標(biāo)題: Titlebook: Embodied Philosophy in Dance; Gaga and Ohad Nahari Einav Katan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 dance philoso [打印本頁] 作者: Flippant 時間: 2025-3-21 18:40
書目名稱Embodied Philosophy in Dance影響因子(影響力)
書目名稱Embodied Philosophy in Dance影響因子(影響力)學(xué)科排名
書目名稱Embodied Philosophy in Dance網(wǎng)絡(luò)公開度
書目名稱Embodied Philosophy in Dance網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Embodied Philosophy in Dance被引頻次
書目名稱Embodied Philosophy in Dance被引頻次學(xué)科排名
書目名稱Embodied Philosophy in Dance年度引用
書目名稱Embodied Philosophy in Dance年度引用學(xué)科排名
書目名稱Embodied Philosophy in Dance讀者反饋
書目名稱Embodied Philosophy in Dance讀者反饋學(xué)科排名
作者: MAL 時間: 2025-3-21 21:50 作者: CUB 時間: 2025-3-22 00:38
Wave Propagation Across Interfaces,harin for the .. Focusing on hermeneutical questions, the chapter discusses philosophical traditions that consider the physicality of knowledge. Katan turns the description of . into a case study, exploring the relationship between dance and its theory. Accordingly, Katan offers to reexamine the rel作者: 抵押貸款 時間: 2025-3-22 07:14 作者: nitric-oxide 時間: 2025-3-22 12:16
Alexander G. Grankov,Alexander A. Milshine consideration of physical practices as platforms for intelligent performance. The chapter draws attention to the social knowledge that is embodied in physical practices. Discussing philosophical and social theories, the chapter explores the physicality of “habitus,” where accordingly, cultural wis作者: 盤旋 時間: 2025-3-22 14:04 作者: 盤旋 時間: 2025-3-22 20:12
https://doi.org/10.1007/978-981-4451-24-6ter analyzes the instruction from its experimental point of view and reveals the implicit knowledge of the dancers, who move accordingly. The chapter also explores the cognitive activities of the somatic practice and discusses their origins. It underlines the operation of the movement through somati作者: 忘恩負(fù)義的人 時間: 2025-3-22 21:56 作者: Oligarchy 時間: 2025-3-23 05:19
https://doi.org/10.1007/978-3-658-45686-3ptions in everyday life. The chapter analyzes the movement research as its own purpose, and parallels it with hermeneutical-philosophical inquiry. Katan explores the activity of instructions in Gaga, demonstrating the understanding of physical dynamics before they occur. The case study draws attenti作者: custody 時間: 2025-3-23 08:11 作者: 并排上下 時間: 2025-3-23 13:04 作者: 等級的上升 時間: 2025-3-23 14:02 作者: 使虛弱 時間: 2025-3-23 19:40 作者: 因無茶而冷淡 時間: 2025-3-24 01:17
https://doi.org/10.1007/978-1-4614-5596-7ental directions in Gaga, analyzing that dancers comprehend their approaching guidance to movement as an actual physical procedure. Discussing John Dewey and Susanne Langer’s theories of mind, the chapter explores the involvement of bodily and mental feelings as threshold phenomena. Katan propounds 作者: 不透氣 時間: 2025-3-24 04:09 作者: 晚間 時間: 2025-3-24 08:00 作者: plasma 時間: 2025-3-24 11:41 作者: penance 時間: 2025-3-24 17:09 作者: APRON 時間: 2025-3-24 19:43 作者: 帽子 時間: 2025-3-25 00:45 作者: unstable-angina 時間: 2025-3-25 05:17 作者: 防止 時間: 2025-3-25 09:22
Performance Philosophyhttp://image.papertrans.cn/e/image/308008.jpg作者: 愛花花兒憤怒 時間: 2025-3-25 14:19 作者: 無效 時間: 2025-3-25 16:19 作者: nonplus 時間: 2025-3-25 21:32
Extending Perceptionan explores the activity of instructions in Gaga, demonstrating the understanding of physical dynamics before they occur. The case study draws attention to the integration of images and imagination within perceptual processes of dancing.作者: Fecundity 時間: 2025-3-26 03:47 作者: cavity 時間: 2025-3-26 07:57
The Involvement of Psychology and Physicalitywey and Susanne Langer’s theories of mind, the chapter explores the involvement of bodily and mental feelings as threshold phenomena. Katan propounds comprehending the wholeness of perceptual experiences of movement as the mutual affect of mental and physical regulations.作者: 失敗主義者 時間: 2025-3-26 10:39 作者: AXIS 時間: 2025-3-26 13:08 作者: FECT 時間: 2025-3-26 18:08
https://doi.org/10.1007/978-3-319-45427-6f expressed meaning. The chapter stresses the two directions of embodied philosophy in dance. First, human bodies enact cognition. Second, bodily movements are materializations of knowledge that were activated in the process of their shaping.作者: Consensus 時間: 2025-3-26 23:59
Alexander G. Grankov,Alexander A. Milshindom is comprehended by individuals. The chapter concludes with the case study of Gaga, analyzing the dance practice as an intelligible research, wherein dancers question, inquire and reform their bodily knowledge.作者: 滔滔不絕的人 時間: 2025-3-27 04:02
https://doi.org/10.1007/978-1-349-01065-3movement. Analyzing the cognitive act that correlates detached representations and sensory information, the chapter puts forward the pragmatic procedure of attunement between sensory stimulus and intentionality.作者: 厚顏無恥 時間: 2025-3-27 06:18
Sima Noghanian,Abas Sabouni,Ali Ashtarild to another and apply them genuinely. The chapter puts forward the responsibility of sensory stimuli in reorganizing the current capacity of movement and in incorporating the metaphor as an innovative movement pattern.作者: 疏忽 時間: 2025-3-27 09:34 作者: squander 時間: 2025-3-27 15:47
https://doi.org/10.1007/978-1-4471-1780-3n extends the analysis, exploring the physical implications of holding a mental image concerning the ideal movement. The chapter propounds a psychological comprehension of physical tension, analyzing the case of leading two contradicting images as a mental effort that excludes physical knowledge.作者: relieve 時間: 2025-3-27 19:04
https://doi.org/10.1007/978-3-031-45147-8sources concerning the quality of attunement between intentionality and sensory information. Focusing on the case study of mental instructions in Gaga, the chapter indicates that feelings assist dancers adjusting their intentionality according to the work’s purpose.作者: 悲痛 時間: 2025-3-28 00:16 作者: 驕傲 時間: 2025-3-28 02:52 作者: mechanical 時間: 2025-3-28 06:30
Enacting Perceptionmovement. Analyzing the cognitive act that correlates detached representations and sensory information, the chapter puts forward the pragmatic procedure of attunement between sensory stimulus and intentionality.作者: 勤勞 時間: 2025-3-28 14:01
Dancing Metaphorsld to another and apply them genuinely. The chapter puts forward the responsibility of sensory stimuli in reorganizing the current capacity of movement and in incorporating the metaphor as an innovative movement pattern.作者: 預(yù)測 時間: 2025-3-28 16:30
“Connect Effort into Pleasure!”d suggests seeing mental directives in Gaga in the phenomenological light of “directing a mood” and “epoche.” Exploring the practical implication of the instruction on the experience of dancers, Katan sets up the plan of inquiries for the following chapters.作者: 羊齒 時間: 2025-3-28 20:14
The Challenge of a Perceptual Gap between Body and Mindn extends the analysis, exploring the physical implications of holding a mental image concerning the ideal movement. The chapter propounds a psychological comprehension of physical tension, analyzing the case of leading two contradicting images as a mental effort that excludes physical knowledge.作者: OWL 時間: 2025-3-29 02:20
Comprehending Emotions and Directing a Moodsources concerning the quality of attunement between intentionality and sensory information. Focusing on the case study of mental instructions in Gaga, the chapter indicates that feelings assist dancers adjusting their intentionality according to the work’s purpose.作者: 救護(hù)車 時間: 2025-3-29 06:08
Book 2016 mind, hermeneutics, pragmatism, and social theories in order to illuminate the perceptual experience of dancing. It also reveals the interconnections between physical and mental processes of reasoning and explores the nature of physical intelligence.作者: moratorium 時間: 2025-3-29 11:02
Book 2016movement research practiced by dancers of the Batsheva Dance Company. Considering the body as a means of expression, .Embodied Philosophy in Dance. deciphers forms of meaning in dance as a medium for perception and realization within the body. In doing so, the book addresses embodied philosophies of作者: etiquette 時間: 2025-3-29 14:18
2947-5589 concepts of one of contemporary dance‘s most original movemRepresenting the first comprehensive analysis of Gaga and Ohad Naharin‘s aesthetic approach, this book follows the sensual and mental emphases of the movement research practiced by dancers of the Batsheva Dance Company. Considering the body作者: Substance 時間: 2025-3-29 17:59 作者: 半身雕像 時間: 2025-3-29 22:38
https://doi.org/10.1007/978-981-4451-24-6also explores the cognitive activities of the somatic practice and discusses their origins. It underlines the operation of the movement through somatic attention and intentionality. Following the analysis of “Float!” Katan sets the plan of inquiries for the following chapters.作者: 使隔離 時間: 2025-3-30 01:52
https://doi.org/10.1007/978-3-658-45686-3an explores the activity of instructions in Gaga, demonstrating the understanding of physical dynamics before they occur. The case study draws attention to the integration of images and imagination within perceptual processes of dancing.作者: aerial 時間: 2025-3-30 04:07 作者: 提煉 時間: 2025-3-30 09:56
https://doi.org/10.1007/978-1-4614-5596-7wey and Susanne Langer’s theories of mind, the chapter explores the involvement of bodily and mental feelings as threshold phenomena. Katan propounds comprehending the wholeness of perceptual experiences of movement as the mutual affect of mental and physical regulations.作者: 顧客 時間: 2025-3-30 14:45
https://doi.org/10.1007/978-3-319-72962-6and parallels it to the hermeneutic feature of “readiness to play.” The chapter propounds seeing the direction of intentionality into somatic attention as a pragmatic procedure that enables a perceptual freedom.作者: Conjuction 時間: 2025-3-30 17:19
https://doi.org/10.1007/978-981-16-2458-2nges of the practice. Katan examines the intensified physical coordination and suggests that it increases the cognitive activity of dancers in return. This analysis sets the directive inquiries for the following chapters in “Gaga: The Physical Practice of Intelligence.”作者: Type-1-Diabetes 時間: 2025-3-30 21:53
Dance and Philosophy: Phrasing an Entranceharin for the .. Focusing on hermeneutical questions, the chapter discusses philosophical traditions that consider the physicality of knowledge. Katan turns the description of . into a case study, exploring the relationship between dance and its theory. Accordingly, Katan offers to reexamine the rel
