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標(biāo)題: Titlebook: English Historical Drama, 1500-1660; Forms Outside the Ca Teresa Grant (Associate Professor, Director of Gra Book 2008 Palgrave Macmillan, [打印本頁]

作者: 有作用    時間: 2025-3-21 16:12
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書目名稱English Historical Drama, 1500-1660影響因子(影響力)學(xué)科排名




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書目名稱English Historical Drama, 1500-1660被引頻次




書目名稱English Historical Drama, 1500-1660被引頻次學(xué)科排名




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書目名稱English Historical Drama, 1500-1660年度引用學(xué)科排名




書目名稱English Historical Drama, 1500-1660讀者反饋




書目名稱English Historical Drama, 1500-1660讀者反饋學(xué)科排名





作者: 道學(xué)氣    時間: 2025-3-21 21:42

作者: 無畏    時間: 2025-3-22 03:01

作者: Pathogen    時間: 2025-3-22 07:52
Seneca and the Early Elizabethan History Play,Norton and Thomas Sackville’s . (1561/2) and Thomas Legge’s Latin . (1579) are both Senecan in style and conventions, in their narratives of high-born and ambitious characters brought low. Both adapt historical subjects to the forms and conventions of Senecan tragedy, owing to their common origin in
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作者: dissolution    時間: 2025-3-22 20:59
News Drama: the Tragic Subject of Charles I,plays rehearsed Charles’s fall as . spectacle. English compositions on the subject of murdered majesty were not granted a legitimate forum on stage, given the closure of the theatres between 1642 and 1660, but they still appeared in print, as the anonymous . (1649) and . (1660) attest.. The shift fr
作者: 亞當(dāng)心理陰影    時間: 2025-3-23 00:09
Early Modern Literature in Historyhttp://image.papertrans.cn/e/image/311140.jpg
作者: 現(xiàn)存    時間: 2025-3-23 02:46
https://doi.org/10.1057/9780230593268drama; reformation; Seneca
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Sarah Maddison,Tom Clark,Ravi de Costato be clearly associated with England’s wartime aspirations during that period, and to recede with the failing years of Elizabeth and the peace policy of James I from 1603.. Despite broad critical agreement about its central axis in the 1590s, however, the history play has never been easy to define,
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https://doi.org/10.1007/978-1-4020-5495-2plays rehearsed Charles’s fall as . spectacle. English compositions on the subject of murdered majesty were not granted a legitimate forum on stage, given the closure of the theatres between 1642 and 1660, but they still appeared in print, as the anonymous . (1649) and . (1660) attest.. The shift fr
作者: BACLE    時間: 2025-3-24 12:27
978-1-349-52503-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2008
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作者: 樹膠    時間: 2025-3-25 05:27
2634-5919 collection of essays explores other historical drama between 1500 and 1660, covering a wide range of different formats. An introduction provides a survey of current criticism, exploring both early modern and contemporary definitions of the ‘history play‘. Individual essays in chronological order dis
作者: progestogen    時間: 2025-3-25 08:03
https://doi.org/10.1057/9780230119024formed, well-connected observers such as England’s ambassador to Constantinople, Sir Thomas Roe, and pamphleteers anticipated there would be a lively appetite for this news; the title of one London pamphlet proclaims:
作者: laceration    時間: 2025-3-25 11:48

作者: 無能力    時間: 2025-3-25 18:38
2634-5919 cuss a wide variety of possible sources for historical drama, ranging from oral traditions to chronicles. They also explore genres outside the canon which think of ‘history‘ in different ways, such as shows, moralities and closet drama.978-1-349-52503-4978-0-230-59326-8Series ISSN 2634-5919 Series E-ISSN 2634-5927
作者: abstemious    時間: 2025-3-25 23:04
The Stage Historicizes the Turk: Convention and Contradiction in the Turkish History Play,formed, well-connected observers such as England’s ambassador to Constantinople, Sir Thomas Roe, and pamphleteers anticipated there would be a lively appetite for this news; the title of one London pamphlet proclaims:
作者: Metamorphosis    時間: 2025-3-26 01:02
Book 2008 of essays explores other historical drama between 1500 and 1660, covering a wide range of different formats. An introduction provides a survey of current criticism, exploring both early modern and contemporary definitions of the ‘history play‘. Individual essays in chronological order discuss a wid
作者: 倔強(qiáng)一點(diǎn)    時間: 2025-3-26 04:18

作者: Infuriate    時間: 2025-3-26 10:43
Sarah Maddison,Tom Clark,Ravi de Costan creating the need to conceive of the history play as a genre, distribute plays into the categories of history and tragedy in ways that raise almost as many questions as they answer. Samuel Johnson in 1765 expressed the opinion that ‘the players who in their edition [the First Folio] divided our au
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作者: 謙卑    時間: 2025-3-26 18:46
https://doi.org/10.1007/978-3-031-69545-2 citizen dramatists were working to a different remit from those historians, such as William Camden, more nearly concerned with the Jacobean court.. Not only did their dramatizations need to work as plays, but they were also going to be played in front of a London audience notable for its strong Pro
作者: Myocyte    時間: 2025-3-26 23:51

作者: 愉快么    時間: 2025-3-27 02:46
Introduction,e faded away as the Stuart regime continued, with John Ford’s . (1633) often cited as the last ‘history play’ of note.. In an influential essay D. R. Woolf has blamed ‘social and technological change’ for the demise of the chronicle, and with it, the history play which relied on the former as a sour
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作者: 紅腫    時間: 2025-3-28 02:07
Valerie L. Garveris to be noted that this output state need not be pure. If the same input state . is transmitted repeatedly the noise operators {.} in (5.1.1) can differ for different transmissions and the output states can be different. However, the noise operators come from the same noise space ..
作者: 慌張    時間: 2025-3-28 08:28
Qian Ma,Wei Fan,Bingbing Liang,Mingxia Lu,Xuan Cheng,Rong Liast light on very complex communities. With each chapter presenting the latest advances and approaches, the book sets the direction for future researchon ecological community dynamics. It will be a “must read” for researchers and students in the field of ecology..978-981-15-7955-4978-981-15-7953-0Series ISSN 2522-0438 Series E-ISSN 2522-0446
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