標(biāo)題: Titlebook: Edwardian Shaw; The Writer and his A Leon Hugo Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Limited 1999 crusades.Georg [打印本頁] 作者: Adentitious 時間: 2025-3-21 18:03
書目名稱Edwardian Shaw影響因子(影響力)
書目名稱Edwardian Shaw影響因子(影響力)學(xué)科排名
書目名稱Edwardian Shaw網(wǎng)絡(luò)公開度
書目名稱Edwardian Shaw網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Edwardian Shaw被引頻次
書目名稱Edwardian Shaw被引頻次學(xué)科排名
書目名稱Edwardian Shaw年度引用
書目名稱Edwardian Shaw年度引用學(xué)科排名
書目名稱Edwardian Shaw讀者反饋
書目名稱Edwardian Shaw讀者反饋學(xué)科排名
作者: 文件夾 時間: 2025-3-21 21:16 作者: 使堅硬 時間: 2025-3-22 00:30 作者: motor-unit 時間: 2025-3-22 06:41
Katarzyna Cha?ubińska–Jentkiewicz. Twelve volumes of the Standard Edition of the Works are there to prove it, or so they seem massively to aver. Four volumes of music criticism, which retain to this day a freshness and relevance that mark the author as quite the equal of Berlioz in the nineteenth century and a model for all those w作者: 悲觀 時間: 2025-3-22 12:42
https://doi.org/10.1007/978-981-13-0320-3on the first day of the month, for no less an authority than the Astronomer Royal had decreed this day the first of the new century and this invited stock-taking on a grand scale. . had been the mood of the 1890s, now on 1 January 1901 the mood swung away to encompass the wider fresher vistas of the作者: EXPEL 時間: 2025-3-22 12:59 作者: EXPEL 時間: 2025-3-22 18:53
https://doi.org/10.1007/978-3-658-00346-3w was dashing off at the time to this, that or the other national daily, yet we may pause on it for what it reveals of Fabian Shaw at this stage of his career. It is a convenient peg on which to hang a discussion of Shaw and the Society with which he identified himself.作者: 膽大 時間: 2025-3-23 00:02
T?ter und T?terorganisationsstruktur by the Stage Society in London or occasional performances outside London. The loyal Archer put it that ‘it remains a monstrous and almost incredible anomaly that a writer whom such a critic as Dr Georg Brandes [the noted Danish philosopher and critic] can call “the most original dramatist of the Br作者: 使激動 時間: 2025-3-23 03:48
Lord Carlile QC,Stuart Macdonaldthe nineteenth century and by the late 1880s, when Shaw began to work his way into the national dailies and weeklies, it had grown prodigiously to become a communication medium of previously unimagined range and scope. Several factors contributed to this: political interests, the development of tech作者: 分解 時間: 2025-3-23 08:45
st though they were, they gave him his . to the theatre, and without this it is likely that his impact as a playwright on Edwardian England, when opportunity presented itself at the Court Theatre, would have been considerably less emphatic than it was.作者: Pepsin 時間: 2025-3-23 09:53 作者: 從屬 時間: 2025-3-23 14:15 作者: 制度 時間: 2025-3-23 20:36
https://doi.org/10.1007/978-3-031-59386-4ofessed to be disgusted, telling Vedrenne that the production had gone to pieces. ‘An abominable, coarse, careless, play-for-laughs, third class suburban performance. Tell [the cast] so.’. . followed from 23 October. No duration of run was indicated on the playbill but it evidently ran through Novem作者: Stagger 時間: 2025-3-23 23:08
https://doi.org/10.1057/9780230109773 of Shaw’s Irish play, which reached 121 performances at the end of its run. It was followed on 27 October by ., which ran through November and well into December. Meanwhile Galsworthy’s . launched the matinee season on 25 September; it was followed by Hankin’s . on 23 October. It was a crowded and 作者: Aggrandize 時間: 2025-3-24 04:09 作者: 容易生皺紋 時間: 2025-3-24 06:38 作者: 有害 時間: 2025-3-24 11:14 作者: 創(chuàng)新 時間: 2025-3-24 18:33
Pin-Lan Li,Ai-Ping Zou,William B. Campbellte object of converting the nation to my opinions’ - of converting the nation, that is to say, to his particular immoralities and heresies. What is more, he says, he would not write plays if prevented from using them for the dissemination of his ideas.. The didactic objective could not be more baldl作者: Vital-Signs 時間: 2025-3-24 22:11 作者: 橫條 時間: 2025-3-25 02:05 作者: CLAM 時間: 2025-3-25 04:56 作者: SLUMP 時間: 2025-3-25 10:21
1903–1904: Fabian Shaww was dashing off at the time to this, that or the other national daily, yet we may pause on it for what it reveals of Fabian Shaw at this stage of his career. It is a convenient peg on which to hang a discussion of Shaw and the Society with which he identified himself.作者: Obligatory 時間: 2025-3-25 14:45 作者: jaunty 時間: 2025-3-25 19:44
Book 1999ntemporary documents and highlighting aspects of Shaw‘s career at this time, particularly his emergence as a moral revolutionary and playwright of original and disquieting power, Leon Hugo depicts a man who confronted a highly conservative world and managed by the force of his genius to stamp his personality on the age.作者: 方便 時間: 2025-3-25 23:27 作者: 手勢 時間: 2025-3-26 00:08
Introduction: G.B.S. in the 1890s. Twelve volumes of the Standard Edition of the Works are there to prove it, or so they seem massively to aver. Four volumes of music criticism, which retain to this day a freshness and relevance that mark the author as quite the equal of Berlioz in the nineteenth century and a model for all those w作者: 上流社會 時間: 2025-3-26 05:08
January–May 1901: A Natural-Born Mountebankon the first day of the month, for no less an authority than the Astronomer Royal had decreed this day the first of the new century and this invited stock-taking on a grand scale. . had been the mood of the 1890s, now on 1 January 1901 the mood swung away to encompass the wider fresher vistas of the作者: Fibroid 時間: 2025-3-26 11:27 作者: 惰性氣體 時間: 2025-3-26 13:29 作者: RENIN 時間: 2025-3-26 17:18
1903–1905: International Shaw by the Stage Society in London or occasional performances outside London. The loyal Archer put it that ‘it remains a monstrous and almost incredible anomaly that a writer whom such a critic as Dr Georg Brandes [the noted Danish philosopher and critic] can call “the most original dramatist of the Br作者: 老巫婆 時間: 2025-3-27 00:34
1901–1910: Transformationthe nineteenth century and by the late 1880s, when Shaw began to work his way into the national dailies and weeklies, it had grown prodigiously to become a communication medium of previously unimagined range and scope. Several factors contributed to this: political interests, the development of tech作者: AGONY 時間: 2025-3-27 01:39
1890–1904: Private Venture, Public Enterprisest though they were, they gave him his . to the theatre, and without this it is likely that his impact as a playwright on Edwardian England, when opportunity presented itself at the Court Theatre, would have been considerably less emphatic than it was.作者: DOSE 時間: 2025-3-27 06:35
1904–1907: The Twenty-Nine Percentershe Court. The call for new English playwrights, first sounded by Grein and continued by the Stage Society, had a meagre response in the 1890s and early 1900s. Grein’s biggest fish, the only one worth mentioning, was Shaw; the Stage Society hooked two more, Barker and St John Hankin, but Shaw, with a作者: 蝕刻 時間: 2025-3-27 10:31
1904–1905: Shavian Farragoes He wrote . in 1904, in a rush, against time, but a play on the perennial ‘Irish Question’, or as he put it, ‘on the contrast between Irish and English character’,. had been in gestation since 1900 at least. It was at this time that he first sounded W. B. Yeats on the matter. Yeats seemed to like th作者: Metastasis 時間: 2025-3-27 14:23
1905–1906: Shavian Profanitiesofessed to be disgusted, telling Vedrenne that the production had gone to pieces. ‘An abominable, coarse, careless, play-for-laughs, third class suburban performance. Tell [the cast] so.’. . followed from 23 October. No duration of run was indicated on the playbill but it evidently ran through Novem作者: GET 時間: 2025-3-27 18:33
1906–July 1907: Shavian Bad Taste of Shaw’s Irish play, which reached 121 performances at the end of its run. It was followed on 27 October by ., which ran through November and well into December. Meanwhile Galsworthy’s . launched the matinee season on 25 September; it was followed by Hankin’s . on 23 October. It was a crowded and 作者: 燈絲 時間: 2025-3-27 23:32 作者: 臭了生氣 時間: 2025-3-28 03:10
1907–1908: Storming the Citadelash in the very big pond that constituted theatrical London. Yet there had been several triumphs and Vedrenne and Barker, subduing the still small voice of caution and excited by the prospect of repeating such triumphs in the heart of the citadel, may be excused for allowing their hopes to run away 作者: 顯而易見 時間: 2025-3-28 07:54
1908–1909: Down with the Censor!tory of stage censorship since its introduction in 1737, raised the question of the Tightness or wrongness of the practice in the new century. In the next year and a half this would become quite the burning issue of the day, if not to the public at large, certainly to playwrights, theatre managers, 作者: 秘方藥 時間: 2025-3-28 10:46 作者: 干涉 時間: 2025-3-28 17:00
1910: Edwardian Shawe author of over twenty plays, most of which had been successfully produced internationally, the author as well of several critical, exegetical, polemical non-dramatic works, a leader among the Fabians whose reputation stood higher at this time than at any time before, a public speaker and debater o作者: 削減 時間: 2025-3-28 21:59 作者: 溫室 時間: 2025-3-29 00:44 作者: 技術(shù) 時間: 2025-3-29 05:36
1910: Shavian Nastinessroad terms - he was generally silent on the dynamics of the subject as applied to his work, leaving his stage representations to stand or fall on their merits. It does not follow that criticism should be equally reticent. The Shavian play as a play is a crucial consideration, no matter how stuffed w作者: Demulcent 時間: 2025-3-29 09:45 作者: 音樂戲劇 時間: 2025-3-29 14:07
https://doi.org/10.1007/978-981-13-0320-3sser contemporaries, declared firmly and unfrivolously that ‘An irresistible interest impels all but the most frivolous to look before and after as we enter on the new stage in the immeasurable process of the suns which begins to-day’.. It looked after by printing a survey of the past century, year 作者: phytochemicals 時間: 2025-3-29 16:46
Pin-Lan Li,Ai-Ping Zou,William B. Campbellroad terms - he was generally silent on the dynamics of the subject as applied to his work, leaving his stage representations to stand or fall on their merits. It does not follow that criticism should be equally reticent. The Shavian play as a play is a crucial consideration, no matter how stuffed w作者: declamation 時間: 2025-3-29 21:47 作者: motor-unit 時間: 2025-3-30 03:26 作者: Ergots 時間: 2025-3-30 06:48
Summing Up the Cyborg: Towards a Conclusion,h character’,. had been in gestation since 1900 at least. It was at this time that he first sounded W. B. Yeats on the matter. Yeats seemed to like the idea, but nothing came of these early overtures. For one thing Shaw had yet to write his Irish play, for another Yeats had yet to establish his Irish Literary Theatre.作者: 故意 時間: 2025-3-30 12:04
https://doi.org/10.1007/978-3-031-59386-4ban performance. Tell [the cast] so.’. . followed from 23 October. No duration of run was indicated on the playbill but it evidently ran through November and for the greater part of December. Shaw continued to monopolize the evening bill.作者: fatty-acids 時間: 2025-3-30 15:10
https://doi.org/10.1057/9780230109773nto December. Meanwhile Galsworthy’s . launched the matinee season on 25 September; it was followed by Hankin’s . on 23 October. It was a crowded and exciting month, in spite of the disappointment of Hankin’s .. More was to come. Shaw had completed a new play: .. It succeeded Hankin’s play on the matinee bill on 20 November.作者: acquisition 時間: 2025-3-30 19:59
Evidence of Cycles in the Housing Economy,ce of caution and excited by the prospect of repeating such triumphs in the heart of the citadel, may be excused for allowing their hopes to run away with them. A theatre in the West End proper: this would surely consolidate their reputations and their fortunes.作者: 勤勞 時間: 2025-3-30 22:38
Katherine C. Donahue,Patricia R. Hecknext year and a half this would become quite the burning issue of the day, if not to the public at large, certainly to playwrights, theatre managers, playgoers who took their excursions to the theatre seriously and, not least, those to whom censorship in whatever form denied the principle of freedom.作者: 繼而發(fā)生 時間: 2025-3-31 04:27
1904–1907: The Twenty-Nine Percenters drawerful of plays on offer, was their local standby. It was because of this dearth in modern forward-looking drama that, when the Court seasons got under way, Shaw actively solicited new plays from established writers. He mentioned Conrad, Hewlett, Wells, Chesterton and Kipling; there may have been others.作者: eucalyptus 時間: 2025-3-31 05:28
1904–1907: Price and Valueon of the shrewd and able business manager, in the person of Mr Vedrenne, with the artistic and intellectual stagemanager, in that of Mr Granville Barker, has been completely satisfactory, and demonstrates that there is money in the drama in its most serious and thought-compelling forms.作者: –FER 時間: 2025-3-31 13:01
Book 1999ntemporary documents and highlighting aspects of Shaw‘s career at this time, particularly his emergence as a moral revolutionary and playwright of original and disquieting power, Leon Hugo depicts a man who confronted a highly conservative world and managed by the force of his genius to stamp his pe作者: conservative 時間: 2025-3-31 13:55
1901–1902: Pathological Effusionsnner. As for the third Fabian imperative, ‘Organize’, he was happy to leave that to the Webbs, preferring ‘Confront’ or ‘Subvert’ to round off his personal Trinity. Everything he wrote from then on - virtually everything he had ever written - took its cue from these three entities.
