: 屈尊 時(shí)間: 2025-3-30 04:27
https://doi.org/10.1007/978-3-031-45848-4sma of the girls. Audiences were amazed at the professionalism, skill, and stamina of the child performers who, despite their diminutive stature and clear bemusement at being so far from home, appeared on stage unfaltering and perfect.作者: 時(shí)代 時(shí)間: 2025-3-30 11:10
Adrián Mendieta-Aragón,Raquel Arguedas-Sanz994 as the International Year of the Family (IYF). This family-run troupe was founded in 1929 and has passed to the second and third generations of the family. They have not only endeavored to preserve its traditions, but have also made a concerted effort to promote the form nationally and internationally throughout the last century..作者: admission 時(shí)間: 2025-3-30 12:31 作者: Scintigraphy 時(shí)間: 2025-3-30 20:25
