標(biāo)題: Titlebook: Ecodocumentaries; Critical Essays Rayson K. Alex,S. Susan Deborah Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Ecocritici [打印本頁] 作者: patch-test 時(shí)間: 2025-3-21 17:20
書目名稱Ecodocumentaries影響因子(影響力)
書目名稱Ecodocumentaries影響因子(影響力)學(xué)科排名
書目名稱Ecodocumentaries網(wǎng)絡(luò)公開度
書目名稱Ecodocumentaries網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Ecodocumentaries被引頻次
書目名稱Ecodocumentaries被引頻次學(xué)科排名
書目名稱Ecodocumentaries年度引用
書目名稱Ecodocumentaries年度引用學(xué)科排名
書目名稱Ecodocumentaries讀者反饋
書目名稱Ecodocumentaries讀者反饋學(xué)科排名
作者: 墊子 時(shí)間: 2025-3-21 20:25
,’,: Cinematic Affect, Animation, and the Perceptual Dilemmas of Slow Violenceo cinema, it considers how a postcolonial Indian filmmaker uses animation to mediate socio-environmental injustices that are not spectacular but instead accumulate over long periods of time. In illuminating .’.’s dark and discordant mode of animation, I also suggest that such postcolonial cinema exp作者: 大吃大喝 時(shí)間: 2025-3-22 03:11 作者: 鋪?zhàn)?nbsp; 時(shí)間: 2025-3-22 05:13 作者: Ophthalmologist 時(shí)間: 2025-3-22 11:31
Ecological Imperialism in the Age of the Posthuman: David Fedele’s ,osby’s term “ecological imperialism.” The e-waste of the First World, sent on a regular basis to the Third World for recycling, causes an ongoing devastation in the more-than-human world. As Karen Barad observes, “questions of ethics and of justice are always already threaded through the very fabric作者: cogent 時(shí)間: 2025-3-22 14:22 作者: cogent 時(shí)間: 2025-3-22 17:54
, Modernity and Making Sense of the Crisis in Natureto clean air and water. Progress is also a word upon which ideas of nationhood and identity have been built and buttressed, wars fought and forests plundered, rivers dammed, people dispossessed and displaced, and animals and plants driven to extinction. The irony of Harold Crooks and Mathieu Roy’s d作者: DOTE 時(shí)間: 2025-3-22 23:36
What is “A” Fig?which can be told apart from all its relations, including its pollinators and other beneficiaries. The present chapter challenges this basic ontological assumption by looking closely at a sycamore fig, the protagonist of the film . (and by extension, all organisms). In fact, the chapter approaches t作者: vocation 時(shí)間: 2025-3-23 02:36 作者: 不舒服 時(shí)間: 2025-3-23 08:17 作者: 決定性 時(shí)間: 2025-3-23 10:48 作者: defuse 時(shí)間: 2025-3-23 17:18 作者: 暖昧關(guān)系 時(shí)間: 2025-3-23 18:25 作者: Freeze 時(shí)間: 2025-3-23 23:16
https://doi.org/10.1007/978-3-658-42148-9ural practices that shape and promote progressive ecological values within the interconnected realms of society and the environment. As environmental literacy educators, like in the world created by ., we have the responsibility to address and speak for concerns around food quality and security in all its guises.作者: Accomplish 時(shí)間: 2025-3-24 03:03
https://doi.org/10.1007/978-1-4419-9476-9 and the Indian musicological concepts of tonal relation. The analysis enables us to see how the tree is in fact a . itself, a community whose naturo-spiritual members (including the humans like the Masai who see the tree as their ancestor) share the being of each other in a differentiably continuous manner.作者: Lucubrate 時(shí)間: 2025-3-24 07:58 作者: perpetual 時(shí)間: 2025-3-24 11:30
https://doi.org/10.1007/978-3-7091-1374-5lant life, this discussion will highlight the damage it has caused to the landscape. It will also undertake an ethical enquiry in order to comprehend the concept of “otherness,” from the point of view of ..作者: SLAG 時(shí)間: 2025-3-24 15:26 作者: 創(chuàng)新 時(shí)間: 2025-3-24 22:18 作者: 書法 時(shí)間: 2025-3-25 02:27 作者: 滔滔不絕地說 時(shí)間: 2025-3-25 07:02 作者: 噱頭 時(shí)間: 2025-3-25 09:55 作者: optic-nerve 時(shí)間: 2025-3-25 14:48
,Zusammenfassung und Schlu?folgerungen,ands eco-film scholarship’s current preoccupations with primarily Western/Japanese animation and with its predominant focus on animation as playful. In all, the essay argues for furthering our understanding of Indian and eco-animation.作者: 秘傳 時(shí)間: 2025-3-25 19:11 作者: 偏見 時(shí)間: 2025-3-25 22:10 作者: Culpable 時(shí)間: 2025-3-26 04:02 作者: 不朽中國 時(shí)間: 2025-3-26 05:23 作者: JECT 時(shí)間: 2025-3-26 08:49
Introduction: The Ethics of Relationships in Social Documentaries,ves is the challenge they pose to the rigid hierarchies of their established counterparts. The Western acknowledgement of the ecologies of the Global South is a welcome initiative as it challenges Eurocentric hierarchies. Scott Slovic, Swarnalatha Rangarajan, and Vidya Sarveswaran, in their “Introdu作者: grudging 時(shí)間: 2025-3-26 13:48
Ecological Imperialism in the Age of the Posthuman: David Fedele’s ,iscourse in mind, and considering the inseparability of nature from culture, Africa’s peoples and non-human organic beings as well as impersonal agents (such as air, land, and marine environments) require a rethink of value, knowledge, and being in a new posthumanist venture.作者: 歸功于 時(shí)間: 2025-3-26 19:19
Wasted Humans and Garbage Animals: Deadly Transcorporeality and Documentary Activism attempt to elucidate a theory of garbage animal and theorise a genre of garbage animal documentary as a form of redemption. I particularly focus on Kunal Vohra’s documentary ., which discusses the way India’s modernisation has affected their sacred cow. Terms such as “the plastic cow” in India or “作者: 直覺沒有 時(shí)間: 2025-3-26 23:10
, Modernity and Making Sense of the Crisis in Nature cuts an arc across the common denominations of progress in different parts of the world. This chapter argues that modernity is the cornerstone upon which this particular idea of progress took shape and examines the variant themes of . as well as analysing the medium and the message of the documenta作者: encomiast 時(shí)間: 2025-3-27 02:14 作者: 鋼盔 時(shí)間: 2025-3-27 07:30
,Erfinderzeiten, Erfinderdom?nen,ves is the challenge they pose to the rigid hierarchies of their established counterparts. The Western acknowledgement of the ecologies of the Global South is a welcome initiative as it challenges Eurocentric hierarchies. Scott Slovic, Swarnalatha Rangarajan, and Vidya Sarveswaran, in their “Introdu作者: evasive 時(shí)間: 2025-3-27 11:35 作者: magnate 時(shí)間: 2025-3-27 16:32
https://doi.org/10.1007/978-3-319-00849-3 attempt to elucidate a theory of garbage animal and theorise a genre of garbage animal documentary as a form of redemption. I particularly focus on Kunal Vohra’s documentary ., which discusses the way India’s modernisation has affected their sacred cow. Terms such as “the plastic cow” in India or “作者: Albumin 時(shí)間: 2025-3-27 19:30 作者: guardianship 時(shí)間: 2025-3-28 01:47
Preparati di aloe: studi preclinici, will also explore how “kalam”―the unique ritual art of Kerala―is an example of embedded ecology which recognises the non-divisiveness between the phenomenal world and the perceiver by exploring how the documentary characterises the multiple ways in which culture enframes and reveals the complex rel作者: Obedient 時(shí)間: 2025-3-28 03:13 作者: intellect 時(shí)間: 2025-3-28 06:17
,Zusammenfassung und Schlu?folgerungen,o cinema, it considers how a postcolonial Indian filmmaker uses animation to mediate socio-environmental injustices that are not spectacular but instead accumulate over long periods of time. In illuminating .’.’s dark and discordant mode of animation, I also suggest that such postcolonial cinema exp作者: BRAVE 時(shí)間: 2025-3-28 12:44 作者: Blazon 時(shí)間: 2025-3-28 15:44
https://doi.org/10.1007/978-3-658-42148-9ry farming methods, while alternatively embracing organic and communal modes of food production. The overall trajectory of the documentary highlights the paradigm shift required in facing up to climate change, through the practical application of more sustainable organic modes of food production..En作者: 宴會 時(shí)間: 2025-3-28 22:27 作者: 表被動 時(shí)間: 2025-3-29 01:45 作者: 血友病 時(shí)間: 2025-3-29 04:43 作者: 適宜 時(shí)間: 2025-3-29 08:46 作者: antecedence 時(shí)間: 2025-3-29 14:31 作者: abstemious 時(shí)間: 2025-3-29 15:33
Preparati di aloe: studi preclinici,vathy aattu, a less-known ritual dance practised by the dalit . community in North Malabar and the human-induced destruction of Nila, the longest river in Kerala, which has engendered the rich Nila . (the Nila river culture). The chapter seeks to show how the documentary performs the advocacy functi
