標(biāo)題: Titlebook: Early-Twentieth-Century Frontier Dramas on Broadway; Situating the Wester Richard Wattenberg Book 2011 Palgrave Macmillan, a division of Na [打印本頁] 作者: 搭話 時間: 2025-3-21 19:36
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作者: 松雞 時間: 2025-3-21 23:32
Frontier Western Discourse at the Turn of the Nineteenth to the Twentieth Century has taken numerous shapes. Certainly, variations in the who, what, where, when, and why of the discourse have affected its content; nevertheless, the assorted statements and expressions that comprise frontier western discourse have had a certain coherence. From the early seventeenth century, recurr作者: Epidural-Space 時間: 2025-3-22 02:32
The Turn-of-the-Century American Theater Contextormed when it entered the theater. As a mode of representation, or (re) presentation, the theater production process inevitably impresses itself on the material with which it deals. In other words, the theater does not function as a transparent window through which either the actual frontier western作者: Alcove 時間: 2025-3-22 06:28
Discipline and Spontaneity: Clyde Fitch’s , and Augustus Thomas’s ,ent even in early frontier drama. To be sure, the shape of the action in early-nineteenth-century plays like . (1829) and . (1830) depended heavily on the civilization-savagery contrast. Later frontier plays, like . (1879), had even begun to explore the possibility of bridging this opposition by bri作者: 值得尊敬 時間: 2025-3-22 11:57 作者: 產(chǎn)生 時間: 2025-3-22 13:09 作者: 產(chǎn)生 時間: 2025-3-22 19:39
From Melodrama to Realism: William Vaughn Moody’s , and Rachel Crothers’s eater season by the outstanding successes of Royle’s . and Belasco’s . continued into the 1906–1907 season. Burns Mantle and Garrison Sherwood list more than one hundred productions for the 1906–1907 season, and of these, four of the seven longest-running productions dealt with the frontier West. Th作者: 使激動 時間: 2025-3-23 00:35 作者: TEM 時間: 2025-3-23 01:26 作者: 恃強凌弱 時間: 2025-3-23 07:23 作者: EXALT 時間: 2025-3-23 13:15
Discipline and Spontaneity: Clyde Fitch’s , and Augustus Thomas’s ,rn discourse to which Turner, Roosevelt, Wister, and Remington were key contributors provides a context within which the frontier visions presented in plays like Clyde Fitch’s . (1899), Augustus Thomas’s . (1900), Frederic Remington and Louis Evan Shipman’s . (1903), and Owen Wister and Kirke La She作者: metropolitan 時間: 2025-3-23 16:04 作者: 走路左晃右晃 時間: 2025-3-23 20:20
,1973 – Geschichte einer numerischen Gr??e,d syntax set the parameters of theater representation, they can be seen as the distinguishing elements of what we might call “theater discourse.” Late-nineteenth-century frontier western drama should be understood, then, as the product of what Stephen Greenblatt referred to as a complex cultural “ne作者: 記成螞蟻 時間: 2025-3-23 22:11 作者: 用手捏 時間: 2025-3-24 06:04 作者: 重疊 時間: 2025-3-24 08:06
2947-5767 mas not only indicate the popularity of these plays but also tell us that these plays offered views about the frontier that original audiences could and did embrace.978-1-349-29376-6978-0-230-11914-7Series ISSN 2947-5767 Series E-ISSN 2947-5775 作者: entrance 時間: 2025-3-24 12:41
Palgrave Studies in Theatre and Performance Historyhttp://image.papertrans.cn/e/image/300825.jpg作者: escalate 時間: 2025-3-24 17:44
,Didaktische und methodische überlegungen,ch source of narrative material. Frontier themes and motifs have been a primary focus especially for Euro-American artists and writers in search of a distinctly American experience. Even as events associated with the settlement of the western frontier have slipped further and further into the past, 作者: Antimicrobial 時間: 2025-3-24 20:32 作者: 配偶 時間: 2025-3-25 02:10
,1973 – Geschichte einer numerischen Gr??e,ormed when it entered the theater. As a mode of representation, or (re) presentation, the theater production process inevitably impresses itself on the material with which it deals. In other words, the theater does not function as a transparent window through which either the actual frontier western作者: 鐵塔等 時間: 2025-3-25 07:21
,Die k?rperlichen Grundlagen der Hypnose,ent even in early frontier drama. To be sure, the shape of the action in early-nineteenth-century plays like . (1829) and . (1830) depended heavily on the civilization-savagery contrast. Later frontier plays, like . (1879), had even begun to explore the possibility of bridging this opposition by bri作者: Hiatus 時間: 2025-3-25 08:20
,Die k?rperlichen Grundlagen der Hypnose,urn-of-the-century frontier discourse: Owen Wister and Frederic Remington. ., adapted from Remington’s novel of the same name by Louis Evan Shipman, opened on November 2, 1903, and ., dramatized by Wister and Kirke La Shelle, on January 5, 1904. Both plays began their New York theater life at the ve作者: 真繁榮 時間: 2025-3-25 12:24
https://doi.org/10.1007/978-3-662-41010-34, 1905, were among the most successful Broadway-style plays of the 1905–1906 theater season. According to the information on New York productions for that theater season, compiled by Garrison P. Sherwood for Burns Mantle’s ., which had an initial run of 222 performances,. and ., which had an initia作者: Parley 時間: 2025-3-25 15:54 作者: altruism 時間: 2025-3-25 22:12 作者: septicemia 時間: 2025-3-26 02:25 作者: SEVER 時間: 2025-3-26 05:07
https://doi.org/10.1057/9780230119147America; drama; novel; theatre作者: Incorporate 時間: 2025-3-26 09:54
978-1-349-29376-6Palgrave Macmillan, a division of Nature America Inc. 2011作者: morale 時間: 2025-3-26 13:56
Early-Twentieth-Century Frontier Dramas on Broadway978-0-230-11914-7Series ISSN 2947-5767 Series E-ISSN 2947-5775 作者: FRAUD 時間: 2025-3-26 18:07
2947-5767 mas not only indicate the popularity of these plays but also tell us that these plays offered views about the frontier that original audiences could and did embrace.978-1-349-29376-6978-0-230-11914-7Series ISSN 2947-5767 Series E-ISSN 2947-5775 作者: Restenosis 時間: 2025-3-26 21:03 作者: amplitude 時間: 2025-3-27 03:57
https://doi.org/10.1007/978-3-662-43024-8have varied from eastern forests to midwestern prairies to far western plains, deserts, and mountains, but the underlying view of the western frontier as a liminal zone, a borderland, on the edge of civilization has pervaded European-American efforts to represent frontier existence.作者: 磨坊 時間: 2025-3-27 07:44
https://doi.org/10.1007/978-3-662-41010-3and the legendary production of J.M. Barrie’s ., starring Maude Adams (223 performances).. Of the five, Royle’s and Belasco’s plays both frontier plays had the most in common. The success of these two works indicates not only their authors’ skills but also the general appeal of the frontier play for 1905 Broadway theater audiences.作者: epidermis 時間: 2025-3-27 12:33 作者: Chromatic 時間: 2025-3-27 16:31 作者: 恃強凌弱的人 時間: 2025-3-27 20:43 作者: 遠(yuǎn)足 時間: 2025-3-28 00:58 作者: 植物學(xué) 時間: 2025-3-28 05:13 作者: cortisol 時間: 2025-3-28 09:46
,Die k?rperlichen Grundlagen der Hypnose,fe, Minnie Maddern Fiske, and her performing company.. While the Fiskes produced neither of these plays, the very presence of these plays in the Manhattan Theatre suggests the degree to which Wild West material had become attractive to fashionable New York theater audiences.作者: 使迷惑 時間: 2025-3-28 13:55
Drama from Novels: , and ,fe, Minnie Maddern Fiske, and her performing company.. While the Fiskes produced neither of these plays, the very presence of these plays in the Manhattan Theatre suggests the degree to which Wild West material had become attractive to fashionable New York theater audiences.作者: 不能和解 時間: 2025-3-28 18:13
.Verst?ndliche Darstellung der wesentlichen Gesch?ftsmodelle.Die Autoren führen in komprimierter und verst?ndlicher Form in die wichtigsten Bereiche des Electronic Commerce und des Online-Marketing ein. Im Electronic Commerce stehen die wesentlichen Gesch?ftsmodelle und aktuellen Ans?tze im Vordergr
