標(biāo)題: Titlebook: Embodying Latino Masculinities; Producing Masculatin Jennifer Domino Rudolph Book 2012 Palgrave Macmillan, a division of Nature America Inc [打印本頁] 作者: Arthur 時(shí)間: 2025-3-21 19:56
書目名稱Embodying Latino Masculinities影響因子(影響力)
作者: Intuitive 時(shí)間: 2025-3-21 20:54
Overview: Through explorations of six cases taken from various Latino ethnic groups, this book advances our understanding about meanings of Latino manhood and masculinities. The studies range from theatre and literature to men‘s activism and sports, showing how masculinities are embodied and performed.978-1-349-43795-5978-1-137-02288-2作者: recession 時(shí)間: 2025-3-22 03:48
http://image.papertrans.cn/e/image/308031.jpg作者: MAIM 時(shí)間: 2025-3-22 06:24
Book 2012Through explorations of six cases taken from various Latino ethnic groups, this book advances our understanding about meanings of Latino manhood and masculinities. The studies range from theatre and literature to men‘s activism and sports, showing how masculinities are embodied and performed.作者: 總 時(shí)間: 2025-3-22 10:30
https://doi.org/10.1007/978-3-642-85334-0ction. The debate revolved around Limón’s concern that the depiction of Chicano men in the work of Sandra Cisneros might cause “Anglo lay readers” to view Chicano men as excessively violent and thus perpetuate negative images of them (Limón 1998, 166). Fregoso views Limón’s concern as extremely prob作者: 別炫耀 時(shí)間: 2025-3-22 15:42
https://doi.org/10.1007/978-3-642-87506-9ous Latino male characters in an exploration of what it means to be a Latino man. While it may seem strange to begin a study of masculinities and male identity with a performance by women, such a choice underscores the performative nature of gender as argued by numerous gender studies scholars.. It 作者: 別炫耀 時(shí)間: 2025-3-22 17:20 作者: resilience 時(shí)間: 2025-3-23 00:05 作者: CESS 時(shí)間: 2025-3-23 05:01 作者: 和音 時(shí)間: 2025-3-23 06:24 作者: AXIS 時(shí)間: 2025-3-23 10:00 作者: 指派 時(shí)間: 2025-3-23 17:54
Introduction much at stake in terms of gendered representations of Latino/as. Additionally, much debate continues over who can and should represent issues of gender. Though I understand Limón’s concerns with respect to dominant readings of the cultural production of men, I agree with Fregoso that policing the w作者: 全等 時(shí)間: 2025-3-23 18:47 作者: Synchronism 時(shí)間: 2025-3-24 00:42
“Transmuting the Barbwire Thorns” them from experiencing the same type of racially motivated hostility inherent in the justice system that reproduces the criminality of people of color in disproportional rates to those racialized as white.. Thus . becomes a bridge between men, from Baca’s relationship with his father to his relatio作者: 細(xì)絲 時(shí)間: 2025-3-24 02:37 作者: 占卜者 時(shí)間: 2025-3-24 07:31
“The Hit Man from Washington”has inspired Dominicans in the United States as well as on the island to claim him as an object of ethnic pride. Just as Ramírez and players like him help Dominicans to forge a place in the United States via their fame and mainstream acceptance, they serve as success stories in the face of racism an作者: 商業(yè)上 時(shí)間: 2025-3-24 14:38
https://doi.org/10.1007/978-3-642-85334-0 much at stake in terms of gendered representations of Latino/as. Additionally, much debate continues over who can and should represent issues of gender. Though I understand Limón’s concerns with respect to dominant readings of the cultural production of men, I agree with Fregoso that policing the w作者: 間接 時(shí)間: 2025-3-24 18:45
https://doi.org/10.1007/978-3-642-72392-6neration said that they were there to support and encourage these two voices willing to tell a story often seen only in news media reports or via the entertainment industry, portrayals that glorify and sensationalize gang life. The younger generation sought the guidance of those who had lived throug作者: 咆哮 時(shí)間: 2025-3-24 19:11
https://doi.org/10.1007/978-3-030-40974-6 them from experiencing the same type of racially motivated hostility inherent in the justice system that reproduces the criminality of people of color in disproportional rates to those racialized as white.. Thus . becomes a bridge between men, from Baca’s relationship with his father to his relatio作者: 兩種語言 時(shí)間: 2025-3-25 00:47 作者: FLING 時(shí)間: 2025-3-25 06:04
has inspired Dominicans in the United States as well as on the island to claim him as an object of ethnic pride. Just as Ramírez and players like him help Dominicans to forge a place in the United States via their fame and mainstream acceptance, they serve as success stories in the face of racism an作者: objection 時(shí)間: 2025-3-25 11:12
https://doi.org/10.1007/978-3-642-87506-9ully engaging the loaded definitions and connotations associated with the term . allows performers and spectators to literally and metaphorically step outside their own skin. Given this function, the piece joins a corpus of recent artistic and scholarly work that seeks to better understand Latino masculinities and their implications.作者: FLASK 時(shí)間: 2025-3-25 14:28 作者: 安慰 時(shí)間: 2025-3-25 19:33
https://doi.org/10.1007/978-3-322-80629-1ey del reggaetón” (the king of reggaetón), emerging as a voice of Latino/a youth. As an island-born Afro–Puerto Rican of poor upbringing, Don Omar physically embodies the performative components of reggaetón and roncar—namely, ghetto authenticity, blackness, and masculine power.作者: EVEN 時(shí)間: 2025-3-25 21:46 作者: oncologist 時(shí)間: 2025-3-26 00:24 作者: 描述 時(shí)間: 2025-3-26 05:16 作者: 鍵琴 時(shí)間: 2025-3-26 12:27 作者: 混沌 時(shí)間: 2025-3-26 14:50 作者: 擴(kuò)張 時(shí)間: 2025-3-26 19:20
“Hung on a Ghetto Cross”iates a literary conversation between Rodríguez and Thomas, as men who grew up in conditions of poverty during turbulent times in the history of the United States. The poem establishes the two men as “. brothers” on the basis of space, economic hardship, writing, and mentorship as unifying discourse作者: 蘑菇 時(shí)間: 2025-3-26 23:25
“Roncamos porque podemos”cess. ., literally meaning . in Spanish, signifies making noise or making trouble in the vernacular of reggaetón. Reggaetón as a genre combines several musical styles originating in the Caribbean, the Caribbean diaspora, and the African American community and since the late 1990s has become an impor作者: heart-murmur 時(shí)間: 2025-3-27 04:05
“The Hit Man from Washington” cheer on their own, waving a banner that read “The Hit Man from Washington” during all of his plate appearances. The Dominican-born left fielder had already made a significant journey during adolescence from Santo Domingo, Dominican Republic, to New York City before making the journey through the C作者: 創(chuàng)作 時(shí)間: 2025-3-27 07:24
Approaches Toward the Bayesian Estimation of the Stochastic Volatility Model with Leveragerder to guarantee stable sampling efficiency irrespective of the baseline parameterization. We carry out an extensive comparison to already existing sampling methods for this model using simulated as well as real world data.作者: FIN 時(shí)間: 2025-3-27 10:44 作者: obsession 時(shí)間: 2025-3-27 14:02 作者: 斗爭 時(shí)間: 2025-3-27 20:37
Matthias Hollick,Jens B. Schmitt,Christian Seipl,Ralf Steinmetz is not like that; the difficulties are not external to the subject. But with sex we cannot speak of a ‘subject’ and the difficulties cannot be separated from the person who has them. In that case what does overcoming them, learning or coming to terms with them amount to?作者: fluffy 時(shí)間: 2025-3-27 22:17
Ram Ch. Barik,Sitanshu S. Sahu,Subhendu P. Bhoi,Suvamoy Changder chapters to management of cardiac patients on extracorporeal membrane oxygenation, hemofiltration, hemo or peritoneal dialysis and plasma exchange. Practical guidelines for cardiovascular nursing care will be also included..978-1-4471-6841-6978-1-84882-262-7作者: 序曲 時(shí)間: 2025-3-28 02:53 作者: 故意 時(shí)間: 2025-3-28 08:47
Armel Picquenardechnologies, particularly cryptocurrencies. Later, blockchain became a widespread emerging technology, utilised in multifaceted sectors and applications. In fact, various new and innovative application of blockchain and distributed ledger technologies are still continuously being researched and expl作者: 不溶解 時(shí)間: 2025-3-28 12:33
