標題: Titlebook: Emotional Alterity in the Medieval North Sea World; Erin Sebo,Matthew Firth,Daniel Anlezark Book 2023 The Editor(s) (if applicable) and Th [打印本頁] 作者: 拼圖游戲 時間: 2025-3-21 19:36
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書目名稱Emotional Alterity in the Medieval North Sea World讀者反饋
書目名稱Emotional Alterity in the Medieval North Sea World讀者反饋學(xué)科排名
作者: athlete’s-foot 時間: 2025-3-21 23:10 作者: Decibel 時間: 2025-3-22 02:10
,“Tá f?r Torbirni svá mj?k at hann gr?tr”: Emotionality in the Sagas of East Iceland, show little emotion, whether in speech or in action. In this chapter I shall argue that this model of saga-emotion derives largely from analysis of a small corpus of very well-known sagas and does not necessarily hold true for the often-overlooked group of sagas composed and copied in East Iceland.作者: Lobotomy 時間: 2025-3-22 05:10
,On the Wild Side: “Impossible” Emotions in Medieval German Literature,tions that mark a figure out as strange; that is, as more or less affective than expected, and therefore special. Odd, unfathomable?or “impossible” emotions violate courtly norms like . (courtly behaviour), . (right measure), and . (reluctance), and they threaten to exclude figures from the value-dr作者: 鬧劇 時間: 2025-3-22 08:53
,“In an Overfurious Mood”: Emotion in Medieval Frisian Law and Life,e detail. Laws, nonetheless, offer an attractive field of investigation for the study of emotions. As it happens, the vernacular literary legacy of the medieval Frisians, written down between the early thirteenth century and the early sixteenth century, consists almost entirely of legal texts. These作者: 緩解 時間: 2025-3-22 15:53 作者: 緩解 時間: 2025-3-22 19:48 作者: growth-factor 時間: 2025-3-23 00:58 作者: LEER 時間: 2025-3-23 03:05 作者: Obloquy 時間: 2025-3-23 05:34 作者: 考古學(xué) 時間: 2025-3-23 12:38
https://doi.org/10.1007/978-3-642-49237-2y explain emotional responses or motivations. We are rarely told how people feel or why they do what they do. Nothing about the way these texts unfold suggest that there is anything surprising about them or that people would find them unusual. The implication is that the meanings communicated by suc作者: Nonporous 時間: 2025-3-23 16:58
H. W. Gowdy,D. D. Delaney,D. M. Fentonthat his foster father has been burnt to death, his whole body swells up and blood spurts out of his ears in a bow until he faints. In this chapter, these expressions are put in context with hydraulic emotive displays in several Old Norse narratives of various genres, where emotions are conveyed in 作者: paltry 時間: 2025-3-23 21:23
C. L. Chien,Gang Xiao,Marta Z. Cieplak show little emotion, whether in speech or in action. In this chapter I shall argue that this model of saga-emotion derives largely from analysis of a small corpus of very well-known sagas and does not necessarily hold true for the often-overlooked group of sagas composed and copied in East Iceland.作者: intellect 時間: 2025-3-23 23:27 作者: 指數(shù) 時間: 2025-3-24 02:50 作者: HATCH 時間: 2025-3-24 06:59
Critical PO2 of Euryoxic Animalsen King Solomon and the euhemerized pagan god Saturn, which ranges across topics such as the power of books, the properties of the elements, and the origins of hell. One particular challenge for readers lies in understanding the monstrous . (“Instruments of Death”), described by Solomon early in the作者: 逃避系列單詞 時間: 2025-3-24 12:59
Ryuichiro Araki,Ichiro NashimotoHow, then, is it possible to avoid sinning? In her important 1998 essay, Ruth Wehlau examines the concept of . and . in Old English and Old Norse poetry as pervasive and dominant themes, well known to Early Medieval English poets. My chapter examines a particular group of poems which describe sadnes作者: Intractable 時間: 2025-3-24 17:51 作者: 拱墻 時間: 2025-3-24 22:48 作者: 嘲弄 時間: 2025-3-25 01:35
https://doi.org/10.1007/978-3-031-67620-8kground of political and linguistic activism yet prioritized affective, often emotional sympathy for the ideals of a reimagined, deeply romanticized past. This chapter explores a selection of Revival-era versions of medieval Gaelic prose tales . (‘The Cattle-Raid of Cooley’) and . (‘The Exile of Uis作者: textile 時間: 2025-3-25 04:37 作者: aerial 時間: 2025-3-25 10:48
Palgrave Studies in the History of Emotionshttp://image.papertrans.cn/e/image/308665.jpg作者: 檔案 時間: 2025-3-25 12:45
https://doi.org/10.1007/978-3-031-33965-3history of emotions; Middle Ages; Icelandic sagas; Old Norse; Old English作者: 同音 時間: 2025-3-25 18:32
978-3-031-33967-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 加強防衛(wèi) 時間: 2025-3-25 21:38
Emotional Alterity in the Medieval North Sea World978-3-031-33965-3Series ISSN 2946-5958 Series E-ISSN 2946-5966 作者: alliance 時間: 2025-3-26 00:26 作者: jagged 時間: 2025-3-26 04:50 作者: 鉆孔 時間: 2025-3-26 09:54 作者: achlorhydria 時間: 2025-3-26 14:52 作者: 閑蕩 時間: 2025-3-26 20:07
Ryuichiro Araki,Ichiro Nashimoto which are hard to discuss with either confessor or comitatus, but which must be overcome in order to avoid sin. I claim that such texts are a form of addressing trauma and of providing?help to the affected through descriptions of mental anguish. They allow an audience to “feel” pain and empathise w作者: Demulcent 時間: 2025-3-26 23:11
https://doi.org/10.1007/0-387-29540-2id they present the humility of women differently from that of men? The enquiry concludes with a close look at the final book of the . by Goscelin of Saint-Bertin, eleventh-century England’s most prolific hagiographer, in which, addressing his former pupil-turned anchoress, Eve, he offered extensive作者: 要求比…更好 時間: 2025-3-27 02:42 作者: cartilage 時間: 2025-3-27 06:27
https://doi.org/10.1007/978-3-031-67620-8y Revival-era anglophone authors, with graphic violence and grief for the dead most susceptible to adaptation. While revision could result from misunderstanding or limited access to medieval sources, it could also symbolize unusual familiarity with the nuance of an author’s original, apparent chiefl作者: 線 時間: 2025-3-27 13:28
Emotional Alterity in the Medieval North Sea World作者: 竊喜 時間: 2025-3-27 15:29
2946-5958 f feelingmay reflect cultural and social dynamics underlying vernacular literatures from across the medieval North Sea world.978-3-031-33967-7978-3-031-33965-3Series ISSN 2946-5958 Series E-ISSN 2946-5966 作者: 背叛者 時間: 2025-3-27 19:58
Emotional Alterity in the Medieval Northern Sea World, be a collection of literary studies that treat portrayals of emotion as simple tropes or motifs, isolated within their corpora. Rather, it seeks to uncover how such manifestations of feeling may reflect cultural and social dynamics underlying vernacular literatures from across the medieval North Se作者: 宣稱 時間: 2025-3-27 22:10
Grotesque Emotions in Old Norse Literature: Swelling Bodies, Spurting Fluids, Tears of Hail,c imagery such as blood-similes, tearing clothes, hair loosening, bursting, or collapsing. In this chapter, these depictions are explored within the framework of cognitive linguistics and previous assumptions that hydraulic expressions in the sagas can be attributed to the influence of the Galenic t作者: 彩色 時間: 2025-3-28 04:55
,On the Wild Side: “Impossible” Emotions in Medieval German Literature,radictory that the narrator needs to reflect on them and explain them in order to convey meaning. This chapter examines the somatic expression of such “impossible” emotions, and the intent of their depictions, in the medieval Germans texts: ., . by Konrad von Würzburg, and ..作者: hermetic 時間: 2025-3-28 10:16 作者: 搖曳 時間: 2025-3-28 12:22
De Profundis: Sadness and Healing, which are hard to discuss with either confessor or comitatus, but which must be overcome in order to avoid sin. I claim that such texts are a form of addressing trauma and of providing?help to the affected through descriptions of mental anguish. They allow an audience to “feel” pain and empathise w作者: 檔案 時間: 2025-3-28 16:02 作者: 臭了生氣 時間: 2025-3-28 19:56 作者: Abbreviate 時間: 2025-3-28 23:56 作者: 被告 時間: 2025-3-29 03:07 作者: ellagic-acid 時間: 2025-3-29 09:46
,“Tá f?r Torbirni svá mj?k at hann gr?tr”: Emotionality in the Sagas of East Iceland, These include ., which explores emotional empathy and performativity in some depth, ., . and some other sagas and . set in that region. Prototypical generic emotional repertoires, I argue, should be analysed in relation also to regional and chronological outliers if a full picture of the medieval Icelandic literary emotion economy is to emerge.
