標題: Titlebook: English Fiction and Drama of the Great War, 1918–39; John Onions Book 1990 John Onions 1990 drama.English.fiction [打印本頁] 作者: 頌歌 時間: 2025-3-21 18:31
書目名稱English Fiction and Drama of the Great War, 1918–39影響因子(影響力)
書目名稱English Fiction and Drama of the Great War, 1918–39影響因子(影響力)學科排名
書目名稱English Fiction and Drama of the Great War, 1918–39網(wǎng)絡(luò)公開度
書目名稱English Fiction and Drama of the Great War, 1918–39網(wǎng)絡(luò)公開度學科排名
書目名稱English Fiction and Drama of the Great War, 1918–39被引頻次
書目名稱English Fiction and Drama of the Great War, 1918–39被引頻次學科排名
書目名稱English Fiction and Drama of the Great War, 1918–39年度引用
書目名稱English Fiction and Drama of the Great War, 1918–39年度引用學科排名
書目名稱English Fiction and Drama of the Great War, 1918–39讀者反饋
書目名稱English Fiction and Drama of the Great War, 1918–39讀者反饋學科排名
作者: Ossification 時間: 2025-3-21 22:38 作者: Banister 時間: 2025-3-22 03:54
The Soldier-Writer as Hero,but it also established a particular role for the soldier-writer. There could be no Rupert Brooke in 1940. Another tradition over the previous twenty years had displaced that of the celebratory and conformist war-writer. The soldier-writer was now both a heroic and an anti-heroic figure; the unambig作者: Catheter 時間: 2025-3-22 06:53
The Minor Works,arvest of war books, however, proved to be a large one of generally poor quality. Its weaknesses as realistic literature, which is what most of it aimed to be, are obvious enough: sensationalism, formlessness, poor characterisation and bad writing. The extent of these faults naturally varied, but on作者: Cupidity 時間: 2025-3-22 12:26 作者: Flounder 時間: 2025-3-22 13:36 作者: Flounder 時間: 2025-3-22 18:43
Mottram and Tomlinson: Historians,s. Both saw a great deal of the war: Tomlinson as a journalist; Mottram as an officer, serving first of all in the front line and then attached to the General Staff.. And both tried to create out of their experiences a necessarily grand piece of literature by which to comprehend the personal experie作者: 不近人情 時間: 2025-3-22 22:46 作者: Odyssey 時間: 2025-3-23 04:40 作者: BADGE 時間: 2025-3-23 06:25 作者: infatuation 時間: 2025-3-23 09:48 作者: V洗浴 時間: 2025-3-23 15:43 作者: Sinus-Node 時間: 2025-3-23 18:16
The Legal Status of the Caspian Seas. Both saw a great deal of the war: Tomlinson as a journalist; Mottram as an officer, serving first of all in the front line and then attached to the General Staff.. And both tried to create out of their experiences a necessarily grand piece of literature by which to comprehend the personal experience and historical significance of war.作者: dandruff 時間: 2025-3-24 01:18
Heroic Action,elves. Yet some examination can outline what sort of tradition the anti-war writers felt themselves to writing against. Two conclusions arise from this examination: the hero by 1914 was a social hero; but heroism was also seen as a defining mark of man (‘existential heroism’) and this idea was to survive the anti-heroic reaction of the twenties.作者: 人類的發(fā)源 時間: 2025-3-24 05:47 作者: 直覺沒有 時間: 2025-3-24 09:57
https://doi.org/10.1007/978-1-349-20620-9drama; English; fiction作者: 安裝 時間: 2025-3-24 10:50 作者: 歌劇等 時間: 2025-3-24 15:58 作者: antenna 時間: 2025-3-24 21:41 作者: 枯萎將要 時間: 2025-3-25 00:55
https://doi.org/10.1007/978-94-011-9495-2arvest of war books, however, proved to be a large one of generally poor quality. Its weaknesses as realistic literature, which is what most of it aimed to be, are obvious enough: sensationalism, formlessness, poor characterisation and bad writing. The extent of these faults naturally varied, but on作者: 食品室 時間: 2025-3-25 05:12 作者: 執(zhí)拗 時間: 2025-3-25 08:39
The Legal Status of the Caspian Seaifist officer-writer, modernist poet, critic of the Wellsian school of fiction, and political radical. Several of his war lyrics have been widely anthologised (‘My Company’, ‘The Happy Warrior’, ‘To A Conscript of 1940’); and his long poem of 1931–2, ‘The End of A War’, has been admired by critics o作者: PANT 時間: 2025-3-25 11:55
The Legal Status of the Caspian Seas. Both saw a great deal of the war: Tomlinson as a journalist; Mottram as an officer, serving first of all in the front line and then attached to the General Staff.. And both tried to create out of their experiences a necessarily grand piece of literature by which to comprehend the personal experie作者: 神化怪物 時間: 2025-3-25 16:32
https://doi.org/10.1007/978-94-015-0989-3ovels thus predate the boom, which might partly account for why neither novelist, despite his desire to indict the Great War, reveals a good deal of its horrors. Instead, the success of both trilogies arises from their comprehensive moral examination of war, their recognition that war is not some Ar作者: COKE 時間: 2025-3-25 23:46
https://doi.org/10.1007/978-981-19-0128-7r since 1928 over which genre Sassoon adopted. Robert Graves and Ottoline Morrell, for example, both complained of his inaccuracy, whereas Arnold Bennett reviewed the first volume as an ‘a(chǎn)utobiographical novel’ (it was published anonymously but Bennett knew Sassoon).. Bennett was surely correct. For作者: 有罪 時間: 2025-3-26 02:11
https://doi.org/10.1007/978-3-319-54523-3 appeared in its expurgated form, ., in January 1930.. This may well have affected its consequent reputation for, despite running through several impressions immediately, it has not acquired fame comparable to works by Remarque, Graves or Sassoon.. Moreover, . was published under the pseudonym ‘Priv作者: 戰(zhàn)役 時間: 2025-3-26 07:45
Overview: 978-1-349-20622-3978-1-349-20620-9作者: libertine 時間: 2025-3-26 10:49
Introduction,effective this destruction was can be judged by comments from two writers, both holders of the Military Cross, who had done much to sustain the conventional notions. Writing in 1930, ‘Sapper’ remarked, ‘It is the fashion now, I know, to speak of the horrors of war; to form societies for the abolitio作者: 宏偉 時間: 2025-3-26 15:39
Read, Sherriff, Maugham: The Isolated Hero,ial hero. The soldier-heroes thus become — to borrow the title of Read’s 1919 volume of poems — naked warriors: not bestial, brutal or cowardly, but deprived of the social sanctions and language which accorded heroic status.作者: 消滅 時間: 2025-3-26 19:45 作者: 充滿裝飾 時間: 2025-3-26 21:56 作者: 不能和解 時間: 2025-3-27 01:49 作者: filial 時間: 2025-3-27 07:18 作者: 行乞 時間: 2025-3-27 11:39
The Legal Status of the Caspian Seaial hero. The soldier-heroes thus become — to borrow the title of Read’s 1919 volume of poems — naked warriors: not bestial, brutal or cowardly, but deprived of the social sanctions and language which accorded heroic status.作者: gustation 時間: 2025-3-27 16:24 作者: interference 時間: 2025-3-27 19:16
https://doi.org/10.1007/978-94-015-0989-3ts horrors. Instead, the success of both trilogies arises from their comprehensive moral examination of war, their recognition that war is not some Armageddon visited upon men, and their knowledge that it will not be wished away by the guilty, vicarious experience of reading about the ‘hell where youth and laughter go’.作者: Infantry 時間: 2025-3-28 01:09
Ford: Literature Meets History,ts horrors. Instead, the success of both trilogies arises from their comprehensive moral examination of war, their recognition that war is not some Armageddon visited upon men, and their knowledge that it will not be wished away by the guilty, vicarious experience of reading about the ‘hell where youth and laughter go’.作者: 外星人 時間: 2025-3-28 03:43 作者: Dappled 時間: 2025-3-28 07:17 作者: 銼屑 時間: 2025-3-28 12:26
https://doi.org/10.1007/978-981-19-0128-7, although the incidents and characters are borrowed from actual experience (and their names often only marginally altered),. the trilogy is based on a structuring of events and a presentation of the central character which are independent of autobiography. Sassoon, himself, made this clear in response to criticism from Graves:作者: 灌溉 時間: 2025-3-28 16:33
https://doi.org/10.1007/978-94-011-9495-2 in its extent, in the fact that the anti-heroic reaction became a cliché in its own time. No study of the war’s fiction is complete without some examination of the many now-forgotten works which helped to characterise war literature.作者: 雜役 時間: 2025-3-28 19:27 作者: OATH 時間: 2025-3-28 23:47
The Soldier-Writer as Hero,uous position of the ‘public’ poets of 1914 — Bridges, Newbolt, Hardy, Kipling, Watson, Phillips — was scarcely possible in the Second World War. The disintegration of the soldier’s heroic status involved a reevaluation of the writer’s role and authority.作者: Intellectual 時間: 2025-3-29 07:04 作者: 橢圓 時間: 2025-3-29 10:41
Sassoon: the Hero Half-Redeemed,, although the incidents and characters are borrowed from actual experience (and their names often only marginally altered),. the trilogy is based on a structuring of events and a presentation of the central character which are independent of autobiography. Sassoon, himself, made this clear in response to criticism from Graves:作者: 逃避系列單詞 時間: 2025-3-29 12:24
