標(biāo)題: Titlebook: Electronic Cities; Music, Policies and Sébastien Darchen,Damien Charrieras,John Willsteed Book 2021 The Editor(s) (if applicable) and The [打印本頁] 作者: 民俗學(xué) 時(shí)間: 2025-3-21 18:56
書目名稱Electronic Cities影響因子(影響力)
書目名稱Electronic Cities影響因子(影響力)學(xué)科排名
書目名稱Electronic Cities網(wǎng)絡(luò)公開度
書目名稱Electronic Cities網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Electronic Cities被引頻次
書目名稱Electronic Cities被引頻次學(xué)科排名
書目名稱Electronic Cities年度引用
書目名稱Electronic Cities年度引用學(xué)科排名
書目名稱Electronic Cities讀者反饋
書目名稱Electronic Cities讀者反饋學(xué)科排名
作者: 侵略 時(shí)間: 2025-3-21 21:03
Introduction: Electronic Music, Policies and Space in the Contemporary City,es affecting the development of those scenes. We also consider to a lesser extent the influence of new techniques of music production on their evolution and the impact of the current global pandemic. This chapter presents the main concepts guiding throughout this volume the analysis of electronic music scenes in relation to urban context.作者: Aphorism 時(shí)間: 2025-3-22 02:31
Tehran, Iran: ‘Experimental’ Electronic Scene (2000–2020)and the wise manoeuvrings of the genre’s central figures, Tehran’s electronic scene has managed to move fluidly between the city’s public and private spheres, evoking entirely different creative listening practices compared to rock music.作者: 印第安人 時(shí)間: 2025-3-22 07:55
Rand- und Eigenwertprobleme. Anwendungen,rk Orange, electronic musical pioneers Cabaret Voltaire and the Human League appeared. These bands would establish a music lineage encompassing bands, clubs and labels through to the twenty-first century and placing Sheffield at the centre of the UK’s electronic music story.作者: CREST 時(shí)間: 2025-3-22 09:18 作者: Affluence 時(shí)間: 2025-3-22 13:44
https://doi.org/10.1007/978-3-662-64049-4f new promoter teams whose aim was to regenerate the underground scene. By examining historical moments of the scene and stories of venues, the focus is on cases of gentrification and commodification and their impacts on the local scene.作者: Affluence 時(shí)間: 2025-3-22 17:09
Grenzwerte und Stetigkeit von Funktionen,s on the Helsinki nightlife and their connections to the on-going and massive wave of urbanisation. In particular, the districts of Kallio and Vallila, formerly working-class neighbours, will be examined.作者: 舊石器 時(shí)間: 2025-3-22 21:55 作者: 共棲 時(shí)間: 2025-3-23 04:26 作者: AGGER 時(shí)間: 2025-3-23 05:44 作者: lobster 時(shí)間: 2025-3-23 11:27 作者: conflate 時(shí)間: 2025-3-23 16:00
Embodied Listening: Grassroots Governance in Electronic Dance Music Venues in Accra (Ghana)ublic policies, foreground an afrocentric discussion of the electronic music scene and community networks. Government interventions such as arts policies, building codes, and sound control policies that are relevant in the Global North are found to be potentially harmful in Ghana, as well as other similar communities in the Global South.作者: nuclear-tests 時(shí)間: 2025-3-23 18:17 作者: 變形詞 時(shí)間: 2025-3-23 22:18 作者: 正論 時(shí)間: 2025-3-24 03:55
Budapest, Hungary: Techno Scene (1988–2018)f new promoter teams whose aim was to regenerate the underground scene. By examining historical moments of the scene and stories of venues, the focus is on cases of gentrification and commodification and their impacts on the local scene.作者: CLIFF 時(shí)間: 2025-3-24 10:10 作者: 入伍儀式 時(shí)間: 2025-3-24 14:23
Book 2021eam EDM scenes and underground Electronic Dance Music Cultures. This expansive work offers additional insights on cultural and creative policies, planning interventions and regulations associated with nightlife management, and provides a detailed analysis of current challenges inherent to the governance of EDM scenes in contemporary cities.作者: 擴(kuò)音器 時(shí)間: 2025-3-24 16:36 作者: 無動(dòng)于衷 時(shí)間: 2025-3-24 18:59
Klemens Burg,Herbert Haf,Friedrich Willeesearch is based on an analysis of key documents related to planning and culture, published by public authorities and ad hoc bodies; planning applications and subsequent reports on development control decision; interview with a range of stakeholders, including local authority staff, club owners, music producers, DJs and events promoters.作者: 法官 時(shí)間: 2025-3-25 00:08
Variationsrechnung und Optimierung, by the work of Toronto’s Music Advisory Council, like its revised noise bylaw and incorporation of the Agent of Change principle, carry the potential to shape the future sustainability of Toronto’s electronic music scene(s).作者: floodgate 時(shí)間: 2025-3-25 05:08
Wahrscheinlichkeits- und Ausgleichsrechnung,l: MUTEK has grown increasingly connected to municipal planning for cultural tourism and Arbutus is connected to informal Do-It-Yourself underground music practices. Therefore, this chapter argues that MUTEK and Arbutus Records exemplify contrasting yet interlocked trends surrounding the policing of electronic music in the city.作者: Diskectomy 時(shí)間: 2025-3-25 08:30 作者: Enzyme 時(shí)間: 2025-3-25 14:36
,überblick über ebene und r?umliche Kurven, that there is a specific fit between the city and the type of electronic music which has flourished there. The authors draw on the research on electronic music, scenes and the concept of music ecologies.作者: VEIL 時(shí)間: 2025-3-25 16:02 作者: nascent 時(shí)間: 2025-3-25 20:39 作者: lymphoma 時(shí)間: 2025-3-26 00:58 作者: 腐爛 時(shí)間: 2025-3-26 06:16 作者: 抵押貸款 時(shí)間: 2025-3-26 12:32 作者: folliculitis 時(shí)間: 2025-3-26 14:18 作者: 專橫 時(shí)間: 2025-3-26 20:23
Electronic ?ód?, Poland: From Freedom Parade to Managed Entertainment that there is a specific fit between the city and the type of electronic music which has flourished there. The authors draw on the research on electronic music, scenes and the concept of music ecologies.作者: 忘川河 時(shí)間: 2025-3-27 00:48
Cluj-Napoca, Romania: Electronic Dance Music and Local Policy (2015–2020)s European Union cultural funding and heritage policies, while tapping into the transnational mobility of EDM music and the Romanians’ appetite for music genres which were banned during the communist period.作者: Control-Group 時(shí)間: 2025-3-27 02:13
nks between cultural policies and the built form mediated byThis book examines Electronic Dance Music (EDM) scenes in 18 cities across Africa, the Middle East, Europe, Asia, North America and Australia. It focuses on the historical development of these scenes, with an emphasis on the post-2000 conte作者: ELUDE 時(shí)間: 2025-3-27 07:49 作者: 混合 時(shí)間: 2025-3-27 09:33
H?here Mathematik mit Mathematicaand the wise manoeuvrings of the genre’s central figures, Tehran’s electronic scene has managed to move fluidly between the city’s public and private spheres, evoking entirely different creative listening practices compared to rock music.作者: Fsh238 時(shí)間: 2025-3-27 16:39 作者: 使腐爛 時(shí)間: 2025-3-27 20:05 作者: 人工制品 時(shí)間: 2025-3-28 00:40
On the Fence: Electronic Dance Music Cultures in Hong Kong and Shenzhene) of two clubs in Hong Kong and its neighbouring Shenzhen. These clubs offer a place for alternative electronic dance music cultures to develop. Despite some common points between the two EDM cultures, Hong Kong and Shenzhen have distinct Electro Dance Music Culture that warrants further explorations.作者: Systemic 時(shí)間: 2025-3-28 05:29
Sébastien Darchen,Damien Charrieras,John WillsteedAnalyses the influence of music city policies and planning oriented policies on the development of urban electronic music scenes.Explores links between cultural policies and the built form mediated by作者: 豐富 時(shí)間: 2025-3-28 07:19
http://image.papertrans.cn/e/image/306225.jpg作者: Glossy 時(shí)間: 2025-3-28 13:31 作者: Myocarditis 時(shí)間: 2025-3-28 15:11
Vektorrechnung in Zwei und Drei Dimensionen,k, Neu!, Deutsche Amerikanische Freundschaft (DAF), and Propaganda. A wealthy arts and fashion hub, the story of the city’s music scene is closely interwoven with that of the Kunstakadamie, thanks to the activities and cross-fertilization of significant artists such as Joseph Beuys, Sigmar Polke, an作者: CRP743 時(shí)間: 2025-3-28 22:37 作者: 谷類 時(shí)間: 2025-3-29 00:11 作者: membrane 時(shí)間: 2025-3-29 03:34
Klemens Burg,Herbert Haf,Friedrich Willeof the mainstream and the underground events and venues. It examines the ways in which public policy has recently attempted to embrace and safeguard nightlife, in the light of a high number of club closures. It analyses a case study of ., whose history illustrates the evolution of planning framework作者: 有組織 時(shí)間: 2025-3-29 07:23 作者: Conflict 時(shí)間: 2025-3-29 15:01 作者: COWER 時(shí)間: 2025-3-29 18:35
,überblick über ebene und r?umliche Kurven,ented the city and confined people of colour to areas with poor public services. For the past forty years, hip-hop DJs and producers have translated these policies and politics into aesthetic and formal characteristics of their music, reclaiming public space by reworking sonic space. This chapter lo作者: synovial-joint 時(shí)間: 2025-3-29 23:39
,überblick über ebene und r?umliche Kurven,90s to the present day, against the backdrop of ?ód?’s political and social history. The chapter pays attention to artists connected to the city, the spaces in which they performed, such as clubs and music festivals and the genres which took root in ?ód?, particularly drum and bass. It also presents作者: LEER 時(shí)間: 2025-3-30 02:24 作者: Overthrow 時(shí)間: 2025-3-30 04:31 作者: 赤字 時(shí)間: 2025-3-30 11:33 作者: 抱負(fù) 時(shí)間: 2025-3-30 13:51
,Komplexe Zahlen – Kartesische Koordinaten,nearby Bon?ida village. Since 2015, . has become known as a vehicle for local rebranding and internationalization, while . (organized since 2013) has enlisted community support for its greening and heritage preservation agendas. Quickly establishing two major festivals with prestigious international
