派博傳思國際中心

標(biāo)題: Titlebook: Edward Albee; Gerry McCarthy Textbook 1987Latest edition Gerry McCarthy 1987 bibliography.theatre.Virginia Woolf [打印本頁]

作者: DUCT    時間: 2025-3-21 18:53
書目名稱Edward Albee影響因子(影響力)




書目名稱Edward Albee影響因子(影響力)學(xué)科排名




書目名稱Edward Albee網(wǎng)絡(luò)公開度




書目名稱Edward Albee網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Edward Albee被引頻次




書目名稱Edward Albee被引頻次學(xué)科排名




書目名稱Edward Albee年度引用




書目名稱Edward Albee年度引用學(xué)科排名




書目名稱Edward Albee讀者反饋




書目名稱Edward Albee讀者反饋學(xué)科排名





作者: conifer    時間: 2025-3-21 23:18

作者: 冷淡周邊    時間: 2025-3-22 01:27
https://doi.org/10.1007/978-1-349-18660-0bibliography; theatre; Virginia Woolf
作者: 擴大    時間: 2025-3-22 06:44

作者: HUMID    時間: 2025-3-22 12:22
Customer Engagement in Theory and Practice of its role in society, he has sometimes been too ready to be deflected into a discussion of the ‘meaning’ of his work. The episode of . and its reception in 1964 is illuminating. Calling a press conference is no answer to the problem of obscurity in a dramatist’s latest play. If on that occasion A
作者: 方舟    時間: 2025-3-22 14:40

作者: 方舟    時間: 2025-3-22 17:22
Ziele des Customer Experience Managementsociates Richard Barr and Clinton Wilder showed unusual confidence in ensuring this, even though, equally unusually, they managed to mount the production for about half the cost of the standard straight play. It ran at the Billy Rose Theatre for two years, receiving two awards as the best play of th
作者: 乳汁    時間: 2025-3-23 00:47
https://doi.org/10.1057/978-1-349-94905-2 adaptation of Carson McCullers’s . seemed to confirm the dramatist as a specialist in the grotesque. His plays were varied in style but showed the same tendency to push the subject to the limits. ‘Sensational’ was the word most frequently used in the press to describe Albee in those years, and also
作者: LINES    時間: 2025-3-23 03:47
https://doi.org/10.1007/978-3-658-18961-7oth developed into full-length pieces, and it was ‘Death’ which was the first to be performed, in the version we now know as ., in March 1971 on Broadway. ‘Life’ was to come later: as ., performed in 1975. Despite the fact that the plays exist as separate entities and came to performance years apart
作者: 減至最低    時間: 2025-3-23 06:48
Relevanz des Themas und Struktur der Arbeit, animals’, he declared, and later described the play as a ‘true to life story’. His audience could hardly have been prepared for the play they attended in January 1975. Many of the Albee ingredients are there. There is the married couple face to face with the problems of what is reality in their liv
作者: colony    時間: 2025-3-23 11:35

作者: 乳汁    時間: 2025-3-23 16:31
http://image.papertrans.cn/e/image/302702.jpg
作者: Presbyopia    時間: 2025-3-23 20:29

作者: certain    時間: 2025-3-23 23:51
Bryan W. Hochstein,Willy Bolanderelebrate the success of Albee and the new writers of the sixties, but at the same time provided a theatrical system which did little to promote their talents. Following a favourable reception in Berlin . was rapidly produced off-Broadway at the Cricket Theatre in a double bill with Samuel Beckett’s ..
作者: flamboyant    時間: 2025-3-24 03:12

作者: 最低點    時間: 2025-3-24 10:08
Relevanz des Themas und Struktur der Arbeit,d in January 1975. Many of the Albee ingredients are there. There is the married couple face to face with the problems of what is reality in their lives, and there is the intrusion of a second couple to create the quartet for which he writes so fluently.
作者: intrude    時間: 2025-3-24 11:11
Textbook 1987Latest edition a leading dramatist of the USA. This new study explores Albee‘s remarkable dedication to the theatre, and his determination to develop a deeply personal view of contemporary experience through the public medium of drama. Gerald McCarthy describes Albee‘s experiments in dramatising his personal sens
作者: capsaicin    時間: 2025-3-24 16:32
Introduction,elebrate the success of Albee and the new writers of the sixties, but at the same time provided a theatrical system which did little to promote their talents. Following a favourable reception in Berlin . was rapidly produced off-Broadway at the Cricket Theatre in a double bill with Samuel Beckett’s ..
作者: 大方不好    時間: 2025-3-24 21:18
,‘A Delicate Balance’,me tendency to push the subject to the limits. ‘Sensational’ was the word most frequently used in the press to describe Albee in those years, and also describes how people viewed the content of his theatre. Even the obscurities of . did not prevent its theatricality from being appreciated.
作者: 惡心    時間: 2025-3-25 02:41
,’Seascape’,d in January 1975. Many of the Albee ingredients are there. There is the married couple face to face with the problems of what is reality in their lives, and there is the intrusion of a second couple to create the quartet for which he writes so fluently.
作者: 不可救藥    時間: 2025-3-25 05:56
Customer Engagement in Theory and Practicelbee seemed to be seeking a dialogue with press and public, it was in part a response to their constant discussion of meaning. Albee has said so much on the subject that his remarks need to be put in perspective.
作者: Osmosis    時間: 2025-3-25 08:21

作者: reserve    時間: 2025-3-25 14:23
Textbook 1987Latest editionn particular his brilliant and versatile use of language, and his sensitivity to theatrical style. The development of Albee‘s work and thought is traced through all the major plays for both stage and radio, with detailed discussions of Who‘s Afraid of Virginia Woolf?, A Delicate Balance, All Over, Seascape and The Lady from Dubuque.
作者: Gleason-score    時間: 2025-3-25 16:15
ntified, in particular his brilliant and versatile use of language, and his sensitivity to theatrical style. The development of Albee‘s work and thought is traced through all the major plays for both stage and radio, with detailed discussions of Who‘s Afraid of Virginia Woolf?, A Delicate Balance, All Over, Seascape and The Lady from Dubuque.
作者: 的’    時間: 2025-3-25 20:09

作者: 可卡    時間: 2025-3-26 02:33
Jutta Menninger,Nicoletta Reiteridence in his style, abundantly displayed in the two plays . (1976) and . (1975). At the same time the twenty-year-old project emphasised the continuity of some of Albee’s most expressive dramatic ideas.
作者: preservative    時間: 2025-3-26 05:53

作者: Acupressure    時間: 2025-3-26 08:29

作者: 輕率看法    時間: 2025-3-26 14:56

作者: FLIC    時間: 2025-3-26 18:52
,‘Who’s Afraid of Virginia Woolf?’,pressed by what they regarded as a sex battle in the play, likened Albee to Strindberg. The comparisons did not flatter the young playwright. His achievement in sustaining his quartet of players through an action of such length and intensity is remarkable.
作者: MAUVE    時間: 2025-3-26 23:20
Colin Shaw,Qaalfa Dibeehi,Steven Walden clarity and precision by directing myself. The direction may not be flashy but I’m not really interested in flash.’. The qualities which Albee speaks of complement his articulate style of writing. Although to many his plays are so literate they seem to offer as much to the reader as to the theatreg
作者: 遠足    時間: 2025-3-27 01:50
Ziele des Customer Experience Managementpressed by what they regarded as a sex battle in the play, likened Albee to Strindberg. The comparisons did not flatter the young playwright. His achievement in sustaining his quartet of players through an action of such length and intensity is remarkable.
作者: Flounder    時間: 2025-3-27 08:52
Introduction,rk was premiered in 1959 in Berlin, and Europe and saw the debut of the most significant American dramatist of his generation. New York was eager to celebrate the success of Albee and the new writers of the sixties, but at the same time provided a theatrical system which did little to promote their
作者: Decibel    時間: 2025-3-27 10:48

作者: 酷熱    時間: 2025-3-27 16:43
,Albee in the Theatre: ‘Tiny Alice’; ‘Box’ and ‘Quotations from Chairman Mao’; Intimate Theatre,n America, and has actively promoted new work, both his own and that of other, predominantly younger, dramatists. In more recent years he has become active as the director of his own plays. This is consistent with a shift in the position he adopts towards performance. In 1963 he felt that the ideal
作者: 離開可分裂    時間: 2025-3-27 21:15
,‘Who’s Afraid of Virginia Woolf?’,sociates Richard Barr and Clinton Wilder showed unusual confidence in ensuring this, even though, equally unusually, they managed to mount the production for about half the cost of the standard straight play. It ran at the Billy Rose Theatre for two years, receiving two awards as the best play of th
作者: 燒瓶    時間: 2025-3-27 22:15

作者: BACLE    時間: 2025-3-28 02:05
,‘All Over’,oth developed into full-length pieces, and it was ‘Death’ which was the first to be performed, in the version we now know as ., in March 1971 on Broadway. ‘Life’ was to come later: as ., performed in 1975. Despite the fact that the plays exist as separate entities and came to performance years apart
作者: Assignment    時間: 2025-3-28 08:02
,’Seascape’, animals’, he declared, and later described the play as a ‘true to life story’. His audience could hardly have been prepared for the play they attended in January 1975. Many of the Albee ingredients are there. There is the married couple face to face with the problems of what is reality in their liv
作者: Assignment    時間: 2025-3-28 13:03
,‘The Lady from Dubuque’,ation in 1960. Over the years Albee spoke of plans for incorporating a singularly ambitious effect, an enormously extended speech; but this was abandoned. So too was the title by which the project was first known: ‘The Substitute Speaker’. When the play was performed in 1980 it recalled the ‘early’
作者: FECT    時間: 2025-3-28 17:47
10樓
作者: Terminal    時間: 2025-3-28 21:47
10樓




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