標(biāo)題: Titlebook: Economies of Collaboration in Performance; More than the Sum of Karen Savage,Dominic Symonds Book 2018 The Editor(s) (if applicable) and Th [打印本頁(yè)] 作者: 對(duì)將來(lái)事件 時(shí)間: 2025-3-21 19:58
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作者: 從容 時(shí)間: 2025-3-21 20:53
http://image.papertrans.cn/e/image/302074.jpg作者: Vulvodynia 時(shí)間: 2025-3-22 00:59
https://doi.org/10.1007/3-540-28420-6re than the sum of the parts” and positions the book in the context of other recent literature on creative collaboration. We interrogate earlier uses of some related terms, cooperation, collectivism and communalism, laying out the groundwork for the rest of the book’s concentration on the idea of co作者: 嚴(yán)厲譴責(zé) 時(shí)間: 2025-3-22 05:57
Sieben Thesen zur Ausgangslage,tablishing what the term “economics” means to different thinkers. We rehearse some of the tenets of economic thought, before turning specifically to the work of Adam Smith, Karl Marx and John Maynard Keynes in understanding the distinction between micro- and macroeconomics. We note some of the dynam作者: tenosynovitis 時(shí)間: 2025-3-22 12:23 作者: Foment 時(shí)間: 2025-3-22 15:19 作者: Foment 時(shí)間: 2025-3-22 19:57 作者: 濃縮 時(shí)間: 2025-3-22 22:15
,Berücksichtigung von Unsicherheit,cussion of “relational aesthetics” in the field of live art in the 1990s, which sets up not only the artistic work of creation but also the emergent dynamics of reception as generative in the collaborative act. Our discussion considers the increasing use of audience participation, immersion and inte作者: 無(wú)節(jié)奏 時(shí)間: 2025-3-23 04:03 作者: 有法律效應(yīng) 時(shí)間: 2025-3-23 07:48
An Ethics of Care or an Ethics of Justice, ways in which the concept of the swarm has been discussed: the idea of “swarm intelligence” explains how birds flock together in flight, a phenomenon appropriated by computer scientists in creating gaming animations; the idea of the swarm as a metaphor picks up on the marketing phenomenon of crowdf作者: Insubordinate 時(shí)間: 2025-3-23 09:57 作者: capillaries 時(shí)間: 2025-3-23 13:59
Business Combinations im Konzernabschlussn theorist Paul Goodman and subsequently appropriated by Victor and Edith Turner. We note how the various collaborative practices explored throughout this book all rely on a spirit of goodwill and participation that is captured in the essence of .. In part, . serves as a landscape in which the invis作者: ingestion 時(shí)間: 2025-3-23 19:21
https://doi.org/10.1007/978-3-319-95210-9performance practice; performing arts; collaborative activity; keynesian theory; economy of performance作者: 哎呦 時(shí)間: 2025-3-24 00:26 作者: BOOST 時(shí)間: 2025-3-24 03:21
Biopolitics,Chapter . (Wikinomics, Cognitive Capitalism and Post-capitalism), our consideration of Hardt and Negri serves as a conclusion to the first section of our book, discussing the theoretical frameworks that surround the idea of a collaborative economy.作者: Asparagus 時(shí)間: 2025-3-24 10:04
Network,eces is in fact constructed as a narrative and a piece of art by prosumers, adding an additional layer to the collaborative economy. This enables us to explore ideas of participatory practice, a discussion which is developed throughout the following chapter.作者: 切割 時(shí)間: 2025-3-24 12:39 作者: 硬化 時(shí)間: 2025-3-24 17:21 作者: galley 時(shí)間: 2025-3-24 20:38 作者: 清楚 時(shí)間: 2025-3-24 23:48
Conclusion,ible economies of collaboration generate their excess. We conclude by interrogating the phrase “more than the sum of the parts” to suggest that there are many “mores”, that “the sum” might be reconceptualised as the activity of “summing”, and that the cumulative energies that are created flow in more than a single direction.作者: ENDOW 時(shí)間: 2025-3-25 03:28 作者: ALB 時(shí)間: 2025-3-25 10:02 作者: 稱贊 時(shí)間: 2025-3-25 15:23
https://doi.org/10.1007/978-3-322-90211-5collaboration contribute to small-scale companies, fringe venues and the Edinburgh Festival as a whole. Although we identify limitations in the effectiveness of this funding mechanism as a resource, we establish that the Festival itself is a phenomenon entirely driven by the collaborative economy.作者: 出價(jià) 時(shí)間: 2025-3-25 18:36
Introduction,of some related terms, cooperation, collectivism and communalism, laying out the groundwork for the rest of the book’s concentration on the idea of collaboration. Finally, we prepare the reader for the subsequent discussion with a brief chapter breakdown.作者: 大包裹 時(shí)間: 2025-3-25 20:23
Crowd,collaboration contribute to small-scale companies, fringe venues and the Edinburgh Festival as a whole. Although we identify limitations in the effectiveness of this funding mechanism as a resource, we establish that the Festival itself is a phenomenon entirely driven by the collaborative economy.作者: 逃避責(zé)任 時(shí)間: 2025-3-26 04:05
,Berücksichtigung von Unsicherheit,Chapter . (Wikinomics, Cognitive Capitalism and Post-capitalism), our consideration of Hardt and Negri serves as a conclusion to the first section of our book, discussing the theoretical frameworks that surround the idea of a collaborative economy.作者: 我邪惡 時(shí)間: 2025-3-26 05:16
Antworten zu den Kontrollfragen,eces is in fact constructed as a narrative and a piece of art by prosumers, adding an additional layer to the collaborative economy. This enables us to explore ideas of participatory practice, a discussion which is developed throughout the following chapter.作者: Triglyceride 時(shí)間: 2025-3-26 10:48 作者: 軟膏 時(shí)間: 2025-3-26 16:18
Darstellung und Interpretation der Befunde,e ensuing social media activity generated in Internet chat. Through a close reading of the comments, we establish how individuals engaging as both performers and audiences benefit from the “togetherness” that even these dispersed activities imply.作者: 暗指 時(shí)間: 2025-3-26 19:30 作者: flavonoids 時(shí)間: 2025-3-26 23:44 作者: llibretto 時(shí)間: 2025-3-27 02:26 作者: 蛙鳴聲 時(shí)間: 2025-3-27 06:11 作者: amputation 時(shí)間: 2025-3-27 12:58 作者: 嘲笑 時(shí)間: 2025-3-27 16:00
Economics,cs, Wikinomics, Cognitive Capitalism and Post-capitalism, observing how recent developments in technology, attitudes to information exchange and the ability to network ever more widely have caused a fundamental shift in our mindset.作者: nautical 時(shí)間: 2025-3-27 18:52
Collaboration,cesses for collaboration. We consider some of the conditions in which collaboration takes place, some of the structures which enable it to operate and some of the benefits that emerge from the collaborative process.作者: infinite 時(shí)間: 2025-3-27 22:20 作者: Synovial-Fluid 時(shí)間: 2025-3-28 05:34
articipatory encounters, collaboration, and online dialogue become key creative drivers. Written itself as a collaborative project between Karen Savage and Dominic Symonds, this is a strikingly original take on978-3-030-06993-3978-3-319-95210-9作者: 命令變成大炮 時(shí)間: 2025-3-28 10:07
Introduction,re than the sum of the parts” and positions the book in the context of other recent literature on creative collaboration. We interrogate earlier uses of some related terms, cooperation, collectivism and communalism, laying out the groundwork for the rest of the book’s concentration on the idea of co作者: 孵卵器 時(shí)間: 2025-3-28 13:41 作者: Palate 時(shí)間: 2025-3-28 16:18 作者: 向宇宙 時(shí)間: 2025-3-28 20:38 作者: 全部 時(shí)間: 2025-3-29 01:38
Network, theatre piece, . (2017), which both show the economy of Craigslist to rely on transactions between members of a network for reciprocal gain. However, both the film and the theatre piece also create a type of artwork that itself begins to mimic a wiki phenomenon. The apparently solo story of both pi作者: 貨物 時(shí)間: 2025-3-29 06:23
Audience,cussion of “relational aesthetics” in the field of live art in the 1990s, which sets up not only the artistic work of creation but also the emergent dynamics of reception as generative in the collaborative act. Our discussion considers the increasing use of audience participation, immersion and inte
