標(biāo)題: Titlebook: Echo and Meaning on Early Modern English Stages; Susan L. Anderson Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 sound st [打印本頁] 作者: 誤解 時(shí)間: 2025-3-21 16:03
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作者: Charade 時(shí)間: 2025-3-21 22:31 作者: Anemia 時(shí)間: 2025-3-22 03:41 作者: 不愛防注射 時(shí)間: 2025-3-22 05:32 作者: 哀悼 時(shí)間: 2025-3-22 10:18 作者: 不能妥協(xié) 時(shí)間: 2025-3-22 15:31
An Overview of Polymer Processing Modelling,tive physical movement. In both music and dance, successful performance includes both variation and repetition. Anderson argues that both dance and song are the means for the masque genre’s focus on mingling fictional and social personae.作者: 不能妥協(xié) 時(shí)間: 2025-3-22 20:12
Robert Finn,Abderrahim Ouazzi,Stefan Turekpoetic, literary and family precedent. Anderson argues that echo provides the opportunity for a specifically feminised intervention in masculinist literary genealogies, and that Echo is, simultaneously, a woman speaking and a woman silenced, and can stand in for both.作者: Allege 時(shí)間: 2025-3-22 22:40 作者: 他日關(guān)稅重重 時(shí)間: 2025-3-23 04:19 作者: 終點(diǎn) 時(shí)間: 2025-3-23 07:11
Sound and Precedent in Elizabethan Progress Entertainments,a musical device at Elvetham. This chapter explores the ways sounds, musical ensembles and musical genres heard at prior events are revisited, revised and re-heard in different locations and contexts, developing an acoustics of courtly entertainments in which the signs of musical sophistication are also political assertions.作者: 使成波狀 時(shí)間: 2025-3-23 09:46 作者: 不可比擬 時(shí)間: 2025-3-23 15:51
Conclusion: Disenchanted Echoes in , and ,,poetic, literary and family precedent. Anderson argues that echo provides the opportunity for a specifically feminised intervention in masculinist literary genealogies, and that Echo is, simultaneously, a woman speaking and a woman silenced, and can stand in for both.作者: induct 時(shí)間: 2025-3-23 19:45
2946-5133 eractions between sound, meaning, and historical context.Inc.This book examines the trope of echo in early modern literature and drama, exploring the musical, sonic, and verbal effects generated by forms of repetition on stage and in print. Focusing on examples where Echo herself appears as a charac作者: pacific 時(shí)間: 2025-3-24 01:24 作者: Ganglion 時(shí)間: 2025-3-24 02:40 作者: Ankylo- 時(shí)間: 2025-3-24 07:46
978-3-319-88522-3The Editor(s) (if applicable) and The Author(s) 2018作者: 食物 時(shí)間: 2025-3-24 13:41
Echo and Meaning on Early Modern English Stages978-3-319-67970-9Series ISSN 2946-5133 Series E-ISSN 2946-5141 作者: canvass 時(shí)間: 2025-3-24 15:09
J. D. Lock,I. McLeod,G. J. Smithent levels of echoic meaning, including musical repetitions, verbal alterations, intertextual references and textual revisions. This chapter draws attention to variations between early modern translations of Ovid’s version of Echo’s origin myth and within different editions of Golding’s translation 作者: 索賠 時(shí)間: 2025-3-24 19:22 作者: paleolithic 時(shí)間: 2025-3-25 00:26 作者: opportune 時(shí)間: 2025-3-25 06:29
An Overview of Polymer Processing Modelling,ho as amplification to represent union. This chapter then examines several of Ben Jonson’s masques, including the . (1605) and of . (1608)? which include echo effects in Ferrabosco’s song settings. This chapter reads the masque as a dance genre, and one in which music is indivisibly linked to repeti作者: 我不重要 時(shí)間: 2025-3-25 11:09 作者: 簡(jiǎn)潔 時(shí)間: 2025-3-25 12:26
Susan L. AndersonAnalyzes music’s importance in theatrical performance.Synthesizes the approaches of music studies and sound studies.Examines the complex interactions between sound, meaning, and historical context.Inc作者: Anthrp 時(shí)間: 2025-3-25 16:17 作者: AMBI 時(shí)間: 2025-3-25 22:00 作者: diathermy 時(shí)間: 2025-3-26 01:07 作者: 討厭 時(shí)間: 2025-3-26 05:16 作者: adequate-intake 時(shí)間: 2025-3-26 12:30
Echo, Dance and Song in Jacobean Masques,ho as amplification to represent union. This chapter then examines several of Ben Jonson’s masques, including the . (1605) and of . (1608)? which include echo effects in Ferrabosco’s song settings. This chapter reads the masque as a dance genre, and one in which music is indivisibly linked to repeti作者: Culpable 時(shí)間: 2025-3-26 15:02 作者: Accolade 時(shí)間: 2025-3-26 16:46
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