標(biāo)題: Titlebook: East German Cinema; DEFA and Film Histor Sebastian Heiduschke Book 2013 Sebastian Heiduschke 2013 Berlin.cinema.Europe.fascism.film.film hi [打印本頁(yè)] 作者: INEPT 時(shí)間: 2025-3-21 16:06
書(shū)目名稱East German Cinema影響因子(影響力)
書(shū)目名稱East German Cinema影響因子(影響力)學(xué)科排名
書(shū)目名稱East German Cinema網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱East German Cinema網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱East German Cinema被引頻次
書(shū)目名稱East German Cinema被引頻次學(xué)科排名
書(shū)目名稱East German Cinema年度引用
書(shū)目名稱East German Cinema年度引用學(xué)科排名
書(shū)目名稱East German Cinema讀者反饋
書(shū)目名稱East German Cinema讀者反饋學(xué)科排名
作者: 偽證 時(shí)間: 2025-3-21 23:29
Renegade Films, Defa Musicals, and the Genre Cinema: , (,, Joachim Hasler, 1968)t German music charts and their singers as lead actors, and the presentation of East Germany as visually appealing homeland all contributed to the success that made . a cult film and a timeless classic of East German cinema.作者: RODE 時(shí)間: 2025-3-22 03:59 作者: enchant 時(shí)間: 2025-3-22 08:02
https://doi.org/10.1007/978-3-031-57377-4t German music charts and their singers as lead actors, and the presentation of East Germany as visually appealing homeland all contributed to the success that made . a cult film and a timeless classic of East German cinema.作者: cortex 時(shí)間: 2025-3-22 10:09 作者: 雪崩 時(shí)間: 2025-3-22 16:08
Reports again — customizing printed outputm of scientists on an expedition to planet Venus. Studying . from a variety of angles, as we will see, reveals a fascinating glimpse into East German filmmaking at the end of the 1950s. . also set a number of records: DEFA’s first science fiction film, its first genre film, and the “most expensive DEFA film ever made.”作者: 雪崩 時(shí)間: 2025-3-22 17:37 作者: 半球 時(shí)間: 2025-3-22 23:50
James H. McElhaney,Barry S. Myersce large quantities of antifascist tales, but they crafted internationally esteemed and highly awarded films such as ., Frank Beyer, 1974), a motion picture that won prizes at the prestigious Berlin film festival Berlinale and received a nomination for the Best Foreign Language Film at the 1977 Academy Awards.作者: grounded 時(shí)間: 2025-3-23 04:33 作者: 單調(diào)女 時(shí)間: 2025-3-23 07:04
Is Greed Truly that Good? , Versus , way, the film works both as Kahane reckoning with an East Germany that suffocates its citizens and as an appropriate conclusion to a DEFA cinema that started in rubble and now ends in symbolic rubble..作者: 顛簸下上 時(shí)間: 2025-3-23 10:31
The Rubble Film, Wolfgang Staudte, and Postwar German Cinema: , (,, Wolfgang Staudte, 1946)al Film Festival to moviegoers of the 2006 retrospective of DEFA cinema at the New York Museum of Modern Art. Many factors contributed to making this story set in postwar Berlin not only a milestone of DEFA but also of German cinema.作者: 防御 時(shí)間: 2025-3-23 17:15
The Birth of DEFA Genre Cinema, East German Sci-fi Films, New Technologies, and Coproduction with Eam of scientists on an expedition to planet Venus. Studying . from a variety of angles, as we will see, reveals a fascinating glimpse into East German filmmaking at the end of the 1950s. . also set a number of records: DEFA’s first science fiction film, its first genre film, and the “most expensive DEFA film ever made.”作者: 舔食 時(shí)間: 2025-3-23 20:57
Gender, Class, and Sexuality: Ending Taboos in , (,, Heiner Carow, 1973)te’s infiltration of the private sphere, the persistent challenge of hypocritical behavior in socialism, and the depiction of sex on-screen ensured a winning combination with the public. Structured around dichotomies, . presented a love story that suggested East Germany’s ambivalence toward gender and class.作者: 阻撓 時(shí)間: 2025-3-24 01:53 作者: Laconic 時(shí)間: 2025-3-24 02:21 作者: 使服水土 時(shí)間: 2025-3-24 07:43
Passed by History: Dystopia, Parable, and Bookend: , (,, Peter Kahane, 1990) way, the film works both as Kahane reckoning with an East Germany that suffocates its citizens and as an appropriate conclusion to a DEFA cinema that started in rubble and now ends in symbolic rubble..作者: Hyperplasia 時(shí)間: 2025-3-24 12:28 作者: nauseate 時(shí)間: 2025-3-24 18:42
Introductionvering virtually all periods and genres, from the silent film of the expressionist era to the films of the Berlin School. I introduced Westerns, comedies, dramas, documentaries, newsreels, animated pieces, short films, mainstream, and independent productions—you name it. I taught masterpieces and ob作者: 積極詞匯 時(shí)間: 2025-3-24 19:02
East German Cinema as State Institutionegins in 1946, before East Germany even existed, and ends in 1992, two years after East Germany’s demise. To be more precise, these dates mark the beginning and end of the film company Deutsche Filmaktiengesellschaft (DEFA). This DEFA, however, has become the countenance of East German “national cin作者: 有組織 時(shí)間: 2025-3-25 00:21 作者: 寬敞 時(shí)間: 2025-3-25 06:46 作者: 發(fā)出眩目光芒 時(shí)間: 2025-3-25 08:08 作者: 易達(dá)到 時(shí)間: 2025-3-25 13:47 作者: 使迷醉 時(shí)間: 2025-3-25 18:55
The ,, West Berlin as Hostile Other, and East Germany as Homeland: The Rebel Film , (,, Gerhard Kleipolitics and film in East Germany already existed. Technically, the Soviet Union still owned part of DEFA, and during Stalin’s rule, the SED ensured that DEFA films complied with the ideology predetermined by the “big brother” in the east.. Many of the productions in the late 1940s and early 1950s t作者: Ischemic-Stroke 時(shí)間: 2025-3-25 23:57 作者: OATH 時(shí)間: 2025-3-26 02:50
Film Censorship, the East German ,, and the “Rabbit Films”: , (,, Kurt Maetzig, 1965)in an interview.. And yet, unlike in previous cases of films banned in East Germany, it was not primarily the plot of his film ., 1965) that caused the ban, but a change in the social mood.. This change resulted in an eradication . of almost the entire DEFA feature film production of 1965 and turned作者: SPASM 時(shí)間: 2025-3-26 04:45
Renegade Films, Defa Musicals, and the Genre Cinema: , (,, Joachim Hasler, 1968)into East German cinemas on June 21, 1968, and attracted over two million spectators, almost the Hollywood musical’s film attendance, which drew close to 2.25 million viewers.’ Convenient screening locations, a storyline teenagers and young adults could identify with, contemporary tunes from the Eas作者: 粗糙 時(shí)間: 2025-3-26 11:52
More Genre Cinema, the “Red Western,” and Stardom in East Germany: , (,, Gottfried Kolditz, 1973)admission that the film was unexpectedly enjoyable and entertaining. The fashion in which DEFA took up the Western, a film genre that “had grown [ … ] to a sophisticated formula in which American history and ideology—and the Western genre itself—could be reflected upon and examined in detail,” also 作者: SPER 時(shí)間: 2025-3-26 15:56 作者: Decongestant 時(shí)間: 2025-3-26 17:01 作者: oncologist 時(shí)間: 2025-3-26 21:18
The Women’s Film, Konrad Wolf, and Defa After the “Biermann Affair”: , (Konrad Wolf, 1980)ctive—but, surprisingly, a scandal about it never materialized because of the film’s sudden popularity abroad. When the jury of West Berlin’s international film festival, Berlinale, nominated the DEFA submission for best picture and awarded the Silver Bear (the prize for the best actress) to Renate 作者: 生氣地 時(shí)間: 2025-3-27 03:11 作者: GOAD 時(shí)間: 2025-3-27 05:28 作者: Servile 時(shí)間: 2025-3-27 13:00 作者: AORTA 時(shí)間: 2025-3-27 15:36 作者: colloquial 時(shí)間: 2025-3-27 19:38
Book 2013East Germany‘s film monopoly, Deutsche Film-Aktiengesellschaft, produced a films ranging beyond simple propaganda to westerns, musicals, and children‘s films, among others. This book equips scholars with the historical background to understand East German cinema and guides the readers through the DEFA archive via examinations of twelve films.作者: Recessive 時(shí)間: 2025-3-28 01:56 作者: uncertain 時(shí)間: 2025-3-28 02:14
978-1-137-32231-9Sebastian Heiduschke 2013作者: 職業(yè)拳擊手 時(shí)間: 2025-3-28 08:30
John Thompson,Andreas von Zadowvering virtually all periods and genres, from the silent film of the expressionist era to the films of the Berlin School. I introduced Westerns, comedies, dramas, documentaries, newsreels, animated pieces, short films, mainstream, and independent productions—you name it. I taught masterpieces and ob作者: Fibrillation 時(shí)間: 2025-3-28 13:19 作者: 植物學(xué) 時(shí)間: 2025-3-28 18:32 作者: flex336 時(shí)間: 2025-3-28 21:30
Conference proceedings‘‘‘‘‘‘‘‘ 2022film studio for 130 million German marks; renamed it Studio Babelsberg; hired Volker Schl?ndorff, a renowned (West) German filmmaker as CEO; and began dividing the studio premises.’ The trademark DEFA was dropped from the German trade register in 1994 when nobody claimed it. Further, without any org作者: 謙虛的人 時(shí)間: 2025-3-29 00:04 作者: 我要威脅 時(shí)間: 2025-3-29 05:08 作者: defeatist 時(shí)間: 2025-3-29 08:36 作者: 精美食品 時(shí)間: 2025-3-29 13:55
Reports again — customizing printed output level. The communist world, led by the Soviet Union, had landed a psychological victory, something it would repeat when cosmonaut Yuri Gagarin became the first human in space on April 12, 1961. The moon landing and the first steps taken on the moon by the US astronaut Neil Armstrong on July 20, 196作者: indoctrinate 時(shí)間: 2025-3-29 17:40 作者: 使更活躍 時(shí)間: 2025-3-29 21:05
https://doi.org/10.1007/978-3-031-57377-4into East German cinemas on June 21, 1968, and attracted over two million spectators, almost the Hollywood musical’s film attendance, which drew close to 2.25 million viewers.’ Convenient screening locations, a storyline teenagers and young adults could identify with, contemporary tunes from the Eas作者: Employee 時(shí)間: 2025-3-30 02:53
Béatrice Davenne,Frédérique Bretonadmission that the film was unexpectedly enjoyable and entertaining. The fashion in which DEFA took up the Western, a film genre that “had grown [ … ] to a sophisticated formula in which American history and ideology—and the Western genre itself—could be reflected upon and examined in detail,” also 作者: airborne 時(shí)間: 2025-3-30 07:53
Instrumentation in Experimental Design,uld be welcome. Prior this change, a film such as Heiner Carow’s ., which vehemently criticized East German contemporary society, likely would not have made it past the censors; however, the eradication of taboos allowed it be released in 1973. Its plot—and at times visually confusing love story abo作者: JOG 時(shí)間: 2025-3-30 09:06
James H. McElhaney,Barry S. Myerst narratives motivated the arts from the beginning and during the entire time of East Germany’s existence. Hence, a large segment of socialist literature and film contained stories of persecution—and also of heroic resistance in the light of death looming for opponents of the Nazi state. Because of 作者: DEFER 時(shí)間: 2025-3-30 13:44
Lumbar Spine Injury Biomechanics,ctive—but, surprisingly, a scandal about it never materialized because of the film’s sudden popularity abroad. When the jury of West Berlin’s international film festival, Berlinale, nominated the DEFA submission for best picture and awarded the Silver Bear (the prize for the best actress) to Renate 作者: LUCY 時(shí)間: 2025-3-30 17:52
Is Greed Truly that Good? , Versus ,siting a historical period in time. However, Kahane’s movie looks back merely a couple of years to East Germany in the late 1980s, yet it portrays a country that gives the impression of being stuck in the past, unable to offer opportunities for young generations, and not having developed much for de作者: 碌碌之人 時(shí)間: 2025-3-30 23:29 作者: Musket 時(shí)間: 2025-3-31 02:47 作者: 哥哥噴涌而出 時(shí)間: 2025-3-31 05:59 作者: 流利圓滑 時(shí)間: 2025-3-31 12:34
A Cultural Legacy: DEFA’s Afterlifelywood productions to films they associated with their East German past. DEFA cinema disappeared from the public realm in post-unification Germany with the exception of the occasional late-night television broadcast or as a film retrospective. Hardly anyone seemed to miss DEFA films.作者: 借喻 時(shí)間: 2025-3-31 16:28
