標(biāo)題: Titlebook: Emotions in Contemporary TV Series; Alberto N. García Book 2016 Palgrave Macmillan, a division of Macmillan Publishers Limited 2016 Televi [打印本頁] 作者: Arthur 時(shí)間: 2025-3-21 17:10
書目名稱Emotions in Contemporary TV Series影響因子(影響力)
書目名稱Emotions in Contemporary TV Series影響因子(影響力)學(xué)科排名
書目名稱Emotions in Contemporary TV Series網(wǎng)絡(luò)公開度
書目名稱Emotions in Contemporary TV Series網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Emotions in Contemporary TV Series被引頻次
書目名稱Emotions in Contemporary TV Series被引頻次學(xué)科排名
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書目名稱Emotions in Contemporary TV Series年度引用學(xué)科排名
書目名稱Emotions in Contemporary TV Series讀者反饋
書目名稱Emotions in Contemporary TV Series讀者反饋學(xué)科排名
作者: 地名詞典 時(shí)間: 2025-3-21 22:53
Decent Peoples and the Real World,uma, understood as the phenomenon that takes place ‘when members of a collectivity feel they have been subjected to a horrendous event that leaves indelible marks upon their group consciousness, marking their memories forever, and changing their future identity in fundamental and irrevocable ways’ (Alexander 1).作者: ALIEN 時(shí)間: 2025-3-22 01:47 作者: 把…比做 時(shí)間: 2025-3-22 07:10
: Fear and Distrust as Key Elements of the Post-9/11 Political-Spy Thrilleruma, understood as the phenomenon that takes place ‘when members of a collectivity feel they have been subjected to a horrendous event that leaves indelible marks upon their group consciousness, marking their memories forever, and changing their future identity in fundamental and irrevocable ways’ (Alexander 1).作者: 誘使 時(shí)間: 2025-3-22 12:00 作者: Mhc-Molecule 時(shí)間: 2025-3-22 15:36 作者: Mhc-Molecule 時(shí)間: 2025-3-22 19:27 作者: 減震 時(shí)間: 2025-3-23 00:03
Nordic Noir — Location, Identity and Emotionf a recent, widespread phenomenon in Nordic media culture? To which degree does it represent successful commercial branding — perhaps even a branding of the involved nations behind the phenomenon? All things considered, which implications are embedded in the concept ‘Nordic noir’?作者: 蛤肉 時(shí)間: 2025-3-23 01:27
NATO and Peace Maintenance in Africa,r is again mitigated by several factors: children, the family and everyday domestic life. Self-defence is, of course, the justification for these deaths, but the devotion of a father towards his little baby also enter into the moral and emotional equation that characterizes ..作者: Cerumen 時(shí)間: 2025-3-23 06:31
analysis of the contemporary cultural forms that evoke an acute national sense through a highly idealized English way of life will allow us to understand the reasons why and how nostalgia protagonizes these representations.作者: AUGUR 時(shí)間: 2025-3-23 13:36 作者: Critical 時(shí)間: 2025-3-23 17:53 作者: 確保 時(shí)間: 2025-3-23 22:05 作者: patriot 時(shí)間: 2025-3-24 00:54 作者: DAFT 時(shí)間: 2025-3-24 05:20
Introduction already conscious of how emotions affected spectators: ‘On the one hand we have those emotions in which the feelings of the persons in the play are transmitted to our own soul. On the other hand, we find feelings which may be entirely different, perhaps exactly opposite to those which the figures in the play express’ (53).作者: 高度表 時(shí)間: 2025-3-24 07:43 作者: Genome 時(shí)間: 2025-3-24 12:18 作者: 整頓 時(shí)間: 2025-3-24 15:30
Overview: .This edited collection offers a wide range of essays showcasing current research on emotions in TV series. The chapters develop from a variety of research traditions in film, television and media studies and explores American, British, Nordic and Spanish TV series..978-1-137-56885-4作者: intimate 時(shí)間: 2025-3-24 21:50 作者: 呼吸 時(shí)間: 2025-3-25 02:00
Book 2016.This edited collection offers a wide range of essays showcasing current research on emotions in TV series. The chapters develop from a variety of research traditions in film, television and media studies and explores American, British, Nordic and Spanish TV series..作者: Favorable 時(shí)間: 2025-3-25 07:20
https://doi.org/10.1007/978-1-137-56885-4Television; Mad Men; Breaking Bad; Collective identity; Antiheroes; Affect; Serial Narrative; TV Horror; Fea作者: Fecal-Impaction 時(shí)間: 2025-3-25 09:24 作者: 徹底明白 時(shí)間: 2025-3-25 15:44
https://doi.org/10.1007/978-3-031-49321-8lso knowledge about the world. By producing emotional reactions, fiction may become a privileged site of self-knowledge, both for the artist and for the public, although in different ways. While fiction cannot be taken as a faithful representation of factual reality, it does register emotional react作者: 多骨 時(shí)間: 2025-3-25 18:41 作者: Optometrist 時(shí)間: 2025-3-25 23:27
NATO and Peace Maintenance in Africa,‘Full Measures’ (3.13), the moral and emotional complexity of the story is encapsulated in a seemingly incidental scene. We see Walter White in his living room, giving little Holly a bottle of milk. A close-up shows how the baby grabs at his glasses, and in this moment of paternal tenderness, the wr作者: STENT 時(shí)間: 2025-3-26 01:05 作者: vibrant 時(shí)間: 2025-3-26 07:26
tly stronger than previous iterations of women on American television (Paul Harris). These are women who have jobs and, more importantly, drive the narrative forward. In many ways, these dramas seem to suggest that at least some demands of the second feminist movement have been taken into account. I作者: 脊椎動(dòng)物 時(shí)間: 2025-3-26 10:28 作者: aplomb 時(shí)間: 2025-3-26 13:52 作者: ostrish 時(shí)間: 2025-3-26 17:35
W. John Morgan,Alexandre Guilherme coined during the 1930s, whereas the epithet ‘Nordic’ is open to interpretation. Presumably it is bound to the Nordic region, but in which ways — geographically, culturally or socially? Which role can be ascribed to the apparent differences between the Nordic countries (for example, climate, landsc作者: 古文字學(xué) 時(shí)間: 2025-3-26 21:56 作者: 行乞 時(shí)間: 2025-3-27 01:11 作者: libertine 時(shí)間: 2025-3-27 08:56
Decent Peoples and the Real World,rorist attacks of 9/11 (Edgerton and Edgerton 92). As a consequence of that tragedy, the whole country found itself immersed in a genuine cultural trauma, understood as the phenomenon that takes place ‘when members of a collectivity feel they have been subjected to a horrendous event that leaves ind作者: discord 時(shí)間: 2025-3-27 11:47
966–69), the movie . (2009), and . (ABC, 1978–79; Sci-fi, 2003–09) have mirrored the human condition and reflected changes in societal knowledge about emotions and rational behaviour. . and . (hereafter .) use distinctions among emotional and dispassionate behaviour as a distinguishing feature that 作者: 茁壯成長 時(shí)間: 2025-3-27 16:25
— we can find the clearest examples of the changes in lifestyles, in codes of conduct and in the models of masculinity and femininity, as well as in the emotional regimes and its failures. These changes draw an unsurpassable horizon for the current generation.作者: 使熄滅 時(shí)間: 2025-3-27 19:31
A Revolution in Urban Lifestyle: ,’s Narrative Revisited as a Social Lab— we can find the clearest examples of the changes in lifestyles, in codes of conduct and in the models of masculinity and femininity, as well as in the emotional regimes and its failures. These changes draw an unsurpassable horizon for the current generation.作者: 內(nèi)部 時(shí)間: 2025-3-27 23:51 作者: 獨(dú)白 時(shí)間: 2025-3-28 02:15 作者: Endemic 時(shí)間: 2025-3-28 08:30
The Emergence of ‘Affect’ in Contemporary TV Fictions Emotions in Contemporary TV Series’.. As Ana Marta González remarks, ‘media culture has become a powerful agent of emotional socialization, fostering a new kind of self whose relationship with real life seems to be mediated by narratives and fictional characters to a greater degree’ (7). The aim he作者: 利用 時(shí)間: 2025-3-28 13:09 作者: 議程 時(shí)間: 2025-3-28 17:50 作者: Connotation 時(shí)間: 2025-3-28 21:46 作者: 光明正大 時(shí)間: 2025-3-29 00:10
A Revolution in Urban Lifestyle: ,’s Narrative Revisited as a Social Lab— we can find the clearest examples of the changes in lifestyles, in codes of conduct and in the models of masculinity and femininity, as well as in the emotional regimes and its failures. These changes draw an unsurpassable horizon for the current generation.作者: 任意 時(shí)間: 2025-3-29 05:12
Performing Englishness: Postnational Nostalgia in , and ,itain only began to be seriously investigated (as distinct from being taken for granted) after the Second World War, a time when peace and imperial retreat fostered a highly introverted view of the British past’ (311). During the twentieth century, several issues — among them, the last vestiges of t作者: 證明無罪 時(shí)間: 2025-3-29 07:58 作者: GUILE 時(shí)間: 2025-3-29 11:25
Loss is Part of the Deal: Love, Fear and Mourning in TV Horrorile Lorna Jowett and I have argued that horror has been a consistent presence on television since the 1950s, the genre has become more visible in the current broadcast climate across a wide range of channels, networks, pay TV and streaming services in the UK and the US, with new series, such as . (B作者: 審問 時(shí)間: 2025-3-29 18:31 作者: 審問,審訊 時(shí)間: 2025-3-29 22:15 作者: 時(shí)代錯(cuò)誤 時(shí)間: 2025-3-30 02:07
Emotions in , and ,: What Makes Us Human966–69), the movie . (2009), and . (ABC, 1978–79; Sci-fi, 2003–09) have mirrored the human condition and reflected changes in societal knowledge about emotions and rational behaviour. . and . (hereafter .) use distinctions among emotional and dispassionate behaviour as a distinguishing feature that 作者: misshapen 時(shí)間: 2025-3-30 04:48
Group Empathy? A Conceptual Proposal, Apropos of ,ectator engagement with characters. However, at the same time, the complexity of the questions raised by empathy has led to controversy and debate. For example, in the field of cognitive studies of films and television series, since the articulation of the first major sympathy-based theory of emotio作者: 衍生 時(shí)間: 2025-3-30 09:50 作者: OMIT 時(shí)間: 2025-3-30 13:08
Loss is Part of the Deal: Love, Fear and Mourning in TV Horror, . (Fox, 2004–12), . (Fox, 2005–), and . (Fox, 2013–), each offering their own variation on the hospital, detective drama and police procedural, regularly include graphic depictions of body traumas, decomposing or damaged remains, and bloody crime scenes. This has meant that many examples of TV Hor作者: Classify 時(shí)間: 2025-3-30 18:54
Apocalyptic Psychotherapy: Emotion and Identity in AMC’s ,s to both preserve and redefine different family units, such as ‘wife’, ‘mother’, and ‘brother’. Yet, rather than depicting a dystopian wasteland, . proposes a surprisingly positive apocalypse (see Boehm 130), one that uses both zombies and human survivors as uncanny figures to explore and challenge作者: Adrenal-Glands 時(shí)間: 2025-3-30 22:16
Larisa Kasumagi?-Kafed?i?,Sara Clarke-Habibiectator engagement with characters. However, at the same time, the complexity of the questions raised by empathy has led to controversy and debate. For example, in the field of cognitive studies of films and television series, since the articulation of the first major sympathy-based theory of emotio
