標題: Titlebook: Encounters in Performance Philosophy; Laura Cull (Senior Lecturer in Theatre Studies),Al Book 2014 Palgrave Macmillan, a division of Macmi [打印本頁] 作者: 遠見 時間: 2025-3-21 16:22
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作者: 表示向前 時間: 2025-3-21 21:42
Performance Philosophy — Staging a New Fieldn for the essays that make up this volume, but also, more broadly, to outline the origins of the Performance Philosophy book series, with Palgrave Macmillan, of which this volume is a launch title. Having narrated aspects of the (ongoing) emergence of Performance Philosophy as an international and i作者: ascend 時間: 2025-3-22 00:27 作者: 詼諧 時間: 2025-3-22 05:49 作者: 細胞膜 時間: 2025-3-22 09:25
The Face and the Profileat restless life. In an effort to reconsider theatre from its origins, to question its most native essence, we had been rehearsing a play by Aeschylus. The precise sequence of events in those weeks is a bit of a blur,. but I seem to remember that after having experimented with some fragments of the 作者: Heart-Attack 時間: 2025-3-22 15:56 作者: Heart-Attack 時間: 2025-3-22 19:49 作者: FEIGN 時間: 2025-3-22 23:16
The Gymnastics of Thought: Elsa Gindler’s Networks of Knowledgee German movement for ‘body reform’ and ., ‘life reform’, that in the early twentieth century propounded gymnastics as a way of exploring new kinds of thinking about bodily experience. What these women shared — to summarize very briefly — was an intention to draw together psychological feeling, bodi作者: 卷發(fā) 時間: 2025-3-23 04:25
Connecting Performance and Performativity: Does It Work?istic ‘performativity’ and, on the other, artistic ‘performances.’ It is at this intersection of linguistic and artistic performance that emerges an idea of the performative as rooted in a ‘ making-perceptible’. In the following I will sketch out this aisthetic emphasis in the concept of the perform作者: BRACE 時間: 2025-3-23 06:13 作者: 偽善 時間: 2025-3-23 13:04
Abfallrechtliche Haftung und Verantwortungull first joined forces to conceive and organize a conference on Performance and Philosophy in Berlin. The conference took place at the philosophy department of Freie Universit?t Berlin, where it was the culminating event of the philosophy project within the Collaborative Research Centre ‘Performing作者: Reservation 時間: 2025-3-23 15:43
Hauptfallgruppen der Amts- und Staatshaftungn for the essays that make up this volume, but also, more broadly, to outline the origins of the Performance Philosophy book series, with Palgrave Macmillan, of which this volume is a launch title. Having narrated aspects of the (ongoing) emergence of Performance Philosophy as an international and i作者: 腐蝕 時間: 2025-3-23 19:24
Christoph Stein,Peter Itzel,Karin Schwall other their respective perspectives, from their own practice and current research, on the question of what Performance Philosophy may be or become, and reflect on what it means to be addressing the question in this format.作者: incarcerate 時間: 2025-3-24 01:19 作者: BROW 時間: 2025-3-24 03:28 作者: 令人苦惱 時間: 2025-3-24 10:11
Spannungsfeld Familie und Unternehmen,pecific performance skills can be taught in order to be applied in a broad range of performance contexts. These are, alongside the virtuosity of the individual performer, what make specific performances interesting and worthy of our serious attention. But in addition to the pedagogical tools for tea作者: enchant 時間: 2025-3-24 11:00 作者: 哀求 時間: 2025-3-24 16:42 作者: 矛盾心理 時間: 2025-3-24 21:01
,§?14 Gerichtliche Zust?ndigkeit,istic ‘performativity’ and, on the other, artistic ‘performances.’ It is at this intersection of linguistic and artistic performance that emerges an idea of the performative as rooted in a ‘ making-perceptible’. In the following I will sketch out this aisthetic emphasis in the concept of the perform作者: 使長胖 時間: 2025-3-25 01:55 作者: 生命層 時間: 2025-3-25 05:29
Performance Philosophyhttp://image.papertrans.cn/e/image/309221.jpg作者: 組裝 時間: 2025-3-25 08:24 作者: STALL 時間: 2025-3-25 13:14 作者: 通便 時間: 2025-3-25 17:17 作者: 改良 時間: 2025-3-25 22:59
Encounters in Performance Philosophy978-1-137-46272-5Series ISSN 2947-5589 Series E-ISSN 2057-7176 作者: Forsake 時間: 2025-3-26 03:26 作者: 橡子 時間: 2025-3-26 04:21
,§?14 Gerichtliche Zust?ndigkeit,istic ‘performativity’ and, on the other, artistic ‘performances.’ It is at this intersection of linguistic and artistic performance that emerges an idea of the performative as rooted in a ‘ making-perceptible’. In the following I will sketch out this aisthetic emphasis in the concept of the performative.作者: Glycogen 時間: 2025-3-26 09:05 作者: hypnogram 時間: 2025-3-26 16:39
Connecting Performance and Performativity: Does It Work?istic ‘performativity’ and, on the other, artistic ‘performances.’ It is at this intersection of linguistic and artistic performance that emerges an idea of the performative as rooted in a ‘ making-perceptible’. In the following I will sketch out this aisthetic emphasis in the concept of the performative.作者: 友好關(guān)系 時間: 2025-3-26 19:47 作者: HERTZ 時間: 2025-3-27 00:13
Praxishandbuch umweltorientiertes ManagementRichard Schechner, the founder of the 1960s New York avant-garde ., considered that the performer need only bear one thing in mind if he wanted to overcome the theatrical (i.e. instrumental, representational) mode in which performance had been entangled for so long. This sole thing was: ‘Your body is not your “instrument,” your body is you.’作者: FEMUR 時間: 2025-3-27 01:28
Sven Pastoors,Joachim H. BeckerThis article claims that the performance of philosophy will obtain a . character once the operation of thinking succeeds in becoming a . of the plane of immanence from the perspective of an embodied mind.作者: WITH 時間: 2025-3-27 08:04
The Theatre of the Virtual: How to Stage Potentialities with Merleau-PontyRichard Schechner, the founder of the 1960s New York avant-garde ., considered that the performer need only bear one thing in mind if he wanted to overcome the theatrical (i.e. instrumental, representational) mode in which performance had been entangled for so long. This sole thing was: ‘Your body is not your “instrument,” your body is you.’作者: 極深 時間: 2025-3-27 09:44
Staging Philosophy: Toward a Performance of Immanent ExpressionThis article claims that the performance of philosophy will obtain a . character once the operation of thinking succeeds in becoming a . of the plane of immanence from the perspective of an embodied mind.作者: 使成核 時間: 2025-3-27 17:37
Peter May,Arno Lehmann-Tolkmitttes, around the altars to the God Dionysus. Japanese Kabuki theatre, by contrast, originated in the dry riverbeds of Kyoto, a place of disrepute. In London, the Globe Theatre, along with most other theatres, was forced to take residence outside the City of London on the South Side of the Thames.作者: CORD 時間: 2025-3-27 20:36
2947-5589 of Performance Philosophy. The essays address a wide range of concerns common to performance and philosophy including: the body, language, performativity, mimesis and tragedy.978-1-349-49911-3978-1-137-46272-5Series ISSN 2947-5589 Series E-ISSN 2057-7176 作者: 紡織品 時間: 2025-3-27 22:22
The Problem of the Ground: Martin Heidegger and Site-Specific Performancetes, around the altars to the God Dionysus. Japanese Kabuki theatre, by contrast, originated in the dry riverbeds of Kyoto, a place of disrepute. In London, the Globe Theatre, along with most other theatres, was forced to take residence outside the City of London on the South Side of the Thames.作者: 不適當 時間: 2025-3-28 05:59 作者: 凝結(jié)劑 時間: 2025-3-28 08:17 作者: Tincture 時間: 2025-3-28 10:56 作者: 臨時抱佛腳 時間: 2025-3-28 18:12
‘Bodies of Knowledge’: Conceptualizing the Art of Actingpecific ‘moments’ in time when the performance arts flourished, while also undergoing important changes, at the same time as the philosophical assumptions for the very existence of the art of acting as a form of human expression and creativity were also critically and fruitfully examined.作者: 不滿分子 時間: 2025-3-28 20:17
The Most Mimetic Animal: An Attempt to Deconstruct the Actor’s Bodyre, where the basic component is a living and speaking body. However, it is also in theatre that it confronts its greatest obstacles. This chapter is dedicated to the philosophical analysis of acting: how can acting engage and potentially change our everyday experience?作者: 談判 時間: 2025-3-29 02:53 作者: insolence 時間: 2025-3-29 03:13
Downscaling Lamentation: On Trope and Fratricidefect, turning the materials of lament over to the authority of music. Language does not want to let go, however, striking a compromise with music by reverting, in critical phases, to furtive expressions such as the . and the ..作者: Militia 時間: 2025-3-29 07:15
Laura Cull (Senior Lecturer in Theatre Studies),Al作者: foodstuff 時間: 2025-3-29 11:30 作者: 淡紫色花 時間: 2025-3-29 15:38 作者: 概觀 時間: 2025-3-29 23:28
Dirk Dreher,Markus Bauer,Christian Poss first concern was thus to find somewhere to rehearse. So we approached the city council to ask for a space, any kind of space, even if only for a short period of time. And this is how we happily acquired access, albeit only briefly, to the main hall of a sociocultural centre on the outskirts of tow作者: 功多汁水 時間: 2025-3-29 23:56
Spannungsfeld Familie und Unternehmen,pecific ‘moments’ in time when the performance arts flourished, while also undergoing important changes, at the same time as the philosophical assumptions for the very existence of the art of acting as a form of human expression and creativity were also critically and fruitfully examined.作者: 協(xié)迫 時間: 2025-3-30 07:35 作者: 流行 時間: 2025-3-30 11:47 作者: Frisky 時間: 2025-3-30 13:29
https://doi.org/10.1007/978-3-211-72933-5fect, turning the materials of lament over to the authority of music. Language does not want to let go, however, striking a compromise with music by reverting, in critical phases, to furtive expressions such as the . and the ..
