標(biāo)題: Titlebook: Ecocriticism and Shakespeare; Reading Ecophobia Simon C. Estok Book 2011 Simon C. Estok 2011 environment.King Lear.William Shakespeare.Brit [打印本頁(yè)] 作者: introspective 時(shí)間: 2025-3-21 16:38
書目名稱Ecocriticism and Shakespeare影響因子(影響力)
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書目名稱Ecocriticism and Shakespeare讀者反饋學(xué)科排名
作者: 貧窮地活 時(shí)間: 2025-3-21 22:50
Dramatizing Environmental Fear: , Unpredictable Natural Spaces and Domestic Places,a to an audience very familiar with grain shortages, bad harvests, cold weather, and profound storms. It was a time of unprecedented exploration, perhaps in part owing to the poor harvests and lack of local fish,. and the world was getting smaller. The control of that world and of nature was getting作者: jagged 時(shí)間: 2025-3-22 02:34
and Ecocriticism: A Study in Confluent Theorizing,atience Caius Martius shows toward these. Critical responses to the opening scene have been varied, focusing heavily on the politics of the play’s stance toward the hungry citizens; on the mimetic correspondences between the play and the 1607 Midland revolts to enclosure of grain fields; on the meta作者: grenade 時(shí)間: 2025-3-22 04:33 作者: Communal 時(shí)間: 2025-3-22 11:38 作者: Repetitions 時(shí)間: 2025-3-22 13:05 作者: Repetitions 時(shí)間: 2025-3-22 20:21
Staging Exotica and Ecophobia,folly,” at once defining madness as female, monstrous, and polluted, while representing a composed mind as male, pure, and, oddly, passive. It is a strange inversion of metaphor, where the colonizer is female and the colonized male: “Folly… is she, who being spred and dispersed, ouer all prouinces a作者: Hla461 時(shí)間: 2025-3-22 21:12
,The Ecocritical Unconscious: Early Modern Sleep as “Go-Between”, of an insomniac mind, and, among other things, a wildly inconsistent motif, sleep in Shakespeare is bafflingly mercurial in early modern thinking, something that goes between different conceptual spaces, something that (for the maintenance of cultural stability) mediates between agonistic time cate作者: LATE 時(shí)間: 2025-3-23 03:29 作者: watertight, 時(shí)間: 2025-3-23 06:59 作者: 逗它小傻瓜 時(shí)間: 2025-3-23 10:31
2946-3157 es that this vocabulary is both necessary to the developing area of ecocritical studies and for our understandings of the representations of ‘Nature‘ in Shakespeare.978-1-137-44689-3978-0-230-11874-4Series ISSN 2946-3157 Series E-ISSN 2946-3165 作者: macabre 時(shí)間: 2025-3-23 13:51
Frank H. Mader,Herbert Wei?gerbereans of the usefulness of ecocriticism . to convince eco-critics that the growth and development of ecocriticism itself stands to gain substantially from readings of Shakespeare; and that applying ecocriticism to Shakespeare is very different from doing thematic nature criticism.作者: –FER 時(shí)間: 2025-3-23 21:20
Sonstige Beschwerden und Erkrankungencterized so much of the critical work on Shakespeare’s representations of nature. Ecocriticism helps both to make sense of the startling fear of environmental unpredictability the play presents and to contextualize this ecophobia.作者: OFF 時(shí)間: 2025-3-24 01:54 作者: 發(fā)源 時(shí)間: 2025-3-24 03:47
https://doi.org/10.1007/978-3-030-37258-3e changing in the way we relate with the natural world. Things only seem to be getting worse. Why this is so has to do with how we understand our most cherished ideals. names. It also allows us to define more fully the goals, methodologies, and terms of ecocriticism.作者: Felicitous 時(shí)間: 2025-3-24 10:27 作者: Triglyceride 時(shí)間: 2025-3-24 13:16
Dramatizing Environmental Fear: , Unpredictable Natural Spaces and Domestic Places,cterized so much of the critical work on Shakespeare’s representations of nature. Ecocriticism helps both to make sense of the startling fear of environmental unpredictability the play presents and to contextualize this ecophobia.作者: 聾子 時(shí)間: 2025-3-24 18:34 作者: 解脫 時(shí)間: 2025-3-24 21:09 作者: DEAWL 時(shí)間: 2025-3-25 00:02
,The Ecocritical Unconscious: Early Modern Sleep as “Go-Between”,gories (night/morning), themselves ideologically fascinating. Sleep, a go-between, a mediator of the very categories of “the human” and all that lies beyond, is one of the great unattended driving forces in the mapping of early modern culture—and it is an ecocritical issue acutely present in Shakespeare.作者: 畏縮 時(shí)間: 2025-3-25 04:36
Sonstige Beschwerden und Erkrankungenn little in the way of an ecocritical reading of the play’s opening crisis and the subsequent crises to which it leads. This is surprising first because the confluence between matters of sexuality and environment are startling in this play and second because Coriolanus’s isolation is deeply bound up with ecophobic issues.作者: Orgasm 時(shí)間: 2025-3-25 07:31
and Ecocriticism: A Study in Confluent Theorizing,n little in the way of an ecocritical reading of the play’s opening crisis and the subsequent crises to which it leads. This is surprising first because the confluence between matters of sexuality and environment are startling in this play and second because Coriolanus’s isolation is deeply bound up with ecophobic issues.作者: 混合,攙雜 時(shí)間: 2025-3-25 13:34 作者: SPASM 時(shí)間: 2025-3-25 16:46 作者: Hemiparesis 時(shí)間: 2025-3-25 20:57
Sonstige Beschwerden und Erkrankungena to an audience very familiar with grain shortages, bad harvests, cold weather, and profound storms. It was a time of unprecedented exploration, perhaps in part owing to the poor harvests and lack of local fish,. and the world was getting smaller. The control of that world and of nature was getting作者: 濃縮 時(shí)間: 2025-3-26 00:50 作者: 高興去去 時(shí)間: 2025-3-26 07:16
Frank H. Mader,Herbert Wei?gerberriod, I asked the speaker—Andrew Battista—in exasperation, “well, if you’re . here because you want to . things, then why . you here?” His immediate reply seemed to astonish everyone in the room: “I’m . ‘cause I want a job. I do ecocriticism because there’s a . for it.” It had long been a fear of mi作者: 按等級(jí) 時(shí)間: 2025-3-26 10:00
Frank H. Mader,Frank Wei?gerbereaks recurs along several different—sometimes intersecting, sometimes confluent—axes in plays such as . and . The plays’ obsession with monsters jiggles orders, hierarchies, values, rules, and forms defining nature. These definitional axes of nature (the product of long cultural struggles), while ne作者: 粗魯性質(zhì) 時(shí)間: 2025-3-26 15:53
Grundlagen der Allgemeinmedizin–73). Claiming that the British (the whites, in other words) “never sit down with such foul hands and faces” (1.1.75–76) as the blacks of Fez, Clem rehearses a familiar text, where the polluting person, and his or her physical space, is unacceptable, disgusting. Indeed, as Mary Douglas has argued in作者: SENT 時(shí)間: 2025-3-26 18:56 作者: panorama 時(shí)間: 2025-3-27 00:13
https://doi.org/10.1057/9780230505780 of an insomniac mind, and, among other things, a wildly inconsistent motif, sleep in Shakespeare is bafflingly mercurial in early modern thinking, something that goes between different conceptual spaces, something that (for the maintenance of cultural stability) mediates between agonistic time cate作者: 柱廊 時(shí)間: 2025-3-27 04:50 作者: defray 時(shí)間: 2025-3-27 08:17 作者: 顯微鏡 時(shí)間: 2025-3-27 10:00
Book 2011This book offers the term ‘ecophobia‘ as a way of understanding and organizing representations of contempt for the natural world. Estok argues that this vocabulary is both necessary to the developing area of ecocritical studies and for our understandings of the representations of ‘Nature‘ in Shakespeare.作者: 不在灌木叢中 時(shí)間: 2025-3-27 15:30 作者: AV-node 時(shí)間: 2025-3-27 20:28 作者: 有毛就脫毛 時(shí)間: 2025-3-28 00:08
Frank H. Mader,Frank Wei?gerbersychological, and racial) among people, nature—imagined as devoid of sufficient agency to discipline itself, to deal with the monstrous transgressions it has itself spawned— must be (and invariably is) disciplined. This chapter discusses in detail the types of disciplinary reaction—the types of ecop作者: spinal-stenosis 時(shí)間: 2025-3-28 03:56
Grundlagen der Allgemeinmedizint culture from one’s own behavioural codes, and it is precisely at the points of perceived difference that the individual is conditioned, as a founding principle of personal and group identity, to experience disgust” (“Filthy” 61).. Disgust, then, designates difference, but the patterning of disgust作者: 冥界三河 時(shí)間: 2025-3-28 09:50
https://doi.org/10.1007/978-3-319-49619-1n as the normative ideal for the body of the Other; yet theorizing this corporeal diffraction does not address the ways in which discourses of less-apparent corporeal significance (specifically discourses of madness) spatialize, transcode, and commodify bodies. The transcodings between the Other and作者: Mindfulness 時(shí)間: 2025-3-28 10:59 作者: 許可 時(shí)間: 2025-3-28 16:07
Disgust, Metaphor, Women: Ecophobic Confluences,t culture from one’s own behavioural codes, and it is precisely at the points of perceived difference that the individual is conditioned, as a founding principle of personal and group identity, to experience disgust” (“Filthy” 61).. Disgust, then, designates difference, but the patterning of disgust作者: 泄露 時(shí)間: 2025-3-28 22:02
Staging Exotica and Ecophobia,n as the normative ideal for the body of the Other; yet theorizing this corporeal diffraction does not address the ways in which discourses of less-apparent corporeal significance (specifically discourses of madness) spatialize, transcode, and commodify bodies. The transcodings between the Other and作者: 1分開(kāi) 時(shí)間: 2025-3-29 01:07
10樓作者: 催眠 時(shí)間: 2025-3-29 05:19
10樓
