標(biāo)題: Titlebook: Embodying Adaptation; Character and the Bo Christina Wilkins Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive lic [打印本頁(yè)] 作者: Coenzyme 時(shí)間: 2025-3-21 17:02
書目名稱Embodying Adaptation影響因子(影響力)
書目名稱Embodying Adaptation影響因子(影響力)學(xué)科排名
書目名稱Embodying Adaptation網(wǎng)絡(luò)公開度
書目名稱Embodying Adaptation網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Embodying Adaptation被引頻次
書目名稱Embodying Adaptation被引頻次學(xué)科排名
書目名稱Embodying Adaptation年度引用
書目名稱Embodying Adaptation年度引用學(xué)科排名
書目名稱Embodying Adaptation讀者反饋
書目名稱Embodying Adaptation讀者反饋學(xué)科排名
作者: 有毛就脫毛 時(shí)間: 2025-3-21 21:54
Introduction, for the chapter structure as outlined here. It concludes by arguing that character and the body may be the most important aspect of adaptation through their ability to shape understandings of identity.作者: Interdict 時(shí)間: 2025-3-22 00:31
2634-629X rs why the element of the physical is so important in the va.This book explores the impact of the body on the mediation of character in adaptations. Specifically, it thinks about how identity is shaped by the body and how this alters meanings of adaptations. With an increasingly digital world, the i作者: Ornithologist 時(shí)間: 2025-3-22 06:01 作者: 針葉 時(shí)間: 2025-3-22 09:04 作者: adj憂郁的 時(shí)間: 2025-3-22 15:26 作者: adj憂郁的 時(shí)間: 2025-3-22 20:18
Bodily Knowledge,ay not initially be present. The chapter engages with a number of approaches to spectatorship, including Janet Staiger’s perverse spectator to consider the role of the audience in constructing the character. It concludes by stressing the role of the audience in the creation of the character—with it 作者: debacle 時(shí)間: 2025-3-23 01:01 作者: 調(diào)情 時(shí)間: 2025-3-23 01:40
Embodying Identities,e need for authenticity that comes with telling stories of marginalised identities, because otherwise it becomes a replication of the status quo, and subsuming of the nuances of these identities into the mainstream.作者: 書法 時(shí)間: 2025-3-23 07:48 作者: defile 時(shí)間: 2025-3-23 13:33
https://doi.org/10.1007/b138008nd adaptation. Finally, fidelity to the imagined ‘original’ body in literary cases is an issue raised in audience response to particular adaptations. Physicality thus becomes central in thinking about adaptation, but also reinforces the notion of fidelity as subjective.作者: 發(fā)酵 時(shí)間: 2025-3-23 15:07
https://doi.org/10.1007/978-3-7091-8940-5ay not initially be present. The chapter engages with a number of approaches to spectatorship, including Janet Staiger’s perverse spectator to consider the role of the audience in constructing the character. It concludes by stressing the role of the audience in the creation of the character—with it 作者: mendacity 時(shí)間: 2025-3-23 20:21
A. Lechner,M. Schr?dl,W. Wokurekn the adaptation. This is aided by a discussion of the role of medium in presenting character and how character is understood. This begins to think through a medium-specific approach to character, positioning it as a textual element. Crucially, it also introduces the notion of the ., an approach tha作者: debacle 時(shí)間: 2025-3-24 00:27 作者: braggadocio 時(shí)間: 2025-3-24 02:53
https://doi.org/10.1007/978-3-322-85959-4tomatic relies on culturally understood signs of difference, along with understandings of how the interior is communicated. The latter perhaps becomes performative, as with the first. This reinforces the culturally specific ways these expressions manifest, resulting in a slippery notion of character作者: esculent 時(shí)間: 2025-3-24 06:59
2634-629X s, which privileges the original. The discussion of the body, character, and adaptation asserts that the meanings the physical has in its shaping of, and by, character in adaptations reflect the way in which we position our own bodies in the world..978-3-031-08535-2978-3-031-08533-8Series ISSN 2634-629X Series E-ISSN 2634-6303 作者: 冥界三河 時(shí)間: 2025-3-24 13:07
Introduction,ore generally and the recent debates that have emerged in the field. It establishes key perspectives on the limitations of the study of adaptations so far, primarily the limited engagement with reception along with the overreliance on case studies as some have argued. The question of medium specific作者: Annotate 時(shí)間: 2025-3-24 17:37
The Acting Body,aptation and how it is received. This is explored in three different areas across the chapter: typecasting, body as adaptation, and fidelity to the body. The element of the physical body complicates our understanding of character, perhaps threatening its reduction to a type. It therefore begins to c作者: rheumatism 時(shí)間: 2025-3-24 22:27 作者: 流行 時(shí)間: 2025-3-25 01:13 作者: FRONT 時(shí)間: 2025-3-25 06:24 作者: 侵略者 時(shí)間: 2025-3-25 09:30
Shaping the Psyche,ls about these characters marked by difference. It then moves to a number of examples to explore the varying representations of the psyche, through depression and psychopathy. Finally, it ends by considering how a repeated adaptation shapes and is shaped by the psyche of an atypical character, givin作者: muffler 時(shí)間: 2025-3-25 15:19 作者: 歌唱隊(duì) 時(shí)間: 2025-3-25 17:41
https://doi.org/10.1007/b138008aptation and how it is received. This is explored in three different areas across the chapter: typecasting, body as adaptation, and fidelity to the body. The element of the physical body complicates our understanding of character, perhaps threatening its reduction to a type. It therefore begins to c作者: 箴言 時(shí)間: 2025-3-25 23:07 作者: 搖晃 時(shí)間: 2025-3-26 03:38
A. Lechner,M. Schr?dl,W. Wokurekurce in adaptations and the technical ability of the actor in performance studies. This builds previous work done by Cartmell and Whelehan. The focus is on character and how the character moulds the acting body, and how the physicality of that body impacts the text. Discussions and understandings of作者: STALE 時(shí)間: 2025-3-26 07:01
https://doi.org/10.1007/978-3-7091-8821-7ed adaptations. It evokes and further explores questions of authenticity in representation and adaptation of identities, as well as the limits of the body in representation, arguing that the adapted body emphasises the physical aspects of identity. This will be complicated by a thinking about the im作者: neolith 時(shí)間: 2025-3-26 08:35
https://doi.org/10.1007/978-3-322-85959-4ls about these characters marked by difference. It then moves to a number of examples to explore the varying representations of the psyche, through depression and psychopathy. Finally, it ends by considering how a repeated adaptation shapes and is shaped by the psyche of an atypical character, givin作者: 發(fā)酵 時(shí)間: 2025-3-26 13:11 作者: jocular 時(shí)間: 2025-3-26 18:10 作者: 修飾語(yǔ) 時(shí)間: 2025-3-26 23:11
https://doi.org/10.1007/978-3-031-08533-8adaptation; body; character; identity; hierarchy; typecasting; performance作者: inflate 時(shí)間: 2025-3-27 02:12
978-3-031-08535-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: cancer 時(shí)間: 2025-3-27 05:17
Embodying Adaptation978-3-031-08533-8Series ISSN 2634-629X Series E-ISSN 2634-6303 作者: micronized 時(shí)間: 2025-3-27 12:04
Thinking About Children Today,ociological literature they have remained relatively silent and invisible as subjects whilst also being the objects of considerable concern (for an overview, see Brannen, 1999). In recent years, this has begun to change. Researchers from a range of disciplines show an increased interest in rendering作者: PLE 時(shí)間: 2025-3-27 13:42 作者: 露天歷史劇 時(shí)間: 2025-3-27 20:22
Book 2022ecture Function Pattern Language” introduces the concepts of pattern, pattern catalogue, pattern topology, and ontology and explains how these concepts are combined to form a pattern language for planning, designing, and operating an architecture function. Next, Chapter 3 “Architecture Function – Co
