標題: Titlebook: Ecological Perception Research, Visual Communication, and Aesthetics; Klaus Landwehr Book 1990 Springer-Verlag Berlin Heidelberg 1990 Kogn [打印本頁] 作者: Aggrief 時間: 2025-3-21 19:58
書目名稱Ecological Perception Research, Visual Communication, and Aesthetics影響因子(影響力)
書目名稱Ecological Perception Research, Visual Communication, and Aesthetics影響因子(影響力)學(xué)科排名
書目名稱Ecological Perception Research, Visual Communication, and Aesthetics網(wǎng)絡(luò)公開度
書目名稱Ecological Perception Research, Visual Communication, and Aesthetics網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Ecological Perception Research, Visual Communication, and Aesthetics被引頻次
書目名稱Ecological Perception Research, Visual Communication, and Aesthetics被引頻次學(xué)科排名
書目名稱Ecological Perception Research, Visual Communication, and Aesthetics年度引用
書目名稱Ecological Perception Research, Visual Communication, and Aesthetics年度引用學(xué)科排名
書目名稱Ecological Perception Research, Visual Communication, and Aesthetics讀者反饋
書目名稱Ecological Perception Research, Visual Communication, and Aesthetics讀者反饋學(xué)科排名
作者: SYN 時間: 2025-3-21 23:04 作者: 愛管閑事 時間: 2025-3-22 03:49
The communicative potential of pictures: eleven theses: they serve human communication. Man cannot survive without communication. As a species, humans are anatomically unspecialized and do not possess many instinctive, unlearned, and error-free behavioral dispositions. Man is continually forced to acquire new patterns of behavior and cognition. This is作者: Resection 時間: 2025-3-22 05:54
On two distinct and quintessential kinds of pictorial representationan opportunity for an expiscation of better understanding of the ancient problem of pictorial perception. The traditions in question are those concerned with the development of pictorial representation through history, they are usually the province of the disciplines of Archeology and History of Art作者: Melodrama 時間: 2025-3-22 10:39
Meaning, presence and absence in picturesmeans they are almost invariably subordinate to intention. Because of this an object’s size or shape or colour can be anomalous in a picture, to reveal an intention rather than just to be in error. The observer uses the shape to apprehend the intention. For example, we may show an object many times 作者: TOXIN 時間: 2025-3-22 15:35
Decomposing optical stimulus information by picturesually, for a building, such plans comprise of a ground-floor plan, side-views in orthographic projection, and some sectional views for explaining technical details later to be hidden within the building. Occasionly, we also find renderings of specific views, not necessarily optically possible ones, 作者: TOXIN 時間: 2025-3-22 17:18 作者: 欲望小妹 時間: 2025-3-22 23:16
Ecological perception and aesthetics: pictures are affordance-freed another way or method of getting knowledge to the philosophical thinking of his days. Baumgarten tried to challenge the belief that knowledge is only to be achieved by the kind of reasoning which uses verbal concepts as the starting point of scientific reflections. This early definition of aesthet作者: Trypsin 時間: 2025-3-23 03:03 作者: Vasodilation 時間: 2025-3-23 06:31
Epilogue: Availability and affordances of information from information surfacesa first attempt to define the scope and direction of questions to be raised, the “tools” available, and critical items to be kept in mind. Most of the contributors agree that Gibson’s ecological approach to visual perception provides a useful basis to initiate valuable conceptual criticism of visual作者: 讓步 時間: 2025-3-23 10:22
https://doi.org/10.1007/978-3-642-91318-1ils a most viable theory of picture perception! Perceiving, for Gibson, is the coordinate tuning of “perceptual systems”, nothing less than complete, behaving organisms, to inexhaustively available, continuously transforming “stimulus information”. The perceiving of pictures or, rather, the perceivi作者: 格子架 時間: 2025-3-23 17:29
https://doi.org/10.1007/978-3-642-85583-2r ordinary perception is supposed to be mediated by the retinal picture just as the gallery-goer’s perception is mediated by the painter’s picture. But surely this has the whole thing backwards. We have to explain the perception of the world before we can begin to talk about the special kind of perc作者: 高談闊論 時間: 2025-3-23 18:53 作者: 騎師 時間: 2025-3-24 00:21 作者: 雪上輕舟飛過 時間: 2025-3-24 05:25
https://doi.org/10.1007/978-3-642-85581-8means they are almost invariably subordinate to intention. Because of this an object’s size or shape or colour can be anomalous in a picture, to reveal an intention rather than just to be in error. The observer uses the shape to apprehend the intention. For example, we may show an object many times 作者: 沉思的魚 時間: 2025-3-24 08:41 作者: glans-penis 時間: 2025-3-24 14:16
https://doi.org/10.1007/978-3-8349-6959-0 “space”. I shall suggest that an ecological perspective will reflect the reciprocal relationship of the organism and its environment more adequately than the treatment of “space” as an object or a category of perception. In order to solve our problem we shall first define some fundamental concepts 作者: 矛盾 時間: 2025-3-24 16:22 作者: 小淡水魚 時間: 2025-3-24 20:54
https://doi.org/10.1007/978-3-658-04069-7ects” — pictures, statues, buildings, etc. — if by “aesthetic” appreciation we mean the accounting for of any environment-behavior relationship in terms of “beauty”. Aesthetic appreciation in this sense can also be of our everyday environment — natural landscape or historical townscape, etc. — and i作者: 對待 時間: 2025-3-25 03:04 作者: Kernel 時間: 2025-3-25 06:17 作者: 消極詞匯 時間: 2025-3-25 10:14
https://doi.org/10.1007/978-3-322-97690-1The aim of this paper is to demonstrate “two sides of the same picture”, i.e. to make aware of the fact that the same information surface, e.g. a picture, may have functional and psychologically dysfunctional aspects in human communication.作者: FEAT 時間: 2025-3-25 15:16
Communicating design ideas: a pictorial essayThe purpose of this essay is to show the efforts which have to be taken for successful communication of the properties and characteristic features of a “product-to-be”.作者: 值得尊敬 時間: 2025-3-25 19:05
Functional versus dysfunctional aspects of information surfacesThe aim of this paper is to demonstrate “two sides of the same picture”, i.e. to make aware of the fact that the same information surface, e.g. a picture, may have functional and psychologically dysfunctional aspects in human communication.作者: 煩憂 時間: 2025-3-25 22:48
Recent Research in Psychologyhttp://image.papertrans.cn/e/image/301270.jpg作者: 性行為放縱者 時間: 2025-3-26 02:03 作者: 變異 時間: 2025-3-26 06:45 作者: 欄桿 時間: 2025-3-26 10:41
978-3-540-52200-3Springer-Verlag Berlin Heidelberg 1990作者: 終端 時間: 2025-3-26 15:15
Ecological Perception Research, Visual Communication, and Aesthetics978-3-642-84106-4Series ISSN 1431-7532 作者: 窒息 時間: 2025-3-26 20:00 作者: 避開 時間: 2025-3-26 23:07
The semiotics and aesthetics of surfaces and surface layoutsof the ecological approach, will try then to sketch an ecological semiotics with special regard to surfaces and surface layouts in the environment and will finally argue for an experimental approach to the aesthetics of surfaces and surface layouts.作者: Thyroid-Gland 時間: 2025-3-27 05:03 作者: 安裝 時間: 2025-3-27 09:02
1431-7532 provides examples from architecture, industrial design and the arts, to testify the feasibility of this application. Additional theoretical analyses, partly based on cross-cultural and clinical research, help supplement Gibson‘s basic conjecture, that picture perception is essentially based on inva作者: 紅潤 時間: 2025-3-27 11:51 作者: 持久 時間: 2025-3-27 13:52
Kontext und Gegenstand der Untersuchung,y to be achieved by the kind of reasoning which uses verbal concepts as the starting point of scientific reflections. This early definition of aesthetics is well in agreement with the current line of thinking in psychology: psychic events are conceived of in terms of information processing, i.e. making cognitive use of sensory data.作者: 耕種 時間: 2025-3-27 20:13
https://doi.org/10.1007/978-3-658-04069-7ms of “beauty”. Aesthetic appreciation in this sense can also be of our everyday environment — natural landscape or historical townscape, etc. — and it may arise during an ongoing encounter of a specific surroundings.作者: prosperity 時間: 2025-3-27 22:12 作者: 艦旗 時間: 2025-3-28 05:22 作者: concubine 時間: 2025-3-28 07:23
https://doi.org/10.1007/978-3-642-85581-8 matters of perspective. The shapes that represent a given object can be very different in differing projection systems. The observer uses the shape to apprehend the projection system, as well as the particular object. For example we may show an object with parallel lines or convergent lines, in two different projection systems.作者: 同音 時間: 2025-3-28 11:50
https://doi.org/10.1007/978-3-662-29389-8 may be considered a fair description of what actually . available. At either stage, however, the conventional architectural drawings may not be the best means for communicating the basic design idea, or the utility, of a building to its users.作者: FLAGR 時間: 2025-3-28 17:17 作者: Deject 時間: 2025-3-28 20:41 作者: Charitable 時間: 2025-3-29 02:44
Decomposing optical stimulus information by pictures may be considered a fair description of what actually . available. At either stage, however, the conventional architectural drawings may not be the best means for communicating the basic design idea, or the utility, of a building to its users.作者: 高深莫測 時間: 2025-3-29 03:20
https://doi.org/10.1007/978-3-662-36699-8lementary social interaction: gestics, mimics, body posture, and only later, spoken language. Harry Pross (1972), a German researcher in communication, proposes to designate these means to interaction as the “primary media of communication”.作者: 冷淡周邊 時間: 2025-3-29 10:26
O. Proske,H. Blumenthal,F. Ensslinties, either by deliberate design or by tacit assumption; these are usually the concern of Psychology and to a lesser extent of Anthropology. Such an examination is also likely to reveal lacunae in these data and therefore show what further work would be profitable.作者: 兩棲動物 時間: 2025-3-29 11:38 作者: chapel 時間: 2025-3-29 19:03
On two distinct and quintessential kinds of pictorial representationties, either by deliberate design or by tacit assumption; these are usually the concern of Psychology and to a lesser extent of Anthropology. Such an examination is also likely to reveal lacunae in these data and therefore show what further work would be profitable.作者: Cloudburst 時間: 2025-3-29 20:21 作者: 的染料 時間: 2025-3-30 02:50 作者: 缺乏 時間: 2025-3-30 05:01
The “aesthetic experience” as perceiving the general affordance of explorabilityms of “beauty”. Aesthetic appreciation in this sense can also be of our everyday environment — natural landscape or historical townscape, etc. — and it may arise during an ongoing encounter of a specific surroundings.作者: expound 時間: 2025-3-30 09:24
1431-7532 partly based on cross-cultural and clinical research, help supplement Gibson‘s basic conjecture, that picture perception is essentially based on invariants of optical structure, rather than interpretation.978-3-540-52200-3978-3-642-84106-4Series ISSN 1431-7532 作者: cloture 時間: 2025-3-30 14:37 作者: Chivalrous 時間: 2025-3-30 20:08
