標(biāo)題: Titlebook: Edith Wharton and the Conversations of Literary Modernism; Jennifer Haytock Book 2008 Jennifer Haytock 2008 impressionism.media.Modernism. [打印本頁] 作者: 并排一起 時間: 2025-3-21 18:55
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作者: 狗窩 時間: 2025-3-21 20:47
Troubling the Subjective: The Problem of Impressionism in ,,. Gertrude Stein’s Paris salon attracted not only writers but painters such as Pablo Picasso, Henri Matisse, and Paul Cezanne. In Paris in the early twentieth century, artists of different mediums fed off each other, working with similar ideas and transferring them from one “canvas” to another. Thes作者: myocardium 時間: 2025-3-22 03:45
,“Any Change May Mean Something”: ,, Sexuality, and Single Women, landscape of literary modernism; together, the two women represent aspects of women’s lives that were foundational to modernism. Women were experiencing a new level of sexual freedom and were in greater control of their reproductive activity—yet, as both Molly and Lil demonstrate, even as women wer作者: 強(qiáng)制令 時間: 2025-3-22 04:36
,“Unmediated Bonding Between Men”: The Accumulation of Men in the Short Stories,ther the theories of Freud, Lacan, Engels, Marx, and Levi-Strauss, Rubin argues that patriarchy functions through socially created incest taboos that require family or tribal groups to exchange women for reproductive purposes and simultaneously forge bonds among those groups or, more specifically, a作者: 不足的東西 時間: 2025-3-22 09:59 作者: persistence 時間: 2025-3-22 13:23
,“The Readjustment of Personal Relations”: Marriage, Modernism, and the Alienated Self,fied whole. This illusion is especially pervasive for female characters, as men usually have other opportunities for fulfillment through their jobs and other social contact. Feminist critics have aptly demonstrated that marriage tends to be offered to women as the ultimate goal of life and selfhood.作者: persistence 時間: 2025-3-22 17:21 作者: 喪失 時間: 2025-3-22 23:08 作者: ADOPT 時間: 2025-3-23 03:48
,“Any Change May Mean Something”: ,, Sexuality, and Single Women,e seen to subvert tradition, they remained subject to the laws of the patriarchy. Early twentieth-century changes in attitudes toward women’s freedom, sexuality, and economic opportunity unsettled foundational concepts, such as masculinity, race, and civilization itself. These new ways of thinking also posed a threat to women themselves.作者: MERIT 時間: 2025-3-23 05:46 作者: CON 時間: 2025-3-23 11:41 作者: insecticide 時間: 2025-3-23 17:04 作者: Chameleon 時間: 2025-3-23 18:17
Afterword,iot’s . and James Joyce’s . (1922), and his refusal to visit Ellen Olenska speaks not only of a reverence for the past but also of an understanding that seeing her will not heal old wounds. The world has not changed as much as his son Dallas believes, and the past is still connected to the present.作者: apiary 時間: 2025-3-23 23:16
Entstehung chronischer Schmerzen,iety, the isolated self, the possibilities and limitations of language, and the nature of the artist and the artist’s role in society—it is on these last issues that she differs most from modern writers, and these differences are the source of her greater unease with the modernist movement.作者: Coronation 時間: 2025-3-24 03:55 作者: 編輯才信任 時間: 2025-3-24 07:25
https://doi.org/10.1007/978-3-658-18141-3e seen to subvert tradition, they remained subject to the laws of the patriarchy. Early twentieth-century changes in attitudes toward women’s freedom, sexuality, and economic opportunity unsettled foundational concepts, such as masculinity, race, and civilization itself. These new ways of thinking also posed a threat to women themselves.作者: 下垂 時間: 2025-3-24 12:22
Entstehung chronischer Schmerzen, we discuss literary modernism. Although usually considered a feminist realist writer, Wharton and her oeuvre do not rest comfortably in those bounds. She was a curious woman, and that curiosity produced decades of sustained creative engagement with the world around her. Literary modernism historica作者: Optic-Disk 時間: 2025-3-24 18:06 作者: HAUNT 時間: 2025-3-24 22:38
https://doi.org/10.1007/978-3-658-18141-3 landscape of literary modernism; together, the two women represent aspects of women’s lives that were foundational to modernism. Women were experiencing a new level of sexual freedom and were in greater control of their reproductive activity—yet, as both Molly and Lil demonstrate, even as women wer作者: Angiogenesis 時間: 2025-3-25 01:01 作者: 多嘴多舌 時間: 2025-3-25 04:17 作者: CODE 時間: 2025-3-25 09:55 作者: Landlocked 時間: 2025-3-25 11:42
https://doi.org/10.1007/978-3-642-74316-0land or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defence the only arms I allow myself to use—silence, exile, and cunning” (247). A few years later, in . (1920), F. Scott Fitzgerald’s alter ego Amory Blaine finds “作者: 饒舌的人 時間: 2025-3-25 16:46 作者: consolidate 時間: 2025-3-25 23:28 作者: 爵士樂 時間: 2025-3-26 00:41 作者: cushion 時間: 2025-3-26 08:06 作者: 老人病學(xué) 時間: 2025-3-26 08:49 作者: exorbitant 時間: 2025-3-26 15:46 作者: 收藏品 時間: 2025-3-26 19:11
2634-579X Overview: This study imagines modernism as a series of conversations and locates Edith Wharton s voice in those debates.978-1-349-37251-5978-0-230-61201-3Series ISSN 2634-579X Series E-ISSN 2634-5803 作者: Enthralling 時間: 2025-3-27 00:33
Edith Wharton and the Conversations of Literary Modernism作者: 勉強(qiáng) 時間: 2025-3-27 03:38
G. Gerken,K.-H. Meyer zum Büschenfeldeew forms. From Henry James to James Joyce to William Faulkner, authors found that the “impression” corresponded usefully to the psychological processes they hoped to capture in words. Ezra Pound’s editing of T. S. Eliot’s . produced a poem without transitions that required readers to fill in the gap作者: Petechiae 時間: 2025-3-27 05:54 作者: 花束 時間: 2025-3-27 09:42 作者: Colonnade 時間: 2025-3-27 16:21
https://doi.org/10.1007/978-3-642-74316-0inition, a writer such as Edith Wharton was excluded from the elite club of artists. She herself did not define an artist in this way, however, and her stridency against modernism no doubt comes in part from her anger at what she saw as an idealistic, misogynist, misanthropic, and extremely narrow d作者: 過時 時間: 2025-3-27 21:22 作者: amygdala 時間: 2025-3-27 23:32 作者: 調(diào)味品 時間: 2025-3-28 04:03 作者: Initial 時間: 2025-3-28 10:00
,Antimodernism and Looking Pretty: Wharton’s Artistic Practice,inition, a writer such as Edith Wharton was excluded from the elite club of artists. She herself did not define an artist in this way, however, and her stridency against modernism no doubt comes in part from her anger at what she saw as an idealistic, misogynist, misanthropic, and extremely narrow d作者: verdict 時間: 2025-3-28 10:42 作者: Obscure 時間: 2025-3-28 16:08
