標(biāo)題: Titlebook: Engaging Audiences; A Cognitive Approach Bruce McConachie Book 2008 Bruce McConachie 2008 attention.cognition.cognitive science.empathy.mem [打印本頁] 作者: 非決定性 時間: 2025-3-21 16:40
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書目名稱Engaging Audiences網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Engaging Audiences被引頻次
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書目名稱Engaging Audiences讀者反饋
書目名稱Engaging Audiences讀者反饋學(xué)科排名
作者: 無力更進(jìn) 時間: 2025-3-21 21:49 作者: Hemodialysis 時間: 2025-3-22 00:32
General Cognition for Theatre Audiences,or granted that spectators will usually pay attention to what is happening on the stage, that they will be able to understand the sounds coming out of the actors’ mouths as intelligible communication, and that they will know what they are seeing when they perceive inanimate objects as well as live a作者: 混合,攙雜 時間: 2025-3-22 06:06
Social Cognition in Spectating,mmals, we carry these cognitive capabilities with us into theatrical viewing. As we will see, our social cognition builds upon and overlaps with the general cognitive processes examined in the previous chapter. In particular, the visuomotor representations mentioned previously provide spectators wit作者: harrow 時間: 2025-3-22 12:36 作者: 指數(shù) 時間: 2025-3-22 15:53 作者: 指數(shù) 時間: 2025-3-22 18:00
978-0-230-11673-3Bruce McConachie 2008作者: 諂媚于性 時間: 2025-3-22 22:19
Engaging Audiences978-0-230-61702-5Series ISSN 2945-7297 Series E-ISSN 2945-7300 作者: DALLY 時間: 2025-3-23 03:23
Symbolische Politik der Vereinten Nationenespeare’s history play, when several noblemen on stage throw down the gloves they wear (their “gages”) as a part of their armor to challenge the truthfulness of their opponents’ statements. If one nobleman picks up his challenger’s gage, his “honour’s pawn,” each must defend his good name in mortal 作者: 軟弱 時間: 2025-3-23 06:31 作者: Genistein 時間: 2025-3-23 10:48 作者: 合乎習(xí)俗 時間: 2025-3-23 16:53 作者: Fecal-Impaction 時間: 2025-3-23 21:47
Using PKPSs with Tamper-Responsive Modules,s. Given my narrow intended audience, some readers interested in the general dynamics of spectatorship may not wish to pursue this more specialized subject. Nonetheless, I encourage you to stick around. Cognitive historiography is a logical and (I believe) necessary extension of much of the argument作者: Incompetent 時間: 2025-3-23 22:49 作者: 著名 時間: 2025-3-24 02:48 作者: faddish 時間: 2025-3-24 09:26
2945-7297 ie?introduces insights from neuroscience and evolutionary theory to examine the dynamics of conscious attention, empathy and memory in theatre goers.978-0-230-11673-3978-0-230-61702-5Series ISSN 2945-7297 Series E-ISSN 2945-7300 作者: 破布 時間: 2025-3-24 12:40 作者: figment 時間: 2025-3-24 17:17
https://doi.org/10.1057/9780230617025attention; cognition; cognitive science; empathy; memory; neuroscience; theatre; theatre studies作者: 粗俗人 時間: 2025-3-24 19:17
Cognitive Studies in Literature and Performancehttp://image.papertrans.cn/e/image/310631.jpg作者: Epidural-Space 時間: 2025-3-24 23:18
Introduction,bles any better than could King Richard before him. Good theatre takes us over the top in these ways, too; as actors and spectators, we want to be pushed to emotional extremes, even if we smile at ourselves later for our foolishness. Like exciting sporting events and transforming religious rituals, 作者: Wordlist 時間: 2025-3-25 03:59
General Cognition for Theatre Audiences,ial animals and culturally situated individuals. Accordingly, we must begin at this basic level to lay the foundation for subsequent investigations of more complex spectatorial engagements. Though foundational, the cognitive processes of attention, memory, visual perception, and imaginative play are作者: MURKY 時間: 2025-3-25 09:00
Social Cognition in Spectating,ain a conscious awareness of their emotional commitments, which encourages them to form sympathetic or antipathetic attachments to certain actor/characters. As spectators, we want to be moved to emotional extremes; laughter and tears provide a kind of catharsis that is good for our bodies. Chapter 2作者: 致敬 時間: 2025-3-25 14:18
Cultural Cognition in History,alogue, theatre as a forum for cultural ethics, differing norms of narrative construction, and the evolution of dramatic genres. All of these cultural practices, in turn, shape audience engagement. While my focus will be on cultural-historical practices and their relation to the dynamics of cognitio作者: 水獺 時間: 2025-3-25 18:06 作者: CHOIR 時間: 2025-3-25 20:54 作者: 步履蹣跚 時間: 2025-3-26 03:33 作者: Aspiration 時間: 2025-3-26 05:53
Symbols of Nations and Nationalismalogue, theatre as a forum for cultural ethics, differing norms of narrative construction, and the evolution of dramatic genres. All of these cultural practices, in turn, shape audience engagement. While my focus will be on cultural-historical practices and their relation to the dynamics of cognitio作者: PRO 時間: 2025-3-26 11:33
1865-0929 on all aspects of machine translation, including preprocessing, neural machine translation models, hybrid model, evaluation method, and post-editing.978-981-10-7133-1978-981-10-7134-8Series ISSN 1865-0929 Series E-ISSN 1865-0937 作者: 返老還童 時間: 2025-3-26 13:50
Projectiles Are Moved Forwards by a Virtue Impressed by the Throwing Subject, After They Are Separahe air or the water in which the projectile travels, since no other cause than these can seemingly be thought of. But it was shown above that a projectile is not moved by propulsion by the ambient fluid. The body of the projectile thus is necessarily moved by a virtue transmitted and propagated by the throwing subject.作者: 預(yù)定 時間: 2025-3-26 19:12 作者: Incompetent 時間: 2025-3-26 21:58
E. Petrial pathogenesis. In this chapter, we use . as a model respiratory pathobiont. We describe methods and models used to grow bacteria planktonically or to form biofilms in vitro by incorporating crucial host environmental factors, including the various carbon sources associated with specific niches, su作者: defile 時間: 2025-3-27 01:55 作者: mechanical 時間: 2025-3-27 06:24 作者: immunity 時間: 2025-3-27 10:57
Conversation with Husserl, 6/9/31,e attention being called away by some other stimulus. Further, there is the abstractive focusing of attention upon a certain aspect of an attended object, whereby the latter is still attended, but in the modus of secondary attention. Again there is the paying attention still to a thing but holding i作者: SMART 時間: 2025-3-27 15:12
IntroductionIn a paper entitled ‘Certainty’, Norman Malcolm speaks of the creation and reception of Wittgenstein’s last work作者: addict 時間: 2025-3-27 20:15
