派博傳思國際中心

標題: Titlebook: Empathy as Dialogue in Theatre and Performance; Lindsay B. Cummings Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 audienc [打印本頁]

作者: Aggrief    時間: 2025-3-21 19:07
書目名稱Empathy as Dialogue in Theatre and Performance影響因子(影響力)




書目名稱Empathy as Dialogue in Theatre and Performance影響因子(影響力)學科排名




書目名稱Empathy as Dialogue in Theatre and Performance網絡公開度




書目名稱Empathy as Dialogue in Theatre and Performance網絡公開度學科排名




書目名稱Empathy as Dialogue in Theatre and Performance被引頻次




書目名稱Empathy as Dialogue in Theatre and Performance被引頻次學科排名




書目名稱Empathy as Dialogue in Theatre and Performance年度引用




書目名稱Empathy as Dialogue in Theatre and Performance年度引用學科排名




書目名稱Empathy as Dialogue in Theatre and Performance讀者反饋




書目名稱Empathy as Dialogue in Theatre and Performance讀者反饋學科排名





作者: 天氣    時間: 2025-3-21 21:29

作者: 幼兒    時間: 2025-3-22 01:38

作者: Obsessed    時間: 2025-3-22 06:57
Christophe de Lavigne,Thomas Bauertting in the row in front of me what he thought of the character of the king. My fellow audience member replied that he did not admire the king. In Ionesco’s play, King Berenger refuses to accept his mortality, even as his mind, body, and kingdom crumble around him. The usher responded, “But do you
作者: 薄膜    時間: 2025-3-22 12:24
Xiangbin Pan,Ziyad M. Hijazi,Horst Sievertrt, to find out “what it was like” for members of the Scottish regiment during their deployments in Iraq in 2003 and 2004. This play, based on interviews with former members of the Black Watch, promises a kind of intimacy not available through more “impersonal” media accounts of the war. In other wo
作者: defeatist    時間: 2025-3-22 15:18
O. Kalinina,U. Thumm,I. Lewandowskiticians have visited Appalachia, an area long impacted by poverty, out-migration, and the effects of absentee ownership in the coal mining industry. Since President Johnson declared the War on Poverty from a front porch in Martin County, Kentucky, in April 1964, eastern Kentucky has served as a popu
作者: defeatist    時間: 2025-3-22 18:01

作者: 保守    時間: 2025-3-22 23:55

作者: Cultivate    時間: 2025-3-23 01:44
Introduction,tting in the row in front of me what he thought of the character of the king. My fellow audience member replied that he did not admire the king. In Ionesco’s play, King Berenger refuses to accept his mortality, even as his mind, body, and kingdom crumble around him. The usher responded, “But do you
作者: Robust    時間: 2025-3-23 05:46

作者: 口味    時間: 2025-3-23 10:25

作者: 許可    時間: 2025-3-23 15:25
Empathic Economies: Performance by Refugees and Asylum Seekers,perience other ways of being in the world. I advocated, further, for a recognition of theatrical labor that often goes unmarked. If, as Erin Hurley argues, “‘feeling-labour’… is the most important aspect of theatre’s cultural work,” then it is vital to acknowledge who performs that labor, under what
作者: nettle    時間: 2025-3-23 21:51

作者: 聽寫    時間: 2025-3-24 00:05

作者: 反應    時間: 2025-3-24 05:15

作者: Repatriate    時間: 2025-3-24 10:32

作者: GLIDE    時間: 2025-3-24 11:22
Rehearsals: Naomi Wallace and the Labor of Empathy,
作者: AIL    時間: 2025-3-24 18:12

作者: adduction    時間: 2025-3-24 21:53
y identify with them. This book therefore explores how empathy is most effective when it functions as a dialogue, along with how theatre and performance can utilise the live, emergent exchange between bodies in space to encourage more dynamic, dialogic encounters between performers and audience.?.978-1-349-95518-3978-1-137-59326-9
作者: Legend    時間: 2025-3-25 00:35
Xiangbin Pan,Ziyad M. Hijazi,Horst Sieverty to know the very thing that we have come to the theatre to learn—what it was like for the soldiers on the ground. In the process, we are prompted to consider why we want to know these things and what it feels like to be on the receiving end of our empathetic curiosity.
作者: TRUST    時間: 2025-3-25 06:31
O. Kalinina,U. Thumm,I. Lewandowskiert Kennedy announced his bid for the presidency only one month after visiting Kentucky, and he was assassinated less than three months later, cementing the memory of his visit with that of his death.
作者: headlong    時間: 2025-3-25 10:36
https://doi.org/10.1057/9781403982247erstanding when it involves an equal exchange between all parties involved. Of course, our ability to meet one another as equals—in the space of performance or elsewhere—is always complicated by a host of factors. When empathy is imagined as a one-sided affair, the one who empathizes is generally un
作者: 異常    時間: 2025-3-25 12:11
Book 2016ridge social and cultural differences. For others, empathy is nothing but a misguided assumption of access to the minds of others. In this book, Cummings argues that empathy comes in many forms, some helpful to understanding others and some detrimental. Tracing empathy’s genealogy through aesthetic
作者: 滲入    時間: 2025-3-25 19:31

作者: 健忘癥    時間: 2025-3-25 22:19
Conclusion, more like a hyphen than a period.” Like dialogic performance, empathy holds people in relationship—connected but not conflated. Empathy exists .: between people; between the urge to share experience and the need to retain that experience as our own; between similarity and difference; between singularity and generalizability.
作者: 寬宏大量    時間: 2025-3-26 01:34

作者: Slit-Lamp    時間: 2025-3-26 08:21
Christophe de Lavigne,Thomas BauerYes, I do. I have a daughter.” Since he did not further explain his reasoning, I assume that he meant he would not want to leave her on her own, and thus he could understand the king’s strong desire to continue his life.
作者: Soliloquy    時間: 2025-3-26 10:31
Introduction,Yes, I do. I have a daughter.” Since he did not further explain his reasoning, I assume that he meant he would not want to leave her on her own, and thus he could understand the king’s strong desire to continue his life.
作者: fender    時間: 2025-3-26 14:01

作者: 雪上輕舟飛過    時間: 2025-3-26 20:03

作者: DECRY    時間: 2025-3-26 22:55

作者: dialect    時間: 2025-3-27 04:55

作者: 障礙物    時間: 2025-3-27 05:55

作者: 代替    時間: 2025-3-27 11:24

作者: minion    時間: 2025-3-27 14:52
Hsien-ch’un Wang is accompanied by Van Morrison’s ‘T. B. Sheets’, a song Scorsese had thought to use in ., ‘fading in and out of the whole picture’, only for him to realize he ‘couldn’t do it, because Travis wouldn’t listen to music’ (Macpherson and Williamson 1981: 15).
作者: Bureaucracy    時間: 2025-3-27 21:02

作者: 過渡時期    時間: 2025-3-28 00:18
0925-6733 ned as a philosopher, but complemented by real world experie.Ronald F. Duska, who began his career as a philosopher, has, over the last 30 years, established himself as one of the leading scholars in the field of business ethics. In the past decade, he has concentrated on ethics in the financial ser
作者: exhibit    時間: 2025-3-28 03:57

作者: 煩憂    時間: 2025-3-28 10:05





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