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標(biāo)題: Titlebook: Editing, Performance, Texts; New Practices in Med Jacqueline Jenkins (Associate Professor of English Book 2014 Palgrave Macmillan, a divisi [打印本頁]
作者: Corrugate    時(shí)間: 2025-3-21 16:34
書目名稱Editing, Performance, Texts影響因子(影響力)




書目名稱Editing, Performance, Texts影響因子(影響力)學(xué)科排名




書目名稱Editing, Performance, Texts網(wǎng)絡(luò)公開度




書目名稱Editing, Performance, Texts網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Editing, Performance, Texts被引頻次




書目名稱Editing, Performance, Texts被引頻次學(xué)科排名




書目名稱Editing, Performance, Texts年度引用




書目名稱Editing, Performance, Texts年度引用學(xué)科排名




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書目名稱Editing, Performance, Texts讀者反饋學(xué)科排名




作者: champaign    時(shí)間: 2025-3-21 22:14
作者: PUT    時(shí)間: 2025-3-22 01:34
Playing Ghismonda for ‘fooles’ and ‘noble freinds’: Revising for Performance Between , and , including . This chapter considers the ‘Ghismonda’ play manuscripts as the work of John Newdigate III and argues that the revisions evident between the manuscripts suggest specific performance conditions and reveal something of the way amateur dramatic texts were revised and circulated in literary
作者: EXPEL    時(shí)間: 2025-3-22 08:33
作者: TOXIC    時(shí)間: 2025-3-22 11:52
(Un)Editing with (Non-)Fictional Bodies: Pope’s Daggersnts a more polished presentation copy and incorporates many of the revisions witnessed in the Arbury (and some other revisions, as well). The play itself is a five-act romantic comedy set in rural England, featuring a corrupt Justice Thrifty, his daughter and her suitor, and several other comic char
作者: FLIC    時(shí)間: 2025-3-22 15:22
作者: FLIC    時(shí)間: 2025-3-22 18:55
作者: 浮雕    時(shí)間: 2025-3-23 00:10
作者: Virtues    時(shí)間: 2025-3-23 03:33
Low-Mass Protostars and Protostellar Stagesng or imagining of performance is thus the printed playtext’s gift and challenge: through dialogue and stage directions as well as supplementary material such as commentary notes, performance histories in introductions, illustrations and photographs, active readers can gain or enhance an understandi
作者: 宣稱    時(shí)間: 2025-3-23 05:34
作者: antiandrogen    時(shí)間: 2025-3-23 10:31
Jacqueline Jenkins (Associate Professor of English
作者: Highbrow    時(shí)間: 2025-3-23 15:17
作者: TAIN    時(shí)間: 2025-3-23 21:11
作者: 2否定    時(shí)間: 2025-3-24 00:29
Laurent Lessard,Eiji Sumami,Dave S.B. Hooncapable of cleansing one’s inner self, warding off evil spirits and securing the acquisition of spiritual capital.. The eye was specially venerated as the organ through which humans ‘might ascend through comprehension of the corporeal world to perceive insubstantial beings, and finally to understand formless ideas and God himself’.
作者: Nefarious    時(shí)間: 2025-3-24 04:10
Reading Images, Drawing Texts: The Illustrated , in British Library MS Stowe 39capable of cleansing one’s inner self, warding off evil spirits and securing the acquisition of spiritual capital.. The eye was specially venerated as the organ through which humans ‘might ascend through comprehension of the corporeal world to perceive insubstantial beings, and finally to understand formless ideas and God himself’.
作者: 織布機(jī)    時(shí)間: 2025-3-24 07:02
Heat transfer in circulating fluidized beds,a chivalric exemplar for Prince Edward, her grandson.. The content and structure of the . revolve around her father, the fifth earl, whose life from birth to death it recounts, with an emphasis on events and actions that set him up as a model of pious and chivalrous behaviour.
作者: 我還要背著他    時(shí)間: 2025-3-24 13:38
作者: 繁榮地區(qū)    時(shí)間: 2025-3-24 16:33
作者: calumniate    時(shí)間: 2025-3-24 20:48
作者: sacrum    時(shí)間: 2025-3-25 02:12
作者: Flavouring    時(shí)間: 2025-3-25 05:08
W. Roggendorf,J. Cervós-Navarrould be its research into the performance practices of communities. The chapter that follows, the product of work as a . editor, offers such a perspective. Like the rest of this volume’s second section, it asks what archival work can tell us about performance. Its particular focus is economic.
作者: Saline    時(shí)間: 2025-3-25 07:29
作者: finale    時(shí)間: 2025-3-25 15:11
Tonghan Zhao,Pengfei Duan,Minghua Liuh of the chapters grapples with the relationship of editorial practice to performance, and each author acknowledges the role of contemporary editions in critical understandings of a text’s embodied histories.
作者: insolence    時(shí)間: 2025-3-25 17:44
作者: cylinder    時(shí)間: 2025-3-25 21:14
作者: 細(xì)胞    時(shí)間: 2025-3-26 00:52
Actors and Editors: A Feature of the Edition ,fessional actors. The nine editors were encouraged to share their work with project colleagues and open wider questions regarding ‘how to edit . texts’ with experienced actors. The project did not seek to define a set rubric for editing and workshopping as a team, but tested multiple ways of sharing and questioning our editorial instincts.
作者: Genistein    時(shí)間: 2025-3-26 08:21
作者: 緯線    時(shí)間: 2025-3-26 11:35
What the , Says about Medieval Playsedieval drama. The basic facts about the . have been established. It is made up of 53 line drawings with brief accompanying comments describing each drawing, all part of a standalone work of 28 leaves (British Library MS Cotton Julius E. iv, reproduced in facsimile three times).. It dates to the rei
作者: 吹氣    時(shí)間: 2025-3-26 13:03
Reading Images, Drawing Texts: The Illustrated , in British Library MS Stowe 39 ‘eeing has the extraordinary and transformative power of witnessing: to look on the beloved, to look on the grail, to see the elevation of the host, to stand face to face with God.’. Visual images were not simply signs or aesthetic objects, but, as Carolly Erikson has argued, they were believed
作者: Ferritin    時(shí)間: 2025-3-26 19:19
作者: insurrection    時(shí)間: 2025-3-27 00:04
作者: Demulcent    時(shí)間: 2025-3-27 04:06
作者: 使厭惡    時(shí)間: 2025-3-27 05:37
作者: 自負(fù)的人    時(shí)間: 2025-3-27 11:16
Playing Ghismonda for ‘fooles’ and ‘noble freinds’: Revising for Performance Between , and ,he play ever saw print, I argue that the manuscripts do show clear indications of a life in performance and revisions aimed at achieving such a life. The plays are untitled in manuscript, though I have called them . and . to differentiate the two substantially different versions of the same play. Th
作者: 領(lǐng)先    時(shí)間: 2025-3-27 13:58
Cressida’s Letter: Readings and Performances in the Shakespearean Archiveplaytexts can be linked to some kind of performance — actual or imagined, remembered or forgotten. Within this triangulated space, a reader’s engagement with a play’s performance potential will be influenced by numerous factors: the particular edition being read, and this edition’s representations o
作者: definition    時(shí)間: 2025-3-27 18:02
作者: Cervical-Spine    時(shí)間: 2025-3-28 00:55
Influencing Editors, Influencing Performers: The Page to Stage Relationshiperiments in practice-based theatre like those undertaken at Shakespeare’s Globe. The second is the availability of primary resources digitally which can help to make more complex and more transparent the job of any editor of the plays. In the Introduction to . Helen Ostovich, Holger Schott Syme and
作者: 鬼魂    時(shí)間: 2025-3-28 05:53
作者: Mucosa    時(shí)間: 2025-3-28 08:51
http://image.papertrans.cn/e/image/302283.jpg
作者: cochlea    時(shí)間: 2025-3-28 10:40
showcase cutting-edge research practices and approaches in textual editing, and in manuscript and performance studies to produce new ways of reading and working for students and scholars.978-1-349-45763-2978-1-137-32011-7
作者: 清洗    時(shí)間: 2025-3-28 15:03
作者: 字的誤用    時(shí)間: 2025-3-28 19:24
作者: exacerbate    時(shí)間: 2025-3-29 00:15
作者: colloquial    時(shí)間: 2025-3-29 06:53
作者: 厚臉皮    時(shí)間: 2025-3-29 09:56
Currents and Transport in Water minstrel, the professional entertainer and memorialist who calls for our attention before his performance begins and then draws us into the circle of a feudal host. Elsewhere, when they are found in other manuscripts containing Middle English romances, or Old French ., such voices have long been ta
作者: coagulate    時(shí)間: 2025-3-29 14:20
作者: Stress    時(shí)間: 2025-3-29 15:52
作者: 案發(fā)地點(diǎn)    時(shí)間: 2025-3-29 20:11
https://doi.org/10.1007/978-1-4020-9167-4he play ever saw print, I argue that the manuscripts do show clear indications of a life in performance and revisions aimed at achieving such a life. The plays are untitled in manuscript, though I have called them . and . to differentiate the two substantially different versions of the same play. Th
作者: 滔滔不絕地說    時(shí)間: 2025-3-30 00:38
Low-Mass Protostars and Protostellar Stagesplaytexts can be linked to some kind of performance — actual or imagined, remembered or forgotten. Within this triangulated space, a reader’s engagement with a play’s performance potential will be influenced by numerous factors: the particular edition being read, and this edition’s representations o



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