標題: Titlebook: East Asian Film Stars; Leung Wing-Fai,Andy Willis Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014 cinema.eco [打印本頁] 作者: Inoculare 時間: 2025-3-21 19:35
書目名稱East Asian Film Stars影響因子(影響力)
書目名稱East Asian Film Stars影響因子(影響力)學(xué)科排名
書目名稱East Asian Film Stars網(wǎng)絡(luò)公開度
書目名稱East Asian Film Stars網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱East Asian Film Stars被引頻次
書目名稱East Asian Film Stars被引頻次學(xué)科排名
書目名稱East Asian Film Stars年度引用
書目名稱East Asian Film Stars年度引用學(xué)科排名
書目名稱East Asian Film Stars讀者反饋
書目名稱East Asian Film Stars讀者反饋學(xué)科排名
作者: AV-node 時間: 2025-3-21 23:23 作者: 正常 時間: 2025-3-22 01:21
https://doi.org/10.1007/978-3-8349-9790-6ty and flexible charisma, natural physical attributes and willingness to take risks, actor and auteur partnerships, image circulation and casting as iconic figures have contributed to his currency across national borders.作者: Ruptured-Disk 時間: 2025-3-22 06:47 作者: itinerary 時間: 2025-3-22 12:46
Maggie Cheung, ‘une Chinoise’: Acting and Agency in the Realm of Transnational Stardomwn and is replaced by Murano, an out-of-work film-maker on welfare benefits, who takes a more nationalist view. For Murano, the casting of a Chinese actress in a French role seemed unthinkable, asserting that ‘Irma Vep is working class Paris [.]. . is not Fu Manchu.’作者: PLAYS 時間: 2025-3-22 16:33
Maria Eleonora Karsten,Hans-Uwe OttoRain and Lee Byung-hun spearheads this cultural trend, while establishing their status as pan-Asia’s hottest stars, who enjoy a particularly fanatic following among female fans. This chapter engages with the transnational trajectories of such new forms of Korean male stardom on the Hollywood screen, focusing in particular on the case of Rain.作者: PLAYS 時間: 2025-3-22 17:03 作者: 路標 時間: 2025-3-22 21:38 作者: Carbon-Monoxide 時間: 2025-3-23 04:18 作者: 古代 時間: 2025-3-23 06:17 作者: aggravate 時間: 2025-3-23 13:06 作者: 高度 時間: 2025-3-23 17:32
Asano Tadanobu and Transnational Stardom: The Paradoxical Polysemy of Coolty and flexible charisma, natural physical attributes and willingness to take risks, actor and auteur partnerships, image circulation and casting as iconic figures have contributed to his currency across national borders.作者: 可卡 時間: 2025-3-23 19:39 作者: 考古學(xué) 時間: 2025-3-23 23:11 作者: micturition 時間: 2025-3-24 04:37 作者: 我正派 時間: 2025-3-24 10:02 作者: 競選運動 時間: 2025-3-24 14:21
Too Late the Hero? The Delayed Stardom of Donnie Yenn’s belated rise to major stardom, particularly since . aka . (Wilson Yip Wai-shun, 2005, Hong Kong), is one of those instances when being proven wrong comes as a pleasant surprise — few Hong Kong stars deserve their success more (see Hunt 2011). The title of James Mudge’s overview of Yen’s career s作者: hazard 時間: 2025-3-24 16:02 作者: LARK 時間: 2025-3-24 21:05 作者: sigmoid-colon 時間: 2025-3-25 01:33
Stars as Production and Consumption: A Case Study of Brigitte Linpersonal recognition, Brigitte Lin won the Best Actress at the Asia-Pacific Film Festival for her role as a patriotic girl-scout in . (Ding Shanxi, 1975, Taiwan) and the Best Actress at the 1990 Golden Horse Awards for her depiction of a Chinese female writer of the 1940s who fell in love with a Jap作者: 的’ 時間: 2025-3-25 06:22 作者: 預(yù)感 時間: 2025-3-25 08:49
https://doi.org/10.1007/978-3-322-85345-5new technologies has become more significant to Hollywood blockbusters than the stars attached to them. Perhaps the most cited example of this developing trend is .. These changes in the US film industry led Mike Goodridge, then editor of . to ask, ‘Are movie stars losing their power in the film bus作者: GIDDY 時間: 2025-3-25 14:11
https://doi.org/10.1007/978-3-658-00781-2 them to the actual actor’s screen persona; they operate as signs and symbols, as brands, as rhetorical instruments to frame promotion and consumption. Thus, the inherent flexibility of the star’s image takes on a further dimension, as specific actors incorporate different meanings within new contex作者: BUST 時間: 2025-3-25 16:21 作者: 使殘廢 時間: 2025-3-25 23:53
https://doi.org/10.1007/978-3-322-81978-9n’s belated rise to major stardom, particularly since . aka . (Wilson Yip Wai-shun, 2005, Hong Kong), is one of those instances when being proven wrong comes as a pleasant surprise — few Hong Kong stars deserve their success more (see Hunt 2011). The title of James Mudge’s overview of Yen’s career s作者: cyanosis 時間: 2025-3-26 01:35
Bankwirtschaft programmierte Aufgaben print. The retrospective screenings of Cathay’s output held throughout the city drew an almost exclusively older audience, those who perhaps had seen the films upon their first release in the 1950s and 1960s. Otherwise, these films were only the province of Chinese speakers in Hong Kong or South Ea作者: sorbitol 時間: 2025-3-26 05:22
https://doi.org/10.1007/978-3-8349-3964-7tic oriental femininity: demure, mysterious and alluring. However, in Japan she was something completely different; she represented a model of a modern Westernized femininity: independent, outspoken and overtly erotic. In Japan she was a ‘bad girl’, a perfect example of the increasing Westernization作者: 人類 時間: 2025-3-26 10:17
https://doi.org/10.1007/978-3-663-02294-7personal recognition, Brigitte Lin won the Best Actress at the Asia-Pacific Film Festival for her role as a patriotic girl-scout in . (Ding Shanxi, 1975, Taiwan) and the Best Actress at the 1990 Golden Horse Awards for her depiction of a Chinese female writer of the 1940s who fell in love with a Jap作者: 著名 時間: 2025-3-26 14:16
Abschlu?prüfung Allgemeine Wirtschaftslehre director. However, before tracing a genealogy which links these figures to recent South Korean action film-making, I would like to start by raising a few questions concerning the situation of action films and male stars on the contemporary scene.作者: Flounder 時間: 2025-3-26 18:14
Introduction: Star Power from Hollywood to East Asia commenting upon the US film industry noting a historically significant shift away from the traditional dominance of star power. Central to this has been the growing importance of technological spectacle in the marketing of recent Hollywood blockbusters such as . (Michael Bay, 2007) and . (James Cam作者: Landlocked 時間: 2025-3-26 23:27 作者: archetype 時間: 2025-3-27 04:55
Pop-orientalism and the Asian Star Body: Rain and the Transnational Hollywood Action Movieappeared in Hollywood action movies, . (James McTeigue, 2009) and . (Steven Sommers, 2009), respectively. This unprecedented visibility of Korean male stars in Hollywood action movies is being driven by the growing importance of the Asian film and media market. The sharp growth of Asian media entert作者: harrow 時間: 2025-3-27 09:20
National Idols? The Problem of ‘Transnationalizing’ Film Stardom in Japan’s Idol Economyented approach. While reception studies, and particularly fan studies, remain important for our understanding of idol consumption, I suggest that an industry-based focus can more clearly illuminate some of the obstacles in transforming Japanese idols from successful, domestic ‘multi-media’ stars int作者: 使混合 時間: 2025-3-27 09:29
Zhang Ziyi: The New Face of Chinese Femininityd by director Zhang Yimou, who cast her as the female lead in . (literally, my father and mother, 1999). She was immediately picked up by Ang Lee and appeared in her breakthrough role in . (2000). This chapter examines the stardom of Zhang Ziyi, comparing her star image in the West with that of her 作者: Metastasis 時間: 2025-3-27 16:29
Maggie Cheung, ‘une Chinoise’: Acting and Agency in the Realm of Transnational Stardom’ meta-filmic remake of Louis Feuillade’s serial . (1915, France). In Assayas’ film, Vidal is an ageing director, who is also in the process of remaking the classic French serial, but has taken the decision to cast Hong Kong actress Maggie Cheung (playing herself) in the eponymous role. Vidal offers作者: 發(fā)牢騷 時間: 2025-3-27 21:41
Joan Chen: National, International and Transnational Stardomshe remains critically underexplored, despite having appeared in films by three generations of Chinese directors, Hong Kong New Wave directors (e.g. Stanley Kwan), internationally known directors from the Chinese diaspora (e.g. Wayne Wang and Ang Lee), and highprofile international film-makers (e.g.作者: guardianship 時間: 2025-3-28 00:36 作者: 吹牛大王 時間: 2025-3-28 02:44 作者: LAST 時間: 2025-3-28 08:53
Too Late the Hero? The Delayed Stardom of Donnie Yens place’ (2003, 140). I was, of course, aware of and admired Donnie Yen, but he had been unable to establish himself as a leading man and the route to stardom through ‘a(chǎn)uthentic’ martial arts ability was visibly closing. Sabrina Qiong Yu also places Li at the top of the kung fu mountain, describing 作者: fringe 時間: 2025-3-28 14:23 作者: choleretic 時間: 2025-3-28 17:57 作者: 無能力 時間: 2025-3-28 21:01
Stars as Production and Consumption: A Case Study of Brigitte Lin, . (Song Cunshou, Taiwan), became an overnight success in 1973, Brigitte Lin appeared in over 100 movies produced in Taiwan and in Hong Kong until 1994 when she got married and semi-retired from the industry. Many of her films were commercially profitable in Taiwan, Hong Kong, Mainland China and ov作者: BROW 時間: 2025-3-29 02:56 作者: expire 時間: 2025-3-29 06:29
http://image.papertrans.cn/e/image/300966.jpg作者: Migratory 時間: 2025-3-29 08:19
Book 2014Many stars from China, Japan and Korea are the most popular and instantly recognizable in the world. East Asian Film Stars brings together some of the world‘s leading cinema scholars to offer their insights into the work of regional and transnational screen legends, contemporary superstars and mysterious cult personas.作者: reptile 時間: 2025-3-29 14:45 作者: 制定法律 時間: 2025-3-29 17:36
978-1-349-44005-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2014作者: 良心 時間: 2025-3-29 23:45 作者: Alveolar-Bone 時間: 2025-3-30 03:04 作者: Gum-Disease 時間: 2025-3-30 04:54 作者: FACT 時間: 2025-3-30 08:57 作者: Kidnap 時間: 2025-3-30 15:40
Ideologie ist, was der andere hat,ented approach. While reception studies, and particularly fan studies, remain important for our understanding of idol consumption, I suggest that an industry-based focus can more clearly illuminate some of the obstacles in transforming Japanese idols from successful, domestic ‘multi-media’ stars int
