標題: Titlebook: English Fiction Since 1984; Narrating a Nation Brian Finney Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited 2006 f [打印本頁] 作者: 無限 時間: 2025-3-21 18:44
書目名稱English Fiction Since 1984影響因子(影響力)
書目名稱English Fiction Since 1984影響因子(影響力)學科排名
書目名稱English Fiction Since 1984網(wǎng)絡公開度
書目名稱English Fiction Since 1984網(wǎng)絡公開度學科排名
書目名稱English Fiction Since 1984被引頻次
書目名稱English Fiction Since 1984被引頻次學科排名
書目名稱English Fiction Since 1984年度引用
書目名稱English Fiction Since 1984年度引用學科排名
書目名稱English Fiction Since 1984讀者反饋
書目名稱English Fiction Since 1984讀者反饋學科排名
作者: 樸素 時間: 2025-3-21 23:20 作者: GILD 時間: 2025-3-22 00:25
l freedom” (Adolescence and After 526). Compare this early fiction to McEwan’s first two novels of the twenty first century. . (2001) focuses on a crucial period of English history between 1935 and 1940 and ranges from an upper class household in prewar southern England to the retreat of the British作者: Sinus-Rhythm 時間: 2025-3-22 05:41 作者: 認為 時間: 2025-3-22 12:23 作者: 防止 時間: 2025-3-22 16:35
https://doi.org/10.1007/978-3-540-48377-9 of the narrative, most have allowed their allegiance to the women’s movement to simplify Carter’s complex and ambivalent handling of emancipated female subjectivity. Paulina Palmer set the trend with an important essay in 1987 which argued that in . “[a]cts of resistance against patriarchy are repr作者: 防止 時間: 2025-3-22 18:41
https://doi.org/10.1007/978-94-015-0985-5 the church elders she makes up her own words in the form the novel takes. In her ninth novel, . (2004) one of the inter-chapters reveals the continuity of this identification of subjectivity with narrativity:作者: Generalize 時間: 2025-3-23 00:57 作者: Expertise 時間: 2025-3-23 05:26 作者: beta-carotene 時間: 2025-3-23 08:42 作者: Inertia 時間: 2025-3-23 13:21 作者: 身體萌芽 時間: 2025-3-23 14:02
Salman Rushdie: , (1988) disproportionate attention to its four alternating even-numbered chapters in which Gibreel dreams about the life of Muhammed (derogatively named Mahound in the novel), the Imam (modeled on then Iranian President Khamene’i), and Ayesha (modeled on Naseem Fatima), a follower of the Islamic faith who 作者: 來這真柔軟 時間: 2025-3-23 18:03 作者: Essential 時間: 2025-3-24 01:16 作者: REP 時間: 2025-3-24 05:50 作者: 意外的成功 時間: 2025-3-24 06:30 作者: Brittle 時間: 2025-3-24 12:10 作者: 小隔間 時間: 2025-3-24 16:09
https://doi.org/10.1057/9780230207073fiction; Great Britain; novel; British and Irish Literature作者: 美色花錢 時間: 2025-3-24 21:30
https://doi.org/10.1007/978-3-030-31091-2f fiction writing that has come to dominate the two decades since 1984. The eleven novels on which this book focuses have been selected both for their intrinsic importance and to form part of an argument concerning the representation of history and identity in English fiction. The argument has been 作者: 仲裁者 時間: 2025-3-25 02:44
Elena Anne Marchisotto,James T. Smithvitably this has affected their understanding of the nature of writing and entered their fiction — frequently in the form of increased verbal playfulness, self-consciousness and metafictional interventions. Ackroyd exemplifies this generational characteristic by publishing as his first book what he 作者: 產(chǎn)生 時間: 2025-3-25 04:37
https://doi.org/10.1057/9780230288522 mythologized as a golden age, a time of innocence irretrievably lost. The exaggerated sense of a complete rupture with previous history can be equally evidenced in D. H. Lawrence’s famous declaration, “It was in 1915 the old world ended” (. 240), and Martin Amis’s conviction that with the 1941 Germ作者: 破譯 時間: 2025-3-25 10:04
https://doi.org/10.1057/9780230113077in 1964. At first overshadowed by her sister Margaret Drabble, a more popular novelist, she didn’t receive wide recognition until the publication of . in 1990. By then she had produced four novels, a collection of short stories, and two works of academic criticism. Since the publication of . she has作者: magenta 時間: 2025-3-25 14:36
nd. In his first novel, . (.) the only reference to public affairs at the time comes in a casual reference to some overflowing dustbins (caused by the dustmen’s strike of 1975): “We thought there might have been a strike but we had heard nothing” (135). Otherwise the novel confines itself to an isol作者: Expertise 時間: 2025-3-25 16:15 作者: miniature 時間: 2025-3-25 21:46 作者: iodides 時間: 2025-3-26 02:04
https://doi.org/10.1057/9780230524408guro has written to date show a remarkably consistent preoccupation with the same themes. All of them focus on adult narrators who are fixated with the past, especially with the trauma of leaving behind their protected childhood. In his latest novel to date, . (2005) Kath, the protagonist (a clone b作者: capillaries 時間: 2025-3-26 05:35
https://doi.org/10.1007/978-3-540-48377-9he majority of it feminist. This is hardly surprising considering that the novel features as its principal protagonist a woman with wings ushering in the twentieth century. “Fevvers,” we are told in the opening chapter, “has all the . of a new era about to take off” (11). Fevvers’s ability to fly pr作者: 媒介 時間: 2025-3-26 08:27
https://doi.org/10.1007/978-94-015-0985-5ry novelist considered in this book can be said to be in quest of one form of identity or another—an identity already constructed in part by the past and its recreation in the present, an identity that attaches itself to notions of nationhood, ethnicity or culture, or—as in this section—an identity 作者: 無聊點好 時間: 2025-3-26 12:39 作者: 兇殘 時間: 2025-3-26 18:54
ar period. They have reacted to the Thatcherite revolution that thrust Britain into the modern world of multi-national capitalism by giving unusual fictional shape to the impact of global events and culture.978-1-349-28413-9978-0-230-20707-3作者: condescend 時間: 2025-3-26 22:23
Olav Arnfinn Laudal,Ragni PieneIn Julian Barnes’s third novel, . (1984), Braithwaite, the protagonist spends the duration of the book searching for Flaubert’s parrot, an emblem for him of the authenticity of the past. But “all around is wreckage,” amidst which “some delicate things have survived.” Barnes instances one in particular:作者: Synovial-Fluid 時間: 2025-3-27 02:27 作者: 喊叫 時間: 2025-3-27 05:17
978-1-349-28413-9Palgrave Macmillan, a division of Macmillan Publishers Limited 2006作者: 截斷 時間: 2025-3-27 12:58 作者: indices 時間: 2025-3-27 17:27
Elena Anne Marchisotto,James T. Smith was well acquainted with contemporary currents in French thought. In the space of two years Ackroyd had absorbed contemporary French theory with as much enthusiasm as the Yale school of critics were showing at this time.作者: MAZE 時間: 2025-3-27 18:30
https://doi.org/10.1057/97802301130771972 and 1983 she taught English full time at University College, University of London, and has acquired a formidable reputation as a critic with a dissenting voice in a largely poststructuralist academic environment.作者: 構成 時間: 2025-3-27 22:30
Peter Ackroyd: , (1987) was well acquainted with contemporary currents in French thought. In the space of two years Ackroyd had absorbed contemporary French theory with as much enthusiasm as the Yale school of critics were showing at this time.作者: 假 時間: 2025-3-28 05:11
A. S. Byatt: , (1992)1972 and 1983 she taught English full time at University College, University of London, and has acquired a formidable reputation as a critic with a dissenting voice in a largely poststructuralist academic environment.作者: Coma704 時間: 2025-3-28 08:28 作者: Indent 時間: 2025-3-28 12:38
Kazuo Ishiguro: , (2000)had attended. The guardian’s justification of Hailsham’s caring but deceptive regime could as easily be that of any of the parents in Ishiguro’s other novels explaining to their children why they provided them with an illusory sense of invulnerability while they were young:作者: 構成 時間: 2025-3-28 16:22
ar period. They have reacted to the Thatcherite revolution that thrust Britain into the modern world of multi-national capitalism by giving unusual fictional shape to the impact of global events and culture.978-1-349-28413-9978-0-230-20707-3作者: Musculoskeletal 時間: 2025-3-28 19:50
Introductionf fiction writing that has come to dominate the two decades since 1984. The eleven novels on which this book focuses have been selected both for their intrinsic importance and to form part of an argument concerning the representation of history and identity in English fiction. The argument has been 作者: 代理人 時間: 2025-3-28 23:40 作者: 和諧 時間: 2025-3-29 05:53
Martin Amis: , (1991) mythologized as a golden age, a time of innocence irretrievably lost. The exaggerated sense of a complete rupture with previous history can be equally evidenced in D. H. Lawrence’s famous declaration, “It was in 1915 the old world ended” (. 240), and Martin Amis’s conviction that with the 1941 Germ作者: OATH 時間: 2025-3-29 10:16
A. S. Byatt: , (1992)in 1964. At first overshadowed by her sister Margaret Drabble, a more popular novelist, she didn’t receive wide recognition until the publication of . in 1990. By then she had produced four novels, a collection of short stories, and two works of academic criticism. Since the publication of . she has作者: 有危險 時間: 2025-3-29 13:38
Ian McEwan: , (2001)nd. In his first novel, . (.) the only reference to public affairs at the time comes in a casual reference to some overflowing dustbins (caused by the dustmen’s strike of 1975): “We thought there might have been a strike but we had heard nothing” (135). Otherwise the novel confines itself to an isol作者: Vaginismus 時間: 2025-3-29 18:35 作者: kindred 時間: 2025-3-29 22:01
Hanif Kureishi: , (1990) in the 1990s. But, as Bruce King suggests, Kureishi’s “is a different subject matter from that of Naipaul and Rushdie,” being “partly the difference between being an immigrant and being born in a country” (187). Yet all three novelists are interested in the metamorphosis that overtakes characters w作者: 侵略主義 時間: 2025-3-30 03:43 作者: Abduct 時間: 2025-3-30 04:14
