標(biāo)題: Titlebook: Ecology and Literature; Ecocentric Personifi Bryan L. Moore Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 America.Am [打印本頁] 作者: intensify 時(shí)間: 2025-3-21 17:10
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作者: 高爾夫 時(shí)間: 2025-3-21 23:24 作者: 羊欄 時(shí)間: 2025-3-22 03:17 作者: recession 時(shí)間: 2025-3-22 08:34 作者: 娘娘腔 時(shí)間: 2025-3-22 11:09
Conclusion,d but important point in the intersection of the ancient art of rhetoric and the still-new field of ecocriticism. My account is complete enough to have thrown some light on an overlooked argument-by-trope in the history of ideas and in American literature especially. It is a trope that began, in ess作者: conservative 時(shí)間: 2025-3-22 15:41 作者: conservative 時(shí)間: 2025-3-22 19:06
Anthropomorphic Subversion in American Literature,ever, Nature-in-itself” (71), she recognizes that the (anthropomorphic) “symbolic context” given to nature is the only option for those who wish to write about the natural world. Quoting Yeats’s “Sailing to Byzantium,” she notes that “even the golden bird is a ‘bodily form [taken from a] natural thing.’ No, it’s impossible to escape!” (73–74).作者: Provenance 時(shí)間: 2025-3-22 23:47
https://doi.org/10.1007/978-3-322-84291-6licitly for an eco-centric view of the world (among others, Thoreau, Leopold, Muir, Eiseley, Abbey, and Williams) but also in a great number of literary works from antiquity to the present, many of which are not typically considered ecocentric or often discussed by ecocritics.作者: 共同給與 時(shí)間: 2025-3-23 04:16
Conclusion,licitly for an eco-centric view of the world (among others, Thoreau, Leopold, Muir, Eiseley, Abbey, and Williams) but also in a great number of literary works from antiquity to the present, many of which are not typically considered ecocentric or often discussed by ecocritics.作者: 縱欲 時(shí)間: 2025-3-23 05:39
Atreyee Mondal,Nilanjan Dey,Amira S. Ashour views on nature and the means of language to apprehend it as first devised by Wordsworth, Coleridge, Emerson, Thoreau, and, of course, Charles Darwin. I am in this section predominantly concerned with the ecocentric personifications of a group of nature writers, but I do not suggest that all of their personifications are of this type.作者: echnic 時(shí)間: 2025-3-23 09:56
Ecocentric Personification in American Nature Writing, views on nature and the means of language to apprehend it as first devised by Wordsworth, Coleridge, Emerson, Thoreau, and, of course, Charles Darwin. I am in this section predominantly concerned with the ecocentric personifications of a group of nature writers, but I do not suggest that all of their personifications are of this type.作者: 高射炮 時(shí)間: 2025-3-23 16:42 作者: cloture 時(shí)間: 2025-3-23 19:22 作者: MILL 時(shí)間: 2025-3-24 00:56
https://doi.org/10.1007/978-3-662-31680-1n an essay on allegory, notes “personifications that we stigmatize as tedious and unreal” (216). In his study of anthropomorphism in religion, Stewart Guthrie writes that “personification intuitively seems self-explanatory and somewhat distasteful to modern theorists. Hence they do not address it se作者: 使熄滅 時(shí)間: 2025-3-24 05:03 作者: 裝勇敢地做 時(shí)間: 2025-3-24 06:41
Book 2008Employing a groundbreaking rhetorical and ecocritical approach, this volume advances personification/anthropomorphism as a means of representing the natural world and arguing for its worth outside of human use.作者: MOTTO 時(shí)間: 2025-3-24 13:12
https://doi.org/10.1057/9780230614659America; American Literature; Amerikanische Literatur; English literature; Middle Ages; poetry; rhetoric; W作者: 招惹 時(shí)間: 2025-3-24 16:58 作者: 圓木可阻礙 時(shí)間: 2025-3-24 22:44 作者: MELON 時(shí)間: 2025-3-24 23:53
,Die Zustandsgleichung des festen K?rpers,he Western world since antiquity, at least among Europeans, but it has largely gone unquestioned. It is a viewpoint that few people seriously ponder, nor is it an idea, for all its significance, that many major philosophers have considered directly in any detail. Before focusing on the opposition to作者: Introduction 時(shí)間: 2025-3-25 03:44
https://doi.org/10.1007/978-3-642-49739-1 “It lacks a symbolic context—excepting that provided by man,” “It has no (verbal) language,” and it “inspires a painfully limited set of responses in ‘nature writers’—.” (66–67). Even as Oates complains that the subject for the genre is “Nature as the self’s (flattering) mirror, but not ever, no, n作者: 駁船 時(shí)間: 2025-3-25 09:47
Atreyee Mondal,Nilanjan Dey,Amira S. AshourSpenser’s . and Chaos, Night, Sin, and Death in Book II of Milton’s ., to Pity, Wisdom, and the like in Gray’s “Hymn to Adversity.” Wordsworth initiated the tendency, adopted by fellow Romantics, to personify natural objects (the “dancing daffodils” in “I Wandered Lonely as a Cloud”). Most American 作者: jaunty 時(shí)間: 2025-3-25 15:21
https://doi.org/10.1007/978-3-322-84291-6d but important point in the intersection of the ancient art of rhetoric and the still-new field of ecocriticism. My account is complete enough to have thrown some light on an overlooked argument-by-trope in the history of ideas and in American literature especially. It is a trope that began, in ess作者: ectropion 時(shí)間: 2025-3-25 16:26
Overview: Employing a groundbreaking rhetorical and ecocritical approach, this volume advances personification/anthropomorphism as a means of representing the natural world and arguing for its worth outside of human use.978-0-230-61465-9作者: 十字架 時(shí)間: 2025-3-25 22:23 作者: Stress 時(shí)間: 2025-3-26 00:40
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