派博傳思國(guó)際中心

標(biāo)題: Titlebook: Empathy; Epistemic Problems a Vanessa Lux,Sigrid Weigel Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Empathy.Einfühlung.I [打印本頁(yè)]

作者: Entangle    時(shí)間: 2025-3-21 18:54
書(shū)目名稱Empathy影響因子(影響力)




書(shū)目名稱Empathy影響因子(影響力)學(xué)科排名




書(shū)目名稱Empathy網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Empathy網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Empathy被引頻次




書(shū)目名稱Empathy被引頻次學(xué)科排名




書(shū)目名稱Empathy年度引用




書(shū)目名稱Empathy年度引用學(xué)科排名




書(shū)目名稱Empathy讀者反饋




書(shū)目名稱Empathy讀者反饋學(xué)科排名





作者: 密切關(guān)系    時(shí)間: 2025-3-21 23:06

作者: opinionated    時(shí)間: 2025-3-22 00:45
Book 2017 cross-disciplinary history..The authors ask how a neutral innate capacity to directly understand the actions and feelings of others becomes charged with emotion and moral values associated with altruism or caregiving. They explore how the discovery of the mirror neuron system and its interpretation
作者: Acquired    時(shí)間: 2025-3-22 06:58

作者: Bricklayer    時(shí)間: 2025-3-22 09:45

作者: 一再煩擾    時(shí)間: 2025-3-22 13:08
From Absorption to Judgment: Empathy in Aesthetic Response shows how these positions enable a new neural theory of aesthetic judgment predicated on the modulation of bottom-up responses, the ensual of self-awareness, and the detachment from absorption essential for judgment.
作者: 一再煩擾    時(shí)間: 2025-3-22 18:08
H. Sakaki,H. Sugawara,J. Motohisa,T. Nodawo subjects. To further explicate this perspective, the author examines different levels of empathy and their interrelations: the development of social understanding in early infancy, different forms of . as enabled by perspective-taking and other cognitive components, and . in which we experience the empathic reaction of others towards ourselves.
作者: Serenity    時(shí)間: 2025-3-22 21:58
HUSSERL’S DEVELOPMENT OF PROTENTIONe problem of empathy is .. Here, the psychoanalytic account of affect and the theory of narcissism help to shed light on the underlying mental processes. Finally, the author illustrates this with a case of anosognosia.
作者: 誘惑    時(shí)間: 2025-3-23 03:56

作者: 羽飾    時(shí)間: 2025-3-23 08:24
Empathy and Other Minds – A Neuropsychoanalytic Perspective and a Clinical Vignettee problem of empathy is .. Here, the psychoanalytic account of affect and the theory of narcissism help to shed light on the underlying mental processes. Finally, the author illustrates this with a case of anosognosia.
作者: 柔美流暢    時(shí)間: 2025-3-23 11:15

作者: Judicious    時(shí)間: 2025-3-23 16:43
https://doi.org/10.1007/978-1-4615-5759-3lled embodied revolution not only implicates radical changes in the conceptualization of empathy in the clinical psychoanalytical situation. We also need to modify our understanding of memory, transference-countertransference as well as therapeutic transformations. Finally, the author illustrates her considerations by a clinical example.
作者: stroke    時(shí)間: 2025-3-23 21:13

作者: debble    時(shí)間: 2025-3-24 01:17

作者: VEN    時(shí)間: 2025-3-24 05:57
Distance Functions and Productivity,t and Lessing with their dramaturgical concerns were no less important than Hume, Smith, and Rousseau in shaping the genuinely modern notion of a society based on equality and, ideally, even universality.
作者: ABOUT    時(shí)間: 2025-3-24 09:02

作者: Allege    時(shí)間: 2025-3-24 11:37

作者: Dysplasia    時(shí)間: 2025-3-24 17:35
https://doi.org/10.1057/9780230378490oreover, this intersubjectivity constitutes the original root and sense of personal subjectivity. Therefore, when turning to a phenomenological concept of empathy, neuroscience imports this complex epistemology of the human being.
作者: 宴會(huì)    時(shí)間: 2025-3-24 21:42
(Mis) Appropriating the Romance Past in ,mpathy as a kinaesthetic mental image projected into an object. Lanzoni explores these multiple translations of . and reflects on their significance for contemporary notions of empathy in social neuroscience.
作者: excursion    時(shí)間: 2025-3-24 23:09
The Heterogeneity of Empathy,e and experimental psychology since 2000; the roots of empathy in the concept of “Einfühlung” from aesthetics around 1900; the conceptual overlap with sympathy in the eighteenth century; and the Christian and pre-modern history of sympathy, compassion, and pathos.
作者: 煉油廠    時(shí)間: 2025-3-25 07:15

作者: 物種起源    時(shí)間: 2025-3-25 09:32
Measuring the Emotional Quality – Empathy and Sympathy in Empirical Psychologyhat a lack of distinction implicated in the measurements is one of the reasons that empathy has been strongly related to compassion, pro-social behavior and moral judgment originally associated with sympathy not empathy.
作者: 下邊深陷    時(shí)間: 2025-3-25 12:16
The Empathic Body in Experimental Aesthetics – Embodied Simulation and Art that experimental aesthetics can revitalize the scientific study of artistic styles, focusing on their biological bodily roots, and, by acknowledging the complex entanglement of our body with the world, can foster a “bio-cultural” turning point within the human sciences.
作者: 晚來(lái)的提名    時(shí)間: 2025-3-25 19:53

作者: chalice    時(shí)間: 2025-3-25 21:23

作者: A保存的    時(shí)間: 2025-3-26 02:43

作者: 遭遇    時(shí)間: 2025-3-26 06:22
The Roots of Intersubjectivity – Empathy and Phenomenology according to Edith Steinoreover, this intersubjectivity constitutes the original root and sense of personal subjectivity. Therefore, when turning to a phenomenological concept of empathy, neuroscience imports this complex epistemology of the human being.
作者: 完成    時(shí)間: 2025-3-26 11:25

作者: Cacophonous    時(shí)間: 2025-3-26 13:18

作者: 飲料    時(shí)間: 2025-3-26 18:27

作者: Compatriot    時(shí)間: 2025-3-26 21:56

作者: G-spot    時(shí)間: 2025-3-27 02:19

作者: 沉默    時(shí)間: 2025-3-27 05:31

作者: 北極人    時(shí)間: 2025-3-27 12:22
A. McCowen B.Sc., M.Sc., Ph.D.,K. L. Clibbont for exchange and collaboration between the “two cultures”. However, the concept of empathy carries different meanings across disciplines and was based on opposing paradigms throughout the history. In this introductory chapter, Weigel briefly outlines four constellations that are significant for th
作者: Tremor    時(shí)間: 2025-3-27 16:40
H. Sakaki,H. Sugawara,J. Motohisa,T. Nodaion onto others of inner modellings or representations. In contrast, Fuchs presents a non-representational concept of ., based on an . view of intersubjectivity. According to this concept, social understanding is not realized within one individual, but arises in the moment-to-moment interaction of t
作者: 北極熊    時(shí)間: 2025-3-27 18:06

作者: 獨(dú)輪車(chē)    時(shí)間: 2025-3-28 01:12

作者: 噱頭    時(shí)間: 2025-3-28 05:02
,Epilogue: Second Guessing—Emergent Doubles,sed concept of empathy differed that much from the original “Einfühlung” that it got re-translated into German as “Empathie”. In this chapter, Lux traces this emotional turn and the re-translation of the concept as “Empathie”. In addition, she discusses methods used to measure emotions during empath
作者: 丑惡    時(shí)間: 2025-3-28 06:57

作者: Veneer    時(shí)間: 2025-3-28 12:36
https://doi.org/10.1057/9780333977422erience, and examines similarities and differences to the concept of “Einfühlung” from aesthetic theory around 1900. He argues that embodied simulation can be relevant to aesthetic experience in at least two ways: First, embodied simulation generates the seeing as that plays a special role in our ae
作者: 閃光東本    時(shí)間: 2025-3-28 15:28

作者: IOTA    時(shí)間: 2025-3-28 21:36
Karl Farmer,Birgit Bednar-Friedl). While aesthetics as a philosophical discipline focused on a rather normative understanding of beauty and a theory of art, the empirical approach in aesthetics in the tradition of Gustav Th. Fechner was primarily interested in categorising and explaining the variety of phenomena of aesthetic exper
作者: expdient    時(shí)間: 2025-3-29 01:33

作者: Folklore    時(shí)間: 2025-3-29 03:17

作者: 琺瑯    時(shí)間: 2025-3-29 10:11

作者: bleach    時(shí)間: 2025-3-29 12:53
The Heterogeneity of Empathy,t for exchange and collaboration between the “two cultures”. However, the concept of empathy carries different meanings across disciplines and was based on opposing paradigms throughout the history. In this introductory chapter, Weigel briefly outlines four constellations that are significant for th
作者: 有效    時(shí)間: 2025-3-29 19:20
Levels of Empathy – Primary, Extended, and Reiterated Empathyion onto others of inner modellings or representations. In contrast, Fuchs presents a non-representational concept of ., based on an . view of intersubjectivity. According to this concept, social understanding is not realized within one individual, but arises in the moment-to-moment interaction of t
作者: 壟斷    時(shí)間: 2025-3-29 23:06

作者: URN    時(shí)間: 2025-3-30 01:05
Empathy and Other Minds – A Neuropsychoanalytic Perspective and a Clinical Vignette by empathy, to the extent that one does so at all. However, the basic mechanism of embodied simulation describes only a form of proto-empathy. In this chapter, Solms discusses empathy as . with affective and spatial components: the empathic subject projects (“.”) itself . the object. The crux of th
作者: 脆弱么    時(shí)間: 2025-3-30 06:38
Measuring the Emotional Quality – Empathy and Sympathy in Empirical Psychologysed concept of empathy differed that much from the original “Einfühlung” that it got re-translated into German as “Empathie”. In this chapter, Lux traces this emotional turn and the re-translation of the concept as “Empathie”. In addition, she discusses methods used to measure emotions during empath
作者: 起草    時(shí)間: 2025-3-30 08:37

作者: 積習(xí)難改    時(shí)間: 2025-3-30 13:45
The Empathic Body in Experimental Aesthetics – Embodied Simulation and Arterience, and examines similarities and differences to the concept of “Einfühlung” from aesthetic theory around 1900. He argues that embodied simulation can be relevant to aesthetic experience in at least two ways: First, embodied simulation generates the seeing as that plays a special role in our ae
作者: 山崩    時(shí)間: 2025-3-30 19:19
Empathy, Imagination, and Dramaturgy – A Means of Society in Eighteenth-Century Theory on a community of equals. However, they also created a link between the new social theory and dramaturgical theory in contemporary theater. The new stage experience that evolved from the middle of the century was based on the idea of arousing the spectator’s empathy or compassion through the protag
作者: 共同確定為確    時(shí)間: 2025-3-30 21:57
, – A Key Concept of Psychological Aesthetics). While aesthetics as a philosophical discipline focused on a rather normative understanding of beauty and a theory of art, the empirical approach in aesthetics in the tradition of Gustav Th. Fechner was primarily interested in categorising and explaining the variety of phenomena of aesthetic exper
作者: cardiovascular    時(shí)間: 2025-3-31 01:33





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