標(biāo)題: Titlebook: Emotion and the Contemporary Museum; Development of a Geo Candice P. Boyd,Rachel Hughes Book 2020 The Editor(s) (if applicable) and The Aut [打印本頁(yè)] 作者: 照相機(jī) 時(shí)間: 2025-3-21 17:15
書目名稱Emotion and the Contemporary Museum影響因子(影響力)
書目名稱Emotion and the Contemporary Museum影響因子(影響力)學(xué)科排名
書目名稱Emotion and the Contemporary Museum網(wǎng)絡(luò)公開度
書目名稱Emotion and the Contemporary Museum網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Emotion and the Contemporary Museum被引頻次
書目名稱Emotion and the Contemporary Museum被引頻次學(xué)科排名
書目名稱Emotion and the Contemporary Museum年度引用
書目名稱Emotion and the Contemporary Museum年度引用學(xué)科排名
書目名稱Emotion and the Contemporary Museum讀者反饋
書目名稱Emotion and the Contemporary Museum讀者反饋學(xué)科排名
作者: 無意 時(shí)間: 2025-3-21 23:16
Exhibiting with Emotion,e in the design and staging of exhibitions. The chapter concludes provocatively with a call for a new interdisciplinary conversation between museology/museum studies and cultural geography to assist in ‘bridging the gap’ between curating with emotion and evaluating emotion in the contemporary museum作者: 說笑 時(shí)間: 2025-3-22 02:33
The ,search project that used a drawing method to better understand first-time visitor experiences of Rome’s . (Museum of the Mind). Their analysis of more than sixty drawings produced across two workshops garners insights about the museum’s novel and technologically-sophisticated exhibits as well as ref作者: 飾帶 時(shí)間: 2025-3-22 07:16 作者: indubitable 時(shí)間: 2025-3-22 10:24
Conclusion, responses that elude more conventional methods of audience evaluation. In doing so, they return to the primary concern of the book to invite a cross-disciplinary conversation between cultural geography and museum studies for what one has to offer the other.作者: agglomerate 時(shí)間: 2025-3-22 16:48 作者: agglomerate 時(shí)間: 2025-3-22 20:59
Rotating at Your Home Institution,rough the exhibition space. In concluding, Boyd and Hughes consider what this addition to the protocol provided as well as the value of their method beyond that normally afforded by in-house evaluation.作者: CANT 時(shí)間: 2025-3-22 23:16
WWI: Love and Sorrow Exhibition,rough the exhibition space. In concluding, Boyd and Hughes consider what this addition to the protocol provided as well as the value of their method beyond that normally afforded by in-house evaluation.作者: collateral 時(shí)間: 2025-3-23 01:53 作者: Emasculate 時(shí)間: 2025-3-23 08:32
orking closely with two international museums – The Museo LaThis book outlines a geographically-informed method of evaluating the emotional impact of museum exhibits. The authors have personally developed the method they describe over several years of working with the .Museo Laboratorio della Mente.作者: OVER 時(shí)間: 2025-3-23 12:04 作者: 雜役 時(shí)間: 2025-3-23 14:16 作者: Valves 時(shí)間: 2025-3-23 18:35 作者: 無法治愈 時(shí)間: 2025-3-23 22:48
Stephen White MD,Albert Pearsall MDsearch project that used a drawing method to better understand first-time visitor experiences of Rome’s . (Museum of the Mind). Their analysis of more than sixty drawings produced across two workshops garners insights about the museum’s novel and technologically-sophisticated exhibits as well as reflections on the drawing method itself.作者: 貞潔 時(shí)間: 2025-3-24 04:12 作者: Feedback 時(shí)間: 2025-3-24 06:44 作者: 遺產(chǎn) 時(shí)間: 2025-3-24 11:34
Exhibiting with Emotion,e in the design and staging of exhibitions. The chapter concludes provocatively with a call for a new interdisciplinary conversation between museology/museum studies and cultural geography to assist in ‘bridging the gap’ between curating with emotion and evaluating emotion in the contemporary museum context.作者: adroit 時(shí)間: 2025-3-24 17:01 作者: 生意行為 時(shí)間: 2025-3-24 22:19 作者: Grandstand 時(shí)間: 2025-3-24 23:32
A. Cereatti,F. R. Ripani,F. Margheritinie become increasingly performative in what they do. From this base, they argue that non-representational theory in cultural geography provides a useful framework for theorising the work of the contemporary museum.作者: Veneer 時(shí)間: 2025-3-25 06:23
https://doi.org/10.1007/978-3-030-73299-8e in the design and staging of exhibitions. The chapter concludes provocatively with a call for a new interdisciplinary conversation between museology/museum studies and cultural geography to assist in ‘bridging the gap’ between curating with emotion and evaluating emotion in the contemporary museum作者: brachial-plexus 時(shí)間: 2025-3-25 10:34
Stephen White MD,Albert Pearsall MDsearch project that used a drawing method to better understand first-time visitor experiences of Rome’s . (Museum of the Mind). Their analysis of more than sixty drawings produced across two workshops garners insights about the museum’s novel and technologically-sophisticated exhibits as well as ref作者: Omnipotent 時(shí)間: 2025-3-25 13:46
Rotating at Your Home Institution,es to the . exhibition at Melbourne Museum. After their own extensive internal evaluation of the visitor experience, staff at Melbourne Museum expressed interest in our drawing methodology. The study was an opportunity to extend the methods used at the . (Chapter .) to include a walking interview th作者: Conquest 時(shí)間: 2025-3-25 17:36 作者: MUTED 時(shí)間: 2025-3-25 21:47
Candice P. Boyd,Rachel HughesOffers a groundbreaking new method of evaluating the emotional impact of museum exhibits on their visitors.Developed over several years of working closely with two international museums – The Museo La作者: eulogize 時(shí)間: 2025-3-26 04:00
http://image.papertrans.cn/e/image/308638.jpg作者: flamboyant 時(shí)間: 2025-3-26 07:30 作者: probate 時(shí)間: 2025-3-26 11:43 作者: Gentry 時(shí)間: 2025-3-26 13:45 作者: grounded 時(shí)間: 2025-3-26 19:44
Sustainability and the Spiritual Work Ethic,lued as an end in itself; a means of generating further economic growth rather than a source of pleasure or goodness. This religious attitude, based on the idea of duty in pursuing a calling or vocation, entailed the pursuit of asceticism or self-denial and the rejection of material pleasure as a means of securing salvation in the afterlife.作者: 閃光東本 時(shí)間: 2025-3-26 21:14
Translating Message Sequence Charts to other Process Languages Using Process Mining,es and tools available in the process mining domain. This combination allows us to discover high-quality process models..To constructively add to the existing work on process mining, our approach has been implemented in the process mining framework ProM (www.processmining.org).作者: 在前面 時(shí)間: 2025-3-27 01:43 作者: 庇護(hù) 時(shí)間: 2025-3-27 07:21 作者: 表示向下 時(shí)間: 2025-3-27 09:30
R. N. van Hees,W. Monhemiusfields are provided throughout the book, with extensive references to the literature. The book is intended for use in graduate and upper-division undergraduate courses and as a reference for the practicing engineers and researchers in industry and academia..978-3-030-28985-0978-3-030-28983-6作者: 侵略 時(shí)間: 2025-3-27 15:11 作者: SPER 時(shí)間: 2025-3-27 20:12
Acute Pancreatitis following resolution of the inflammatory process. Although most patients recover quickly and without sequelae, others may develop a protracted clinical course with considerable morbidity and mortality.作者: SHOCK 時(shí)間: 2025-3-27 23:27
